Tag: M32 Spot

3164. M32 Spot (79)

Sometimes fate plays a part in our lives. Yesterday morning I gave my son a lift to friend’s house quite early because they were heading off for a day’s fishing. On the way back I stopped off at a few street art spots, the first of which was here underneath the M32. I just so happened to turn up as Ryder was finnishing off some rather lovely of graffiti writing.

Ryder, M32 Spot, Bristol, September 2020
Ryder, M32 Spot, Bristol, September 2020

I stopped for a while but tried not to break his rhythm because he had to be at work for 10am and needed to finish the piece off quickly. He said that he was really pleased with this piece, it had just worked out really nicely for him and that is good to hear because in my experience street artists are unerringly self-critical. It is a bit of a stunner, and the amazing thing is he created this in a little over an hour!.

Ryder, M32 Spot, Bristol, September 2020
Ryder, M32 Spot, Bristol, September 2020

As he was packing up he asked if I was heading off to the Cheltenham Paint Festival, which got me thinking. I hadn’t been planning on it, our weekends are a bit precious at the moment, but now I am giving quite a lot of thought to going tomorrow (which is partly why I am writing this post yesterday, almost immediately after coming home from taking these pictures, as I might not have time today (written yesterday as if tomorrow was today)).

Ryder, M32 Spot, Bristol, September 2020
Ryder, M32 Spot, Bristol, September 2020

Finally, I am rather chuffed with the Scooj shout out. Little things matter, and that made me feel very happy.

3132. M32 Spot (78)

There is no question about it, Angry Face is definitely back and seems to be having a bit of fun. I don’t know what the long absence was about, but it is great to see the artist back on form with this unique mega-tag.

Angry Face, M32 Spot, Bristol, August 2020
Angry Face, M32 Spot, Bristol, August 2020

This quick one recently appeared on one of the columns of the M32 Spot, and is the third piece by Angry Face I have seen in recent weeks… there may of course be others.

3122. M32 Spot (77)

I can’t think of a time when I have seen so many John D’oh stencils in such rapid succession including several that I have missed in recent weeks. Many have been about the Government’s inept handling of the coronavirus outbreak, this one however is more about the impacts on people.

John D'oh, M32 Spot, Bristol, August 2020
John D’oh, M32 Spot, Bristol, August 2020

Rats have commonly been used by Banksy and many other artists in their work and here a rat is used to illustrate the ‘rat race’ with the words ‘After COVID-19 I am not sure I can join the rat race’. Another nice work recording the impacts of the pandemic on Bristol society.

3119. M32 Spot (76)

From time to time I make assumptions on Natural Adventures. Sometimes they are right and at other times they are disastrously wrong, so I am a little nervous about sticking my neck out and suggesting that this piece is by Mutatee.

Mutatee, M32 Spot, Bristol, August 2020
Mutatee, M32 Spot, Bristol, August 2020

My doubt is that I haven’t seen anything painted by Mutatee before, only little resin models, but the blue-faced character is the same as hers. I realise that the character is from some TV show, so it is possible that another artist painted this. All part of the confusing street art landscape. I shall attribute this fun little piece to Mutatee until told otherwise.

Mutatee, Turbo Island, Bristol, November 2019
Mutatee, Turbo Island, Bristol, November 2019

3039. M32 Spot (75)

When I first saw this lovely piece I couldn’t place the artist. I was familiar with the style, but I don’t know, it was bothering me and I couldn’t immediately see the signature because of the skaters’ bags in front of it. A closer inspection revealed it is by Zake, but is quite unlike most of his other pieces that I have seen.

Zake, M32 Spot, Bristol, June 2020
Zake, M32 Spot, Bristol, June 2020

This is a really classy and thoughtful piece that makes perfect use of the awkward column space. The green-faced girl has beautiful blue hair that turns into a waterfall. Her right hand is holding a spray can that is painting her purple hair that stretches over her head and transforms into a hand that is reaching down to her left hand. Personally I think this is a wonderfully composed piece and concept, beautifully carried out. I love it.

There is a name Diana Abdul at the bottom of the piece, but I don’t know what significance this holds.

2991. M32 Spot (74)

Something good pretty much always results when these two PWA artists collaborate, which fortunately for us is often, this time under the M32. Soap and Face 1st seem to have a telepathic connection like Pires and Henry (I had to choose Arsenal players, but think of any deadly football partnership and you’ll know what I mean), and their collaborations feel so comfortable and easy if you know what I mean.

