Portrait – Page 12 – Natural adventures

6245. Cumberland Basin

Unknown artist, Cumberland Basin, Bristol, July 2024

It is rare for me to post pieces by unknown artists, although it is something I should do more often, because there are many unattributed beauties in my archives that are waiting to be shared. I guess that sometimes artists are experimenting with painting walls and perhaps a little wary or lacking in confidence to leave a signature behind.

I love this portrait piece and have felt compelled to post it. All the elements are there and the proportions pretty good. The lines for the neck and collar bones, look very studied to me and I would guess that the artist is probably studying or has studied art. The hair curl is reminiscent of Inkie’s work, which is a compliment of high order. I would love to see more from this anonymous artist and will be keeping an eye out.

6244. Purdown (74)

The Art of Sok, Purdown, Bristol, July 2024

After a little teaser in Bristol last year at the M32 Spot and on the cycle path with Rusk, The Art of Sok has had something of a bonanza in the city this summer, and even better than that, I have managed to catch up with the artist twice in the space of a month, and what a lovely fellow he is too.

This beautifully framed piece, on one of the concrete slabs in the old anti-aircraft gun emplacement, breathes new life into this historic monument, and reflects the freedoms that the nation fought the second world war for. The Art of Sok manages to paint flawless pieces, and takes great care to ensure every detail is exactly how he planned it. I believe this could be described as a Manga-style portrait, and is one that definitely ticks all my boxes.

6234. Purdown (72)

Peanutsdeli, Purdown, Bristol, July 2024

The Purdown Anti Aircraft gun emplacement is a wartime relic which these days doubles up as a goat enclosure and graffiti spot, giving this monument a second life of sorts. Visiting this spot is always a bit of a lottery because turnover is usually pretty slow, and sometimes there is nothing new to look at, and other times (because visits tend to be infrequent) pieces can be quite badly tagged, or damaged by the goats!

On my last trip, a couple of weeks ago, I his the jackpot though, with several new pieces all in pretty good condition, including this beauty by Peanutsdeli. I have to say that he is probably the last artist I would expect to find up here, so this manga-style cartoon portrait came as a very pleasant surprise indeed. The yelling face fits the rectangular slab perfectly, and I was even able to give the character a little bit of extra hair from the tree behind. More to come from this Purdown visit soon.

6230. Upfest 2024 (45)

Epod, Upfest 2024, Pantiles, Bristol, May 2024

There are some pieces, especially during street art festivals, which simply have the ‘wow’ factor, where you stand before them in admiration, and in my view, this stunner by Epod3000 is one of those. Firstly, this wall is one of the most striking in Bedminster, and although not the easiest to photograph, it certainly has impact when it reveals itself to those walking along West Street.

The piece, called ‘Side.E’, a reference to the vinyl LP and deck at the top features a beautiful portrait of a woman (with lots of drips). The clever bit is that Epod has apinted the portrait in a way that makes it look like a poster that is peeling off from the wall – you know… the way advertising posters do after a while. It is a device used quite a lot in street art, and done well, like this, is wonderful.

Because of the wall opposite the piece, it is quite difficult to take a decent photograph from directly in front of it, without it looking a little distorted, but I have done my best here. I was lucky enough to see another of his pieces yesterday in Cheltenham, which I will post in due course. All great stuff from Epod.

6226. Upfest 2024 (41)

Hazard, Upfest 2024, North Street, Bristol, May 2024

Just like many other communities, the Bristol artist community is in a constant state of flux, with many new artists moving to the city as others move out. One of the most significant recent departures has been that of Hazard, who I believe has moved to the North of England, possibly to Leeds. This is a huge loss for Bristol, but her connections with the city mean that she will return from time to time, I am sure, like she did to paint this beauty for Upfest 2024.

The portrait piece with its patchwork of coloured shapes slightly underplays her brilliance – perhaps it is the slightly awkward spot, or the dark tones she has used, but it doesn’t leap out at you like many of her pieces do. It is a piece that you need to stop and look at and admire, but all too often people simply stroll by, focussed on their phone screens. I definitely miss Hazard’s regular interventions, but that makes each of her appearances now even more precious.

6222. Cumberland Basin.

The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024

In the seventies I might have described this piece as ‘smashing’, and as a child of the seventies I am going to describe this outstanding collaboration between The Art of Sok and Smak as smashing. I was lucky enough to meet with and chat to both artists the night before they painted this wall as part of a larger jam, at Merny’s exhibition opening, which had a great turnout.

The two artists have worked together perfectly to produce this character/writing combination. Smak’s writing is absolutely sensational and in addition to that, he has created a perfect tropical sunset backdrop with The Art of Sok’s character presented in the foreground – beautifully comnposed.

The Art of Sok, Cumberland Basin, Bristol, July 2024

During his short trip to Bristol, The Art of Sok, who it turns out is a lovely bloke, dropped a few pieces about the place which I will naturally post in due course. The cartoon-style character is pretty much perfect in its precision, which is how The Art of Sok rolls. He told me that he likes to get his finished pieces to resemble as closely as possible his draft, so it is all very much worked out in advance, and he has the skills to execute his plan to the letter. This is an excellent collaboration.

6221. M32 Spot (189)

This is the second piece by Nuke to appear on Natural Adventures, although it was the first to be painted, in chronological order, of the two. I’m not too sure if the two pieces were a one (two)-off and left during a visit to the city, or whether we can expect more to follow. I suspect the former.

His work, even though I have only seen the two pieces, is instantly recognisable in the delivery of a character/writing combination that has a haunting and slightly dark vibe about it. There is a blending between the ghostly portrait and the wildstyle letters, that works really well, and the colours reflect upwards from the base, and the white light is projected from the top left. Very nicely done.

6220. Greenbank (128)

It feels like Daz Cat is pushing all sorts of boundaries at the moment and painting with a freedom in both style and content that is a pleasure to witness. There is a lot going on in this free-flowing story-telling piece in Greenbank.

I can see a lady surrounded by purple/lilac cats, but the intriguing part of this piece is the two ‘robot’ arms that rather randomly seem to have landed in amongst them and are smoking from the arm sockets. There is a story which is skilfully illustrated, but it is a story belonging very much to the artist – as viewers we can only concoct our own stories. Great work from Daz Cat.

6216. M32 Spot (188)

Minto and Bags, M32 Spot, Bristol, July 2024

I am pretty sure that these pieces from Minto and Bags are part of a collaboration, rather than ones painted in isolation that happen to be next to one another. There is definitely some interaction from the Bags piece that overlaps onto the Minto side, but not necessarily vice versa.

Unlike most of his recent ‘deconstruction’ pieces, Minto has opted for a full size portrait, with the only writing being the ‘Minto’ on the subject’s hat. It comes across as a bit of a quick one, and may have been a dregs piece, because the fills aren’t particularly solid. Certainly this is Minto showing a slightly different side to his work, and for some reason it is a very memorable – maybe it is the green, maybe the hat… who knows?

Bags is a woefully underrepresented artist in Natural Adventures, and I think the only way I could rectify that would be to go through my archives and present several mini-galleries, just to catch up a bit. I think that Bags enjoys collaborating a lot, especially with his No Frills friends such as Biers and Slim Pickings. His letters are always recognisable and presented in roughly the same format, with the fills representing the main differences from piece to piece.

6212. Greenbank (127)

Conrico has been super-busy lately both painting on the street, and in his studio. He has a fabulous imagination, and much of his art is influenced by the culture of the Far East, in particular Japan. I don’t know what the connection is, but it adds an exotic flavour to many of his pieces.

This is quite an unusual portrait piece, that in contrast to what I have said in the previous paragraph, appears to be of a Central/South American person wearing face paint and with feathers in their hair. Once again, Conrico’s unique can-work gives the impression that the piece has been painted with brushes, and doesn’t have that ‘clinical tight finish that so much street art tends to have. More still to come from Conrico.

	Dan Antion on Thursday Doors – 21 May…
	wrookieschu on Thursday Doors – 21 May…
	Wes Vinglun (aka) Ni… on Thursday Doors – 21 May…
	paulh121 on Thursday Doors – 21 May…
	Wes Vinglun (aka) Ni… on Champions

	Dan Antion on Thursday Doors – 21 May…
	wrookieschu on Thursday Doors – 21 May…
	Wes Vinglun (aka) Ni… on Thursday Doors – 21 May…
	paulh121 on Thursday Doors – 21 May…
	Wes Vinglun (aka) Ni… on Champions

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: