This superb little character piece by Cheo was painted in celebration of Ulow’s recent birthday. Although the piece is unsigned, it looks like it is by Sled Onebut is actually one of two by Cheo. It piece depicts a cheeky spray can eating a taco. Quite why I do not know, but it doesn’t matter.
Cheo, M32 roundabout, Bristol, August 2025
Cheo has had a busier than usual year, and it was great to see this piece, celebrating Ulow’s recent birthday. One of a number of superb pieces from a gathering of some of the best and most established artists in Bristol. Top work.
Minto, Cheo, Hypo, Ulow, Dibz, Soker, Rusk, Shade One and Turoe, M32 roundabout, Bristol, August 2025
Without doubt, the paint jam celebrating Ulow’s birthday was the best I have seen this year, fending off some very stiff competition. The whole wall on the western side of the roundabout was colour themed and coherent and each contributing artist absolutely nailed it.
Minto, M32 roundabout, Bristol, August 2025
Starting at the right hand side of the wall, the collaboration begins with this superb car piece by Minto. The old Citroen vehicle has been brought to life as an animation full of character. The van is one of those converted for street food, selling Mexican food… I love the sombrero on the roof. The words read ‘Ulow, Me, High, Tacos’, which obviously makes some kind of sense to Minto.
Minto, Sled One, Cheo, Hypo, Ulow, Dibz, Soker, Rusk, Shade One and Turoe, M32 roundabout, Bristol, August 2025
I managed to get a wide-angle shot of the whole wall, which I will share at the end of each post from this paint jam. A real humdinger.
Slim Pickings, M32 roundabout, Bristol, August 2025
It is a very long time since I last posted anything by Slim Pickings (TES), not because he hasn’t been painting, but because I have been so squeezed by unbelievable volume of street/graffiti art being painted over the last few months. To make up for lost time, here are two pieces painted during the same session in August.
Slim Pickings, M32 roundabout, Bristol, August 2025
For a long time Slim Pickings would repeat the same basic form of his TES letters, rarely deviating from the archetypal form other than adjusting the fills and the odd accessory decoration. With these two pieces he has thrown in some slightly different designs. The one with the pink background is a bit of beauty.
I have waited a long time to see this wonderful piece from Biers. Over the last few months, Biers appears to have lost his mojo a little and has been painting infrequently and tending to use the short-form version of his WD40 moniker. It happens for artists from time to time – you can’t be on top of your game all of the time.
Biers, M32 roundabout, Bristol, August 2025
I hope this piece marks a return of the longer form combination pieces that are so typically the wonderful work of Biers. I don’t know who the character is meant to be, but I really like him (looks like a teddy boy to me) and I love the way he contrasts with the colours of the letters and background. The fills in the letters are outstanding With some nicely done reversed out circles in black and gold. The res patterns look like little viruses wafting over the piece. All in all a great piece and one, I hope, that encourages Biers to return to his former glory.
I would say that 2025 has been the year when Posh upgraded from being a bit-part player to a fully fledged star of the Bristol street art scene. His occasional little characters have developed into a diverse range of larger combination pieces that show off his unquestionable talent.
Posh, M32 roundabout, Bristol, August 2025
In this piece Posh has combined his mischievous toffee-nosed imps with some unusual writing, which I can’t read, both in his sketchy style. The writing is full of colour and movement and quite unlike any other graffiti writing I have seen before. His characters continue to amuse, and I particularly like the fellow riding the bicycle. This piece is clear evidence of Posh’s growth and development.
In recent weeks, Corupt has been painting loads of pieces, concentrating his efforts on the M32 roundabout, and this STICK piece is an absolute belter from the very highly regarded Hungarian graffiti writer.
Corupt, M32 roundabout, Bristol, August 2025
This beauty showcases Corupt’s class and skill in equal measure. The letters are superbly designed and the proportions work so well. It is the fills which I find most captivating, especially the translucent effect where the letter ‘T’ crosses over the letter ‘I’. BS3 is a postcode reference (which is actually in the Bedminster area of south Bristol). Rounding off the piece is Corupt’s trademark border, which has about an inch of separation from the letters and drop shadows, framing the writing uniquely.