Soap, M32 Spot, Bristol, June 2020
Soap, M32 Spot, Bristol, June 2020

I don’t quite get what the story is but there is consistency across the whole collaboration. On the left Soap is the writing of Soap which is filled with a sophisticated array of colours and techniques and is truly a thing of beauty. Soap’s fills just seem to get better and better.

Face 1st, M32 Spot, Bristol, June 2020
Face 1st, M32 Spot, Bristol, June 2020

On the right we have a rather unusual Face 1st piece of a girl riding on the back of a cigarette-smoking frog waving a bee on the end of a stick in front. What?!? I must ask him what on earth is going on in this piece next time I see him. Wild, imaginative and wonderful.

2977. M32 Spot (73)

It took two trips to this spot to be able to get any decent pictures. On my first visit, the sun was very bright indeed and a horizontal shadow was cast across the top half of the piece… my photographs were unusable.

3Dom, M32 Spot, Bristol, May 2020
3Dom, M32 Spot, Bristol, May 2020

This is a magnificent collaboration between 3Dom and Feek and one of the first to be painted since the lock down restrictions were slightly eased. On the left is an extraordinary character by 3Dom built up of five or six distinct elements: a raspberry head with a target, a geometric torso, wicker basket bottom, fractured legs and fabulous slippers. The character is balancing on a tightrope.

Feek, M32 Spot, Bristol, May 2020
Feek, M32 Spot, Bristol, May 2020

Opposite is a character from Feek, wearing a barrel on his head riding a unicycle on the same tightrope, a parrot nervously hanging on to the seat of the unicycle. The whole piece is a celebration of circus in a burst of colour and surreal ideas, and is the kind of outstanding piece that doesn’t come around every day.

3Dom and Feek, M32 Spot, Bristol, May 2020
3Dom and Feek, M32 Spot, Bristol, May 2020

Between the two tightrope acts is a beautifully painted ASK (After School Klub) written in circus-style Block script, which holds the two halves together with great skill. This is a truly exceptional piece and one that has been well worth the wait.

2965. M32 Spot (72)

I was familiar with the M32 Spot some time before I started photographing street art, because I used to drop my then 12 year old son off for wet-weather skateboarding. The M32 Spot DIY skatepark was pretty much the only (free) skate park option when it rained, and for a skating obsessed boy this was the destination of choice. That boy turns 18 next weekend. Where did that time go?

Feek, M32 Spot, Bristol, May 2020
Feek, M32 Spot, Bristol, May 2020

This lovely piece by Feek, like so many pieces by the artist, really chimes with the skating community. The painting features a monster contributing to the DIY building of the skate park. My favourite bit… his signature in the teeth.

2964. M32 Spot (71)

I love this for lots of reasons. Firstly because it is by John D’oh and secondly because it is a stencil, but mainly because it is overtly critical of the Wetherspoon owner Tim Martin, one of the most odious characters to have emerged from the Brexit debate. This man ranks as one of the supreme self-interested businessmen who puts making money for his business and for himself above the interests of the country. This attitude was exposed in the early days of lock down when Martin was calling for leniency for pubs and to allow them to remain open. Sod the virus eh?

John D'oh, M32 Spot, Bristol, May 2020
John D’oh, M32 Spot, Bristol, May 2020

Neatly placed on one of the columns under the M32, this piece is a beacon of hope, in that in poking fun at Wetherspoon it reinforces the responsible approach to protecting ourselves from coronavirus. I applaud this political commentary piece.

2956. M32 Spot (70)

What I love about John D’os work is that it lays down a historical (usually political) narrative of our time. This is the second version of this stencil in the area, I posted the other one a while back, and it records with an element of humour the madness of the run on loo paper at the start of lock down. As an additional note, you can’t move in supermarkets for bog roll at the moment, so what was the panic all about?

John D'oh, M32 Spot, Bristol, May 2020
John D’oh, M32 Spot, Bristol, May 2020

I like the retro look of the piece and of course the setting in amongst an array of contemporary tagging. More to come from John D’oh who was a little busier than some other artists during full lock down, taking his allotted hour of exercise on the streets and walls we know so well.