Looking at a single wall and how it changes over time.
3. Long hoarding at the top end of the M32 Spot


















































Looking at a single wall and how it changes over time.
3. Long hoarding at the top end of the M32 Spot



















































This is only the second piece by Lazo that I have seen, and I was fortunate enough to meet him when he was painting this column. As with his first piece, there is something very captivating about this portrait, and the style is quite different to that which we might expect to see in Bristol.

Lazo’s long face is perfect for column artwork and looks amazing, especially if you crop out the yellow paint at the top of the piece. I particularly like the depth and tone he achieves with his ‘brushstrokes’. The eyes too have something rather special about them. I am looking forward to seeing more from Lazo this year.


A little while ago, I was taking a Japanese friend on a tour of street art and graffiti spots around Bristol. She is writing an article on street art for a Tokyo journal and was getting a feel for the Bristol scene. Over the course of the day we were lucky enough to meet several artists, including Object… who was blitzing the columns under the M32 with his distinct expressive fingers and hands.

In this first piece, Object… has managed to work his fingers around existing pieces, making very good use of the Boris Johnson head, originally painted by John D’oh, creating something of a grotesque figure (not too difficult in the case of BJ).

It was an education watching Object… paint these pieces (more to follow in another post), which he did with rollers and brushes. He would create the rough shape of the fingers with the roller in white, and then add outlines and some definition, resulting in these extraordinary gnarly digits. Of course, it was really great to catch up with the artist, as always.

How absolutely brilliant is this? I used to read the Snail and Whale to my kids when they were little, along with several other Julia Donaldson classics. Having a close association with the sea for much of my childhood and my working life, I particularly enjoyed reading this picture book to them.

Haka has absolutely nailed the style of the illustrator, Axel Scheffler, in several pieces around the city, but this somehow feels even more authentic than some of the others. I am absolutely loving this ‘period’ in Haka’s street art journey, and expect it to continue for a few years yet. Bravo!

The whole of the M32 spot has become really untidy lately, and the flyposters have been very busy covering every surface with irritating posters. I never thought I’d say it, but I reckon the whole place could do with a bloody good buffing, tidy up and starting over again. Bogat has managed to find some space on this column to paint one of his trademark faces.

Although relatively simple in design, Bogat’s work is captivating and packs a punch, and he has a look and feel that is quite unique in Bristol. I particularly like the red cap, which reminds me of my own personal super-hero Jacques Cousteau, who was rarely seen without one. A nice column piece from Bogat.

Well lookee here, on one of my favourite walls we have a fabulous three-way collaboration from Dopes, Jaksta and Neddy Ned Ned. The whole thing is painted in Autumnal colours (although a winter collaboration), and provides more than a little contemporary commentary.

To the left is a fine piece of writing from Dopes, offering his beautifully proportioned letters in a metallic style with plenty of shading fades and highlights, neatly finished off with a tidy blue border and some arrows thrown in for good measure.

The most eye-catching element of the triptych is the portrait of Prince Harry, painted by Jaksta. This mischievous send-up of the Prince directly relates to the revelations in his autobiography ‘Spare’ and is a play on the word Charlie (cocaine) and Charles (his father the King). The portrait is nicely worked, but very different from the style I would normally associate with Jaksta.

I have never (knowingly) come across Neddy Ned Ned before, although his work does look slightly familiar. It is always great to have visitors to the city, especially when they are clearly as talented as Neddy Ned Ned is. There is a nice flow and confidence to the shapes of the letters, and there is a bit of a fill-fest going on too. Altogether, this is a banging collaboration.

Happy Christmas all
A quick message today from the Grinch, via the skill of John D’oh, for all you dog lovers out there – ‘a dog is not just for Christmas and should not just be given away or discarded’.

A beautiful stencil piece featuring the Dr, Seuss character.

This is a fine and rather unexpected collaborative wall from Mudra and Saor on a hoarding that I really love. This pair, are members of the very strong NTS crew, and when they get together to paint, the results are usually pretty awesome.

Mudra has been super-busy painting walls lately, and this is another in a series of outstanding pieces of graffiti writing. He has his own unique style where each letter of the word is painted in an individual format, although the whole thing hangs together really well. His pieces remind me of the Monty Python sketch about the theory of the Brontosaurus, which is that they are thin at one end, thick in the middle and thin at the other end. Great colours and a nice character skull face in the middle of the piece.

Saor has been smashing it recently too, although, to be fair, he had been smashing it for rather a long time, prior to changing his moniker to Saor. This is a highly designed piece with smatterings of Epok and Mr Penfold in there. Spelling out SAOR, the piece contains a lovely toothy monster, which makes a return appearance from time to time. A wonderfully presented collaboration.

There was a time when I could barely step outside my house without bumping into Klashwhensober, but I have not seen him now for a few months. I guess our body clocks are out of sync. Sometimes not meeting artists regularly is a sign that they are going through a fallow period, but that is certainly not the case with Klashwhensober, who appears to be as prolific as ever.

This reasonably recent piece, on one of my favourite walls, is a scorcher. There is a lot to like about this one. The piece is an explosion of colour, with the SOBER letters in green and blue and the background in orange and yellow. The fabulous thing that Klashwhensober is adding to his pieces these days is a feature aspect emanating out of the letters, and in this example is is a green cloudy element spreading out from the centre. A classy Klash piece.

This is a cheeky piece from John D’oh in the style of a saucy seaside postcard but drawing in some political commentary about our current economic crisis, and he carries if off really well, in my view.

This piece was painted on a column that previously played host to a Boris Johnson stencil, also by John D’oh, and reminds us of the important role played by political commentators, whether writers or artists, in documenting current events and the impacts of political decisions on society as a whole. Something a little different from John D’oh to enjoy.