This is another wonderful paste-up from Abbie Laura Smith on one of the columns under Brunel Way. The portrait piece is an intricate ink-style piece in black and white, with words concealed in the girl’s hair and lips.
Abbie Laura Smith, Brunel Way, Bristol, May 2024
The piece has been pasted on a colourful column, creating great contrast and focus on the portrait. I have a feeling that this might be the last photograph I have from this recent batch of wheatpastes from Abbie Laura Smith, so I will be hoping that she has been prepping some more in the studio to release another batch soon.
This year, we haven’t really had to wait too long before being treated to a Laic217 piece on a reasonably regular basis, and this is one of his most recent works on the M32 cycle path. What Laic217 has presented us with here is a rather trippy, and slightly menacing (those black fingernails like talons) piece that plays into his penchant for face distortion.
Laic217, M32 Cycle path, Bristol, June 2024
Although the piece is nicely executed, I personally find it a little unsettling, which I am sure is the point. Laic217 will push the boundaries in a way that his art can. His solid, tight, block letters contrast really well with the unconventional character portrait. Not my favourite piece by Laic217, but a great example of the way he challenges us to see things.
Mind 49 and SPZero76, M32 roundabout, Bristol, June 2024
A couple of weeks back, there was a superb paint jam on the M32 roundabout. I am not sure if it was to celebrate something specific, or simply a whole bunch of artists enjoying a sunny day (what are those?), but whatever it was all about, it resulted in some cracking pieces, including this meeting of styles collaboration between Mind 49 and SPZero76.
Mind 49, M32 roundabout, Bristol, June 2024
Mind 49 has been smashing it with each new piece he produces. His portrait work, often from unusual angles and with faces partially obscured is painted in a soft photorealistic style, if that makes sense. The character in this particular piece is looking away, but immediately catching the eye is the addition of a large swallow flying by, utterly unexpected, and quite brilliant. This is a wonderfully conceived piece which segues nicely to something completely different via a multicoloured strip.
SPZero76, M32 roundabout, Bristol, June 2024
The two pieces have nothing in common at all, and SPZero76’s animated comic style is not something I would expect to see adjacent to Mind 49 soft-portrait style. The multicoloured strip is the only thing that unites them. The piece entitled ‘after the robot apocalypse’ features a dog? character and a feline robot toting large weapons, in some dystopian future setting. A wonderful and lively animation piece from a truly gifted artist.
Pekoe and Bnie, M32 roundabout, Bristol, June 2024
Of course, it is a terrible cliché, but when I see pieces like this that are both pretty and pink, I like to describe them as ‘pretty in pink’ stealing from the celebrated 1986 teen film, and then I get the earworm of the Psychedelic Furs and the song that the film was named after. This PIP collaboration is a peach from Pekoe and Bnie.
Pekoe, M32 roundabout, Bristol, June 2024
Pekoe has been mixing up her portraits and her writing recently, but I have to express my slight preference for her portraits, because, well, I just love them. The figurative piece is nice and clean, with solid fills and strong black lines, and there is something a little more stylised about the face, especially around the eyes. A classy piece of work.
Bnie, M32 roundabout, Bristol, June 2024
Bnie is so consistent in the quality of her work, and all the elements of these letters come together perfectly. The pink background provides a great canvass for the writing to stand out. The golden drop shadow adds depth to the beautifully designed and filled letters. A clever touch is the subtlest dark shading at the base of the letters, creating a bit of shadow and lifting the writing further. What a fine collaboration.
What a surprise this piece by Face 1st is. I don’t think I have ever seen anything like it from him before, and had he not signed it, I might have struggled to guess it was one of his, although once you know, there are some signs you can read with hindsight.
Face 1st, M32 cycle path, Bristol, June 2024
There is something very beautiful and homely about this piece and I assume it is a portrait of Ella, one of his children maybe. I find the whole piece very touching and full of love. I particularly like the wooden table, and the girl’s freckles. I love it when artists do something unexpected like this, demonstrating their range and versatility. This is brilliant from Face 1st.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There are two important elements to a great wheatpaste, which are; the quality of the artwork and the location. Abbie Laura Smith has nailed it on both counts with the Swiss cheese plant cut out portrait pasted onto one of the old bollards alongside the river – an immediate impact piece for those with their eyes open.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
The black and white portrait drawing, makes great use of two-tone light and dark and is superimposed onto the leaf, before being cut out. It was so much to find this piece and some of the others she has pasted up in the area, and I hope that it encourages her and others to do more of this kind of stuff.
