It is nice to see a Mote piece by the River Avon, demonstrating that he really does get out and about to share his art with the citizens of Bristol. This monster piece follows a recent theme in his work of rather more organic characters with wobbly outlines, rather than the clean lines of his earlier works.
I think that Mote’s work lends itself well to illustration, and I wonder if that would ever be a direction he might consider. This particular toothy monster isn’t his best, in my opinion, but is another part of his growing menagerie.
Natural adventures 