Something happened to Daz Cat while he was travelling in Southeast Asia over the winter. It is almost as if he had an epiphany after which his art has moved on to a new level. A glance at this gallery of his work shows how much he has developed over the years, but this transformation is a bit of a step change.
Daz Cat, M32 roundabout, Bristol, June 2024
Daz Cats work was already becoming more sophisticated, but since returning to the UK there is more fluidity in his work, which is more three dimensional, and he is trying out new things, such as the profile portrait of the girl in this piece. This is an exceptional and original piece of street art, and I think it might be my new favourite by Daz Cat. Whilst I was photographing it, a passer-by who was walking his dog, singled out this piece and said how much he admired it. Keep it up Daz Cat, this is special.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
Abbie Laura Smith has been doing herself proud with a new series of wheatpastes in the Cumberland Basin area. I have picked up a few, but still have some others to find. Unfortunately, this one has already been dogged, so I am pleased that I got to see it in pristine condition.
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
There is a common theme to Abbie Laura Smith’s work, which includes black and white portraits composed in part by lettering and words. The words in this paste-up are as follows (I think):
You will stumble, you may fall
Persevere through it all
And where do I go from here, despair
But you will get there some day
I am not sure whether the words are original or a quote from a song or poem, or whether they are autobiographical, but they carry some emotional power. The piece is one of her larger ones and is truly a beautiful combination of words and illustration. Watch this space for more from Bristol’s best wheatpaster.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
I think that it is fair to say that at Upfest 2024 we have seen the painting of more large scale ‘marquee’ murals than ever before, some replacing previous artwork and others appearing on new walls. The team at Upfest have done a remarkable job on negotiating with property owners, and presumably the council too, to free up so many new and wonderful spaces.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
This outstanding portrait piece is by Lionel David and was painted on a new wall, a little walk away from the main centre of Upfest activity, and as a result may not have been seen by as many visitors as some of the other pieces on the main drag. Lionel David has not only painted a beauty, but he has been clever too by incorporating the wall that runs alongside the house, and as a result the piece needs to be viewed from a particular spot in the adjacent plot, which the artist has marked out on the ground. Not only did he paint the low wall, but on the main wall he has painted the girl’s body and arm in full, so there is some repetition.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
There is no doubting Lionel David’s incredible skills, and it is clear to see that he has been schooled in art. Lionel David has a great website, but it is in German, so I have used Google Translate to give you his biography, as follows:
Lionel David is a visual artist from Switzerland who discovered his love for painting in 2017. He specializes in spray can murals.
Studying fine arts at the Lucerne University of Applied Sciences from 2019 to 2022 broadened Lionel David’s horizons and emphasized the importance of context in his work. His style combines photorealism with graphic elements and is often inspired by nature.
The artist is currently concentrating on portrait painting and experimenting with compositions to further explore artistic boundaries. With dedication and innovation, he succeeds in inspiring people with his lively and gentle works.
Further to this incredible portrait piece, which he finished earlier than expected, Lionel David had time to paint an ‘extra’ in Dean Lane, which although unfinished looked amazing. Dibz and Fade were in the process of contacting the artist to see if he would mind if they ‘augmented’ the portrait piece, but before they could send their message, another artist had started painting over it, so this ‘extra’ lasted less than 24 hours.
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Upfest really is an extraordinary opportunity to see street art form all corners of the globe, and with it a huge variety of cultural styles, to add to the broad ‘school of Bristol’ street art and graffiti. This is a wonderful piece from Audrey Kawasaki, a Japanese-American artist who lives and works in Los Angeles.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
There is a strong mix of eastern and western cultures coming together in this beautiful piece, where the tiger represents the east and the girl the west, perhaps. Audrey Kawasaki (who has a fabulous website) appears to use this styling in a lot of her work and also I detect some Art Nouveau influences in her work that makes it super-interesting.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Audrey Kawasaki’s composition in this mural is outstanding with the two central characters surrounded by crows and feathers and framed in a red ‘cloudy’ border. There is definitely a story in this piece, and it compels the viewer to want more. Clever and beautiful work from the visitor this year’s Upfest.