I had only met Esme Lower a couple of times before I met her again while she was painting this piece, and every time she has been ever so friendly and patient with my rambling conversation. She painted this wonderful, piece with a couple of friends on a rather nice sunny afternoon (remember those?), and she has done a really great job.
Esme Lower, M32 roundabout, Bristol, August 2025
The piece spells out ‘MELO’ which is the middle section of a conflation of her first and second names. The characterful letters are beautifully decorated with flowers, and the whole piece has a hint of art nouveau style about it. This is a really neat and tidy piece, quite different from a lot of the writing we see in Bristol, which has a strong artistic flair running through it. More to come from Esme Lower.
Lis and Elsa Bee, M32 roundabout, Bristol, July 2025
This wonderful piece is far and away the largest mural I have seen from Lis (Le Imposter Design) to date, and I was really lucky to find and photograph it, as it only lasted a day or two. Watching Lis develop and grow in confidence over the last year or so has been one of the great joys of doing what I do, and this piece brings together a whole bunch of ideas into a natural ensemble.
Lis and Elsa Bee, M32 roundabout, Bristol, July 2025
Let’s start with the writing – I think this is the first time I have seen Lis write anything, and it really isn’t a bad effort, and the letters and fills are commensurate with the mood of the whole piece (UPDATE: Lis tells me that the writing and the Octopus are by her friend and collaborator Elsa Bee). The pond scene with the dragonflies and bulrushes is unusual and uplifting, and although the octopus is a bit incongruous, he seems to be having a great time (which knowing it is by another artist now makes complete sense). A natural salsa. Lis is developing a lovely style all of her own, and I hope very much to meet her one day to tell her how good I think her work is.
In Bristol we have so many different styles of graffiti writing, and a lot of these fit into certain defined categories such as wildstyle, anamorphic, calligraffiti, anti-style, script, bubble writing and so on, but with some artists, it is really difficult to stick them in a particular pigeonhole, and I think Sait bare is one of those,
Sait Bare, M32 roundabout, Bristol, August 2025
This is a nice piece painted alongside Hire, a pairing that seems to be increasingly common. There is a bilateral symmetry emerging in this piece, which is perhaps the key focal point, as the fills are quite plain. The drop shadow converging on a central vanishing point and the glowing green border highlights provide plenty of depth. Also, the eyes, which are common to both this piece and the adjacent one by Hire, definitely add interest.
Hemper, Dun Sum and Hypo, M32 roundabout, Bristol, July 2025
What a wonderful collaboration from Hemper, Dun Sum and Hypo, one that slipped a little under the radar and didn’t perhaps receive quite the fanfare it merited. Three rather different pieces, each making an individual visual impact.
Hemper, M32 roundabout, Bristol, July 2025
To the left is one of Hemper’s shortened ‘HEMS’ pieces, where the overlapping letters are compressed laterally. This is a pattern he has been following for the last month or so, perhaps marking a quieter phase after his expansive work earlier in the summer. As ever, the piece, which has some lovely fill patterns and expert white highlights, is oozing with class.
Dun Sum, M32 roundabout, Bristol, July 2025
It is impossible not to be drawn to the cat character by Dun Sum. Although I have (and love) a dog, I have always been a cat person at heart. I have to say that there is something that creeps me out a little bit about this cat, perhaps it is the smile or maybe the eyes, but the overall effect bis a little intimidating, but isn’t that cats all over? It is really nicely painted and a great focal point for the graffiti writing either side of it.
Hypo, M32 roundabout, Bristol, July 2025
To the right is another fine piece from Hypo – I say another, because he has been turning out so many great works with alarming regularity this summer. The aquamarine colours used for the fills of this piece have a tranquility about them, and with all the bubbles and spots has a distinctly aquatic feel. As I said before, three distinct individual styles coming together in this great collaboration.
Natural adventures 