Lots going on this morning getting in the way of writing posts. The General Election results are in and we will have a labour Government, having seen off the Conservatives… at last. In my constituency a Green candidate won, which is great news, bringing the total of Green MPs up to 4 from 1 before – the start of something exciting perhaps. I am also not feeling too bright – I have tested negative for Covid, so it must be some other stoopid summer bug that I have.
Jagung, Upfest 24, West Street, Bristol, May 2024
There were so many outstanding Upfest murals this year, but this was one of the most eye-catching. Painted by Jagung, a young Malaysian artist, who loves to use colour, talking in his profile about playing with colour inversion, although I don’t see any evidence of it here.
Jagung, Upfest 24, West Street, Bristol, May 2024
The day I photographed this piece, it was surprisingly busy, and I had to wait a while before I could hog the space. The portrait piece is notable for the large amount of the wall taken up by the orange yellow and red figurative flames, and relatively small portrait – a clever device to create tons of movement and energy.
Jagung, Upfest 24, West Street, Bristol, May 2024
A close up of the face and hand of our hero shows that Jagung hasn’t shirked or dodged doing an incredible job with creating the realism of the face within the abstract frame of swirling flames. A hot mural in all senses of the word.
Something happened to Daz Cat while he was travelling in Southeast Asia over the winter. It is almost as if he had an epiphany after which his art has moved on to a new level. A glance at this gallery of his work shows how much he has developed over the years, but this transformation is a bit of a step change.
Daz Cat, M32 roundabout, Bristol, June 2024
Daz Cats work was already becoming more sophisticated, but since returning to the UK there is more fluidity in his work, which is more three dimensional, and he is trying out new things, such as the profile portrait of the girl in this piece. This is an exceptional and original piece of street art, and I think it might be my new favourite by Daz Cat. Whilst I was photographing it, a passer-by who was walking his dog, singled out this piece and said how much he admired it. Keep it up Daz Cat, this is special.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
Abbie Laura Smith has been doing herself proud with a new series of wheatpastes in the Cumberland Basin area. I have picked up a few, but still have some others to find. Unfortunately, this one has already been dogged, so I am pleased that I got to see it in pristine condition.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There is a common theme to Abbie Laura Smith’s work, which includes black and white portraits composed in part by lettering and words. The words in this paste-up are as follows (I think):
You will stumble, you may fall
Persevere through it all
And where do I go from here, despair
But you will get there some day
I am not sure whether the words are original or a quote from a song or poem, or whether they are autobiographical, but they carry some emotional power. The piece is one of her larger ones and is truly a beautiful combination of words and illustration. Watch this space for more from Bristol’s best wheatpaster.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
I think that it is fair to say that at Upfest 2024 we have seen the painting of more large scale ‘marquee’ murals than ever before, some replacing previous artwork and others appearing on new walls. The team at Upfest have done a remarkable job on negotiating with property owners, and presumably the council too, to free up so many new and wonderful spaces.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
This outstanding portrait piece is by Lionel David and was painted on a new wall, a little walk away from the main centre of Upfest activity, and as a result may not have been seen by as many visitors as some of the other pieces on the main drag. Lionel David has not only painted a beauty, but he has been clever too by incorporating the wall that runs alongside the house, and as a result the piece needs to be viewed from a particular spot in the adjacent plot, which the artist has marked out on the ground. Not only did he paint the low wall, but on the main wall he has painted the girl’s body and arm in full, so there is some repetition.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
There is no doubting Lionel David’s incredible skills, and it is clear to see that he has been schooled in art. Lionel David has a great website, but it is in German, so I have used Google Translate to give you his biography, as follows:
Lionel David is a visual artist from Switzerland who discovered his love for painting in 2017. He specializes in spray can murals.
Studying fine arts at the Lucerne University of Applied Sciences from 2019 to 2022 broadened Lionel David’s horizons and emphasized the importance of context in his work. His style combines photorealism with graphic elements and is often inspired by nature.
The artist is currently concentrating on portrait painting and experimenting with compositions to further explore artistic boundaries. With dedication and innovation, he succeeds in inspiring people with his lively and gentle works.
Further to this incredible portrait piece, which he finished earlier than expected, Lionel David had time to paint an ‘extra’ in Dean Lane, which although unfinished looked amazing. Dibz and Fade were in the process of contacting the artist to see if he would mind if they ‘augmented’ the portrait piece, but before they could send their message, another artist had started painting over it, so this ‘extra’ lasted less than 24 hours.
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Natural adventures 