DFC1848 doesn’t really need much of an introduction on these pages, but it has been a little while since he last painted in Bristol. This rather cute column piece is a reversion to his ‘go to’ character that he has been nurturing for a few years now. However, DFC 1848 has been developing and improving so much, with each new piece and I would recommend a quick look at his Instagram account to get a sense of what I mean.
DFC1848, M32 Spot, Bristol, April 2022
The cheeky character is very nicely done with string solid fills, clean lines and a rather nice twinkle on his tooth. It is obvious that DFC1848 is very comfortable and confident with his work. Great to see.
You can expect a whole lot more of these wonderful monster pieces from Mote, because I have a lot in my archive, and he paints regularly enough to keep me busy. This is a great example of his work, and also typifies his preference for columns. Although the monster might seem a little naive, it is actually beautifully painted and Mote takes his time to keep his lines sharp and his fills really solid.
Mote, M32 Spot, Bristol, March 2022
I take great inspiration from artists like Mote, Enn Kay and Maybe Paints who are all pretty new to painting the streets and have come on really quickly, presenting some outstanding work. If I get a moment, I hope to do my first public piece this summer, following their brave example, very possibly on one of the columns under the M32.
I have a feeling that you will be seeing a lot more of Bogat and his painting pal Asre on Natural Adventures over the coming weeks and months, as they have both been rather busy of late. This column piece by Bogat, might have been the first piece of his that I consciously knew was by him. Before this, I’m not sure He was on my radar.
Bogat, M32 Spot, Bristol, March 2022
Although this is perhaps not the best piece by Bogat, it is certainly striking and unmistakably his work. The writing in the brain is something I have seen before from another artist, but I don’t recall which one. The piece definitely stands out, and is a magnet for graffiti photographers like me, and Bogat’s work which is often tall and thin, definitely lends itself to columns.
Ryder seems to like this particular spot as much as I do, or at least it would appear to be that way given that he paints it reasonably often. This piece is a classic piece of Ryder wildstyle graffiti writing, which is always of the highest order.
Ryder, M32 Spot, Bristol, February 2022
The most striking thing about this piece is the copper colouring of the letters that seems to change completely in tone, depending on where it is viewed from. This is the kind of piece that one could easily imagine being slapped on the side of a wagon on the New York subway. Classic, clean and tidy. Pure graffiti writing at its best.
Minto is an occasional visitor to Bristol, and the pieces he leaves behind are always a welcome addition to the rich tapestry of street/graffiti art in the city. I believe Minto lived in Bristol for a time, but I might have got that wrong.
Minto, M32 Spot, Bristol, February 2022
This piece was painted on one of my favourite walls and spells out MINTO, which is obvious to see, once you know it is there. His style is not unlike Benjimagnetic’s, with hints at letters, rather than the solid letters there in front of you. A nice colour scheme and tidy work from Minto.
The best thing about photographing and chronicling street art in Bristol are the surprises, and they don’t come much bigger than this fabulous three way collaboration from Logoe, Sepr and Haka. Three old hands (I hope they won’t mind me calling them that) on the Bristol scene combining their talents on one wall.
Logoe, M32 Spot, Bristol, January 2022
To the left of the triptych is a truly fabulous piece of script graffiti writing from Logoe, who has been mad for it this winter. There really has been no stopping him, despite the fact he doesn’t even live in Bristol and blitzes our walls in short bursts.
Sepr, M32 Spot, Bristol, January 2022
The middle section is a superb character piece from Sepr, featuring a beautifully dresses satan balancing a flaming earth on his finger. Why would such a thing be happening?… oh yeah, the planet is being run by imbeciles and climate change is going to change everything. Satan surely has a hand in all of this somewhere.
Haka, M32 Spot, Bristol, January 2022
The right-hand section is a cheerful piece by Haka, that clearly demonstrates his ability when he puts his mind to it. Often his pieces have a rough-edge, grounded feel to them, but not this one. Here he has pulled-off some stylish writing and excellent fills that do the job nicely and round off the whole collaboration. Great work from these three.
Logoe, Sepr and Haka, M32 Spot, Bristol, January 2022
3F fino has been smashing it lately, along with his LRS friends, and barely a spot in Bristol is without one of his pieces decorating it. This particular figure is on a column under the M32. Round column pieces are quite tricky to paint, I am told, but this one is on a square column, and apart from the limited width, is nicely done, albeit probably a quick one.
3F fino, M32 Spot, Bristol, January 2022
In this piece, 3F fino has created one of his masked characters, wearing a hat with the word Fino emblazoned on it. The character’s body contains the letters LRS, a nod to the crew that is quite large and growing in Bristol.
The arrival in Bristol of Veee has been most welcome. By arrival I guess I mean that he is visiting the city more frequently and leaving his distinctive mega tags in various spots, including this one at the M32 Spot. He has become something of an honorary resident.
Veee, M32 Spot, Bristol, January 2022
There is a certain charm about his ‘face’ pieces that in their simplicity convey so much more than first meets the eye, and the bold and contrasting colours he has chosen for this one work really well, on an elevation that few people will ever see. Seeing Veee’s pieces over the last few months has certainly brought a smile to my face.
Anamorphic art comes in many forms and some of the high-end stuff is utterly mind-bending, but even on a more basic scale it is still clever and intriguing. This fabulous column piece by Face 1st explores the technique.
Face 1st, M32 Spot, Bristol, January 2022
I have seen many, many pieces by Face 1st, but never anything like this, and I must say I rather like it. The girl really does look like she is inside the column behind some kind of clear glass or plastic window. It is when you see pieces like this that you really get to see the versatility of an artist. Great stuff.
Think big, and think ceiling and you might then be thinking Risco, if you follow street art in Bristol that is, otherwise you might be thinking Michelangelo. There the similarity ends. This is only the third Risco piece to appear on Natural Adventures, which is a bit disappointing really, because I have pictures of several others… time to raid the archives.
Risco, M32 roundabout, Bristol, December 2022
This piece is not the easiest to photograph due to being on the ceiling and also the light quality is challenging with light from outside bleeding into the pictures. The subject is a fabulous skeleton of a mythical creature, a fish or a dragon or something. The two tone work is exceptional given it is painted high up on the ceiling. I’m not sure how Risco painted these pieces, but it must be with long poles and rollers, with the detail added from a ladder?
Risco, M32 roundabout, Bristol, December 2022
I am constantly struck by the incredible creativity and energy of street art in Bristol, and pieces like this simply add to my sense of awe and admiration.
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