What a surprise this piece by Face 1st is. I don’t think I have ever seen anything like it from him before, and had he not signed it, I might have struggled to guess it was one of his, although once you know, there are some signs you can read with hindsight.
Face 1st, M32 cycle path, Bristol, June 2024
There is something very beautiful and homely about this piece and I assume it is a portrait of Ella, one of his children maybe. I find the whole piece very touching and full of love. I particularly like the wooden table, and the girl’s freckles. I love it when artists do something unexpected like this, demonstrating their range and versatility. This is brilliant from Face 1st.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There are two important elements to a great wheatpaste, which are; the quality of the artwork and the location. Abbie Laura Smith has nailed it on both counts with the Swiss cheese plant cut out portrait pasted onto one of the old bollards alongside the river – an immediate impact piece for those with their eyes open.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
The black and white portrait drawing, makes great use of two-tone light and dark and is superimposed onto the leaf, before being cut out. It was so much to find this piece and some of the others she has pasted up in the area, and I hope that it encourages her and others to do more of this kind of stuff.
Lots going on this morning getting in the way of writing posts. The General Election results are in and we will have a labour Government, having seen off the Conservatives… at last. In my constituency a Green candidate won, which is great news, bringing the total of Green MPs up to 4 from 1 before – the start of something exciting perhaps. I am also not feeling too bright – I have tested negative for Covid, so it must be some other stoopid summer bug that I have.
Jagung, Upfest 24, West Street, Bristol, May 2024
There were so many outstanding Upfest murals this year, but this was one of the most eye-catching. Painted by Jagung, a young Malaysian artist, who loves to use colour, talking in his profile about playing with colour inversion, although I don’t see any evidence of it here.
Jagung, Upfest 24, West Street, Bristol, May 2024
The day I photographed this piece, it was surprisingly busy, and I had to wait a while before I could hog the space. The portrait piece is notable for the large amount of the wall taken up by the orange yellow and red figurative flames, and relatively small portrait – a clever device to create tons of movement and energy.
Jagung, Upfest 24, West Street, Bristol, May 2024
A close up of the face and hand of our hero shows that Jagung hasn’t shirked or dodged doing an incredible job with creating the realism of the face within the abstract frame of swirling flames. A hot mural in all senses of the word.
Something happened to Daz Cat while he was travelling in Southeast Asia over the winter. It is almost as if he had an epiphany after which his art has moved on to a new level. A glance at this gallery of his work shows how much he has developed over the years, but this transformation is a bit of a step change.
Daz Cat, M32 roundabout, Bristol, June 2024
Daz Cats work was already becoming more sophisticated, but since returning to the UK there is more fluidity in his work, which is more three dimensional, and he is trying out new things, such as the profile portrait of the girl in this piece. This is an exceptional and original piece of street art, and I think it might be my new favourite by Daz Cat. Whilst I was photographing it, a passer-by who was walking his dog, singled out this piece and said how much he admired it. Keep it up Daz Cat, this is special.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
Abbie Laura Smith has been doing herself proud with a new series of wheatpastes in the Cumberland Basin area. I have picked up a few, but still have some others to find. Unfortunately, this one has already been dogged, so I am pleased that I got to see it in pristine condition.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There is a common theme to Abbie Laura Smith’s work, which includes black and white portraits composed in part by lettering and words. The words in this paste-up are as follows (I think):
You will stumble, you may fall
Persevere through it all
And where do I go from here, despair
But you will get there some day
I am not sure whether the words are original or a quote from a song or poem, or whether they are autobiographical, but they carry some emotional power. The piece is one of her larger ones and is truly a beautiful combination of words and illustration. Watch this space for more from Bristol’s best wheatpaster.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
I think that it is fair to say that at Upfest 2024 we have seen the painting of more large scale ‘marquee’ murals than ever before, some replacing previous artwork and others appearing on new walls. The team at Upfest have done a remarkable job on negotiating with property owners, and presumably the council too, to free up so many new and wonderful spaces.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
This outstanding portrait piece is by Lionel David and was painted on a new wall, a little walk away from the main centre of Upfest activity, and as a result may not have been seen by as many visitors as some of the other pieces on the main drag. Lionel David has not only painted a beauty, but he has been clever too by incorporating the wall that runs alongside the house, and as a result the piece needs to be viewed from a particular spot in the adjacent plot, which the artist has marked out on the ground. Not only did he paint the low wall, but on the main wall he has painted the girl’s body and arm in full, so there is some repetition.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
There is no doubting Lionel David’s incredible skills, and it is clear to see that he has been schooled in art. Lionel David has a great website, but it is in German, so I have used Google Translate to give you his biography, as follows:
Lionel David is a visual artist from Switzerland who discovered his love for painting in 2017. He specializes in spray can murals.
