5398. Cumberland Basin

Mote, Cumberland Basin, Bristol, July 2023
Mote, Cumberland Basin, Bristol, July 2023

Cumberland Basin is a bit of a generic area name that I use to describe quite a large space north of the bridge over the River Avon. This particular piece from Mote is on the Eastern edge of the Cumberland Basin area, adjacent to one of the very large warehouses that fringe this part of the river.

Mote, Cumberland Basin, Bristol, July 2023
Mote, Cumberland Basin, Bristol, July 2023

The large piece is another bird-monster character, this time double-ended and with a fluffy thing in the middle. I am not too sure the middle section works too well, as it interrupts the flow through the creature. Mote might have added it in to fill the space, but more conventional patterns and colours might have done the job. It is clear that the middle section is by Mote, but it looks like it could have been a creative addition by a different artist altogether. Still an immensely enjoyable piece though.

5380. River Avon (46)

Mote, River Avon, Bristol, July 2023
Mote, River Avon, Bristol, July 2023

It is difficult to make it through a week without coming across something wild and wonderful from Mote. Not only is he becoming one of Bristol’s most prolific artists, but he is also improving and pushing his boundaries with incredible pace, and I am thoroughly enjoying the journey he is taking us on.

Mote, River Avon, Bristol, July 2023
Mote, River Avon, Bristol, July 2023

This magnificent bird beast is on the larger side for a Mote creation, but fills the space really well. The face and beak are picked out in red and pink colours, separating them from the rest of the head, in shades of blue and green. The monster has three eyes, each decorated with Mote’s unique take on pupil representation. The decorations are interesting and eradicate any danger of too much solid fill space. This is an attractive piece that adds to the artist’s growing and improving portfolio. Time to see him at a festival or two?

5373. Peel Street Green (17)

Mote, Peel Street Green, Bristol, June 2023
Mote, Peel Street Green, Bristol, June 2023

Mote has taken a bit of a shine to this spot on Peel Street Green, and the wall lends itself really well to his work, because it is square. It isn’t quite so good for graffiti writers, who in the main prefer rectangular spaces for their letters.

Mote, Peel Street Green, Bristol, June 2023
Mote, Peel Street Green, Bristol, June 2023

This Mote monster is armed with an array of extremely sharp teeth, and three eyes (the central one more of a pineal body than an eye). Usually Mote creates happy-go-lucky monster characters, but this one isn’t quite as light as some of his others. Colourful gums and lovely fills, Mote just keeps on getting better and better.

5366. St Werburghs tunnel (372)

Stiff, St Werburghs, Bristol, June 2023
Stiff, St Werburghs, Bristol, June 2023

I managed to snap this piece by Stiff just before heading off on my holiday, which I was pleased about, because, for whatever reason, his work never seems to last very long. His work tends to be on the alien theme and in this piece a red monster is sticking its toothy tongue (?) out of a very toothy mouth.

Stiff, St Werburghs, Bristol, June 2023
Stiff, St Werburghs, Bristol, June 2023

Stiff pretty much always paints on a black background, which tends to bring a focus on the monster/alien. Red on black works very well, and this is a striking piece. There appears to be a square speech bubble at the base of the piece, but it contains nothing – I am not too sure what that is all about. It is always great to find one of Stiff’s sporadic pieces.

5361. Brunel Way (216)

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

A really short one today, written last night, while trying to sort out the impacts from our cancelled flight home to Bristol, and packing etc. Mote has done a wonderful thing with this large, rather cuddly monster, complete with four legs and an underslung jaw with a couple of goofy teeth.

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

The fills are dreamy and the design quirky and unique. There is something very loveable about this monster, and the execution is top drawer.

5346. Purdown (59)

Mote, Purdown, Bristol, June 2023
Mote, Purdown, Bristol, June 2023

More from Mote, who isn’t showing any signs of slowing down at the moment. This piece is another in his series of bird monsters and fits the square concrete slab perfectly. One of the aspects of Mote’s work that I really like is the clarity and crispness. The fills are solid, with nice patterns, and his black borders and details are always sharp. I imagine that there is a perfectionist in there somewhere.

Mote, Purdown, Bristol, June 2023
Mote, Purdown, Bristol, June 2023

This bird monster has a green bill and pink eyelids, which stand out against the blues and purples of the rest of the bird. Even though it is not so long ago that I published a gallery of his work, I have to keep on my toes with updating it. The production line of pieces continues.

5329. Brunel Way (211)

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

There is no doubt about it, Mote is in a very rich vein of form, not only with productivity, but also with his series of bird monsters, which appear to have inspired him greatly, and which I must say are rather appealing. I also like the way that Mote has grown the range of formats, from thin columns to squares to landscape orientation.

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

Mote has drawn on nature itself, recognising the delineation between a bird’s face and the rest of its plumage, more apparent in some species than in others, for example parrots and vultures. There is some interesting fill work in the two halves of green, reversing the drip colours, and some of the drips falling out of the monster’s face and on to the floor. I have loads more to post from Mote, just from June, let alone pieces that are loitering in my archive.

5309. M32 roundabout J3 (483)

Mote, M32 roundabout, Bristol, June 2023
Mote, M32 roundabout, Bristol, June 2023

I simply can’t keep up, not with Mote and not with any other artists either. Whilst it might sound like a complaint, it is not really a bad thing because it signifies a thriving street art and graffiti writing culture in Bristol… as if we didn’t know that already.

Mote, M32 roundabout, Bristol, June 2023
Mote, M32 roundabout, Bristol, June 2023

Mote himself, has really been on full throttle lately and this piece on the M32 roundabout is part of his series of bird monsters, that he seems to be particularly keen on at the moment. In these bird pieces, Mote creates a delineation between the face and beak/bill and the rest of the bird, defined by different colour schemes. There is a lot to like about these giant ‘doodles’ and they have become very much a part of the furniture in the city.

5281. Cumberland Basin

Mote, Cumberland Basin, Bristol, June 2023
Mote, Cumberland Basin, Bristol, June 2023

After a short pause, Mote has been hitting the streets hard and with larger and ever more complex pieces. This delightful monster, part of as series of ‘birds’, is tucked away in the passageway on the long curved wall at Cumberland Basin.

Mote, Cumberland Basin, Bristol, June 2023
Mote, Cumberland Basin, Bristol, June 2023

Mote doesn’t need to sign his work, as it is so distinctive and original, but he tends to do so with a little upturned crown – here in green at the bottom of the piece. The bird monster is in three main colour blocks, which complement each other nicely. Mote rarely uses prime colours, tending to stick with softer pastel shades, creating a more modest offering than some of the artwork in Bristol. Improving with every new piece, Mote is firmly establishing himself on the Bristol street art scene.

5205. Moon Street (105)

Mote, Moon Street, Bristol, April 2023
Mote, Moon Street, Bristol, April 2023

I have a very busy day ahead today, so I only have time to do a really quick couple of posts. When I last met Mote a couple of weeks back, he was rediscovering his mojo, after a quiet period. These monsters in my favourite Moon Street are evidence of his newly rediscovered enthusiasm.

Mote, Moon Street, Bristol, April 2023
Mote, Moon Street, Bristol, April 2023

Mote has not only been painting with a high frequency, but he has also been visiting a few new spots too. I believe this is his first piece in Moon Street, and he has filled the space here with a nice cheeky quick one.