Super-quick one this morning, travelling day. Benjimagnetic has painted this super piece on the M32 roundabout, full of vibrancy, colour and movement. It probably spells BEN, I think I can see it, because that is what he tends to write.
This might be the most colourful Benjimagnetic piece that I have seen – perhaps he was using up dregs. All the signature elements are here in this piece. Gotta go. Normal service should resume tomorrow.
This is an absolute classic from Mind 49, who has done a lot of maturing lately, and has absolutely nailed it with this piece on the roundabout straddling the M32. Mind 49 has produced something really special here with the letters MIND forming a backdrop to a really unusual portrait.
I don’t know who the portrait is of, but it looks like a Middle Eastern character popping a cigarette into his mouth. The photorealistic portrait is full of richness and interest, and totally not what you might expect to see in this spot.
Unfortunately, when I last saw the piece, some muppet had dogged the face of the gentleman, which is simply so difficult to understand. Let’s hope it doesn’t put off Mind 49 from returning to Bristol.
This is the second piece I have posted by Noise, and I suspect I have some others in my archive somewhere. Noise is a graffiti writer, whose writing I really like, it is chunky, confident, assured and nicely crafted.in this piece Noise has also included a character, which is seen quite commonly in graffiti art, but I can’t remember the name or context of the character. A quick Google search tells me it is Orko from He Man.
The letters spell out noise and are filled beautifully and finished off with a splendid white border. I can’t put my finger on it, but I really like Noise’s writing style and look forward to posting more over the coming months.
When I first encountered Daz Cat’s pieces, they were pretty much always portraits of cats, sometimes dogs, and reasonably basic, but with that Daz Cat style. Over time his work has become more sophisticated, and about 18 months ago reached a new level, each piece telling stories, rather than just a portrait.
This one on the St Werburghs entrance to the roundabout, is a piece that uses the square space supremely well, and the illustrative rabbit (or cat with very long ears) curled up in a tight ball appears to be spinning. There is lots of movement here and even though it is painted in greyscale, it makes a strong impression. Who’d have thought he’d be producing stuff like this a few years ago. Great to see.
Background noise. I have only recently become consciously aware of Noise and his rather distinctive style of writing. I have a few of his pieces in my archive, but until now didn’t know much about him, and actually still don’t apart from his name. Noise has been a presence in Bristol, but somehow I just haven’t picked him up on my radar.
Noise’s writing style is not only accomplished, but rather easier on the eye than some writers. His letters are large, rounded and distinctive, and share a quality with Dopes’ letters. The fills here are beautifully done and create a kind of shiny surface effect. This may be the first, but certainly won’t be the last piece by Noise to appear on Natural Adventures.
Kid Krishna has had a quiet couple of weeks, which means that I can catch up on some of his pieces, although there is so much happening at the moment, it is never easy to catch up on anything. This is a bright, happy piece from Kid Krishna, featuring elements of the Wizard from Vaughn Bode.
I can’t really express how good I believe this piece to be. It is clean, tight, cryptic and joyful, and since Kid Krishna appeared on the Bristol scene about 18 months ago, he has been turning out pieces like this one with extraordinary regularity, and in doing so, really pushed the boundaries with his unconventional style.
I have said many times before on Natural Adventures that it is always a great pleasure to welcome new artists, and over the last year or so there have been an incredible number of new entrants onto the scene. One of the latest to showcase her work is Hiccup, a Bristol artist, nail artist and creator of hand-crafted jewellery.
This is a nicely worked piece of a hand holding an old brick cell phone – I had one like it for many years. The letters ACAB (All Cops are Bast**ds) appear in the display – a common motif for street artists. Nails feature prominently, which perhaps comes as no surprise. A nice piece, with plenty more to come, I hope.
I simply can’t keep up, not with Mote and not with any other artists either. Whilst it might sound like a complaint, it is not really a bad thing because it signifies a thriving street art and graffiti writing culture in Bristol… as if we didn’t know that already.
Mote himself, has really been on full throttle lately and this piece on the M32 roundabout is part of his series of bird monsters, that he seems to be particularly keen on at the moment. In these bird pieces, Mote creates a delineation between the face and beak/bill and the rest of the bird, defined by different colour schemes. There is a lot to like about these giant ‘doodles’ and they have become very much a part of the furniture in the city.
Tucked away, hidden by a bush on the M32 roundabout, is this fun little character piece by Bean. Although each of Beans pieces that I have seen so far are different characters, there is something about his style that it quite distinctive. It might be the colour palette that he uses, which often includes lots of bright yellow, orange and red.
This cartoon character, with a green moustache is sporting a fine headdress of flowers and toadstools. The piece it really neat and tidy, and beautifully drafted, with great use of light and shade to create depth in the facial features. I am very much enjoying Beans’s work, which seems to crop up at reasonably regular intervals.
He doesn’t paint all that often, but when he does, Serm pretty much always does a grand job of it. I think it might have been the polite thing to do to buff the wall a little first, because you can still see the Hypo piece beneath, but it is no big deal, because overpainting is part of the way of life for graffiti writers.
Although the writing clearly spells SERM, I keep reading SESK, because there used to be a writer in Bristol called Sesk some time ago, a writer of some notoriety I might add, but that is another story. The chunky letters are really nicely filled with a complex layering of patterns, topped with some thin line bubbles. To go with the chunky letters is a very deep 3D drop shadow drifting to the right, in a range of blues. This is a nice tidy piece by Serm, and after a couple more from him, I’ll have enough for a gallery.
Natural adventures 