Studying fine arts at the Lucerne University of Applied Sciences from 2019 to 2022 broadened Lionel David’s horizons and emphasized the importance of context in his work. His style combines photorealism with graphic elements and is often inspired by nature.
The artist is currently concentrating on portrait painting and experimenting with compositions to further explore artistic boundaries. With dedication and innovation, he succeeds in inspiring people with his lively and gentle works.
Further to this incredible portrait piece, which he finished earlier than expected, Lionel David had time to paint an ‘extra’ in Dean Lane, which although unfinished looked amazing. Dibz and Fade were in the process of contacting the artist to see if he would mind if they ‘augmented’ the portrait piece, but before they could send their message, another artist had started painting over it, so this ‘extra’ lasted less than 24 hours.
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Upfest really is an extraordinary opportunity to see street art form all corners of the globe, and with it a huge variety of cultural styles, to add to the broad ‘school of Bristol’ street art and graffiti. This is a wonderful piece from Audrey Kawasaki, a Japanese-American artist who lives and works in Los Angeles.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
There is a strong mix of eastern and western cultures coming together in this beautiful piece, where the tiger represents the east and the girl the west, perhaps. Audrey Kawasaki (who has a fabulous website) appears to use this styling in a lot of her work and also I detect some Art Nouveau influences in her work that makes it super-interesting.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Audrey Kawasaki’s composition in this mural is outstanding with the two central characters surrounded by crows and feathers and framed in a red ‘cloudy’ border. There is definitely a story in this piece, and it compels the viewer to want more. Clever and beautiful work from the visitor this year’s Upfest.
I haven’t yet seen Mind 49’s piece for Upfest yet, but his preparation has been on an ever-upwards trajectory. With each new piece that he paints, he seems to grow, not only in confidence but in comfort with and command of his style. This piece on the hoardings at Greenbank is a great example of his soft photorealism work.
Mind 49, Greenbank, Bristol, May 2024
In nearly all of Mind 49’s pieces the eyes of his subject are obscured often with sunglasses, and I wonder if that is a signature kind of thing or whether he struggles with painting eyes. I guess I’ll have to meet him to find out. Mind 49 has a fantastic tone with his artwork, which often looks like it might be painted with brushes rather than spray cans – the mark of a great artist. Now, I must hunt down his Upfest piece, from what I have seen on social media, it looks quite remarkable.
In recent weeks, Abbie Laura Smith and I exchanged a few messages, discussing some posts about her paste ups that I had written. During the course of the conversation, I asked whether she would be pasting up any more, as I hadn’t seen any new ones for a while. She said yes… imminently, and true to her word she released a bunch more. This is the first in her recent series that I came across.
Abbie Laura Smith, Brunel Way, Bristol, May 2024
The art of wheatpaste work is a two part process, the first part is the creation itself, usually carried out at home or in a studio, and the second part is to find the right spot to paste it up. Abbie Laura Smith manages to do both very well. This piece features a couple of portraits constructed in part by script writing, perhaps quotes or thoughts, I haven’t yet tried to untangle the words. The portraits are set on a leaf, which looks like a Swiss cheese plant leaf to me, a common motif used by artists. There is a lot of emotion in this piece, and maybe one day I’ll get to know the backstory.
These pieces bring together the familiar with the unfamiliar. Finding Inkie pieces in other towns and cities is always hugely rewarding, and gives me a sense of Bristol pride. To find two pieces in a city that I have never visited in my life before was definitely a bonus. I’m not too sure when these pieces were painted, and not to sure whether they survived the ‘Bring the Paint’ festival which was starting (coincidentally) on the morning I was out taking these photographs.
Inkie, Nottingham, May 2024
The two pieces showcase Inkie’s portfolio really well, containing his stylised Art Nouveau portraits and in the second piece combined with a classic piece of Inkie writing. Always good to see, and Inkie wasn’t the only Bristol artist to have painted in the city where I spotted artwork by Mr Penfold, Lewse, Skank and others… making me feel very much at home. I might have to pay another visit sometime.
Natural adventures 