I haven’t yet seen Mind 49’s piece for Upfest yet, but his preparation has been on an ever-upwards trajectory. With each new piece that he paints, he seems to grow, not only in confidence but in comfort with and command of his style. This piece on the hoardings at Greenbank is a great example of his soft photorealism work.
Mind 49, Greenbank, Bristol, May 2024
In nearly all of Mind 49’s pieces the eyes of his subject are obscured often with sunglasses, and I wonder if that is a signature kind of thing or whether he struggles with painting eyes. I guess I’ll have to meet him to find out. Mind 49 has a fantastic tone with his artwork, which often looks like it might be painted with brushes rather than spray cans – the mark of a great artist. Now, I must hunt down his Upfest piece, from what I have seen on social media, it looks quite remarkable.
In recent weeks, Abbie Laura Smith and I exchanged a few messages, discussing some posts about her paste ups that I had written. During the course of the conversation, I asked whether she would be pasting up any more, as I hadn’t seen any new ones for a while. She said yes… imminently, and true to her word she released a bunch more. This is the first in her recent series that I came across.
Abbie Laura Smith, Brunel Way, Bristol, May 2024
The art of wheatpaste work is a two part process, the first part is the creation itself, usually carried out at home or in a studio, and the second part is to find the right spot to paste it up. Abbie Laura Smith manages to do both very well. This piece features a couple of portraits constructed in part by script writing, perhaps quotes or thoughts, I haven’t yet tried to untangle the words. The portraits are set on a leaf, which looks like a Swiss cheese plant leaf to me, a common motif used by artists. There is a lot of emotion in this piece, and maybe one day I’ll get to know the backstory.
These pieces bring together the familiar with the unfamiliar. Finding Inkie pieces in other towns and cities is always hugely rewarding, and gives me a sense of Bristol pride. To find two pieces in a city that I have never visited in my life before was definitely a bonus. I’m not too sure when these pieces were painted, and not to sure whether they survived the ‘Bring the Paint’ festival which was starting (coincidentally) on the morning I was out taking these photographs.
Inkie, Nottingham, May 2024
The two pieces showcase Inkie’s portfolio really well, containing his stylised Art Nouveau portraits and in the second piece combined with a classic piece of Inkie writing. Always good to see, and Inkie wasn’t the only Bristol artist to have painted in the city where I spotted artwork by Mr Penfold, Lewse, Skank and others… making me feel very much at home. I might have to pay another visit sometime.
This is another outstanding Smug piece that I photographed during a short visit to Leicester last month. It is difficult to convey the sheer scale of the piece, because it is relatively thin, but as you can see it is seven stories tall, and somehow manages to complement the building perfectly. I believe it has been here for quite a while, since at least 2019, but I might be wrong.
Smug, Vestry Street, Leicester, May 2024
The stunning piece features a woman, perfectly slotted into this narrow space, with a bullfinch in flight by her head. The photorealistic representation is quite extraordinary, in particular the folds of the woman’s clothing and her scarf. This and the other Smug piece are worth the trip to Leicester alone. Utterly outstanding and overwhelming.
Hurrah, for Bloem. Her drive and creativity are something to admire, and as she progresses her confidence seems to grow. I had been aware of this portrait piece under the M32 for a while and hoping that it would still be there by the time I got round to visiting the spot, which I can only do without the dog.
Bloem, Frome Side, Bristol, June 2024
The stylised portrait piece sees Bloem significantly extending her boundaries, and while there are many things to improve on, this one reminds me of some of the early work of Hazard, Pekoe and Rhozi (Rozalita), which is encouraging to say the least. The portrait is unusual and rather compelling, and is bookended with a rather nice design on the left and her name on the right. As I have said many times before, I really like her work, and feel excited each time I come across a new one.
It is a genuine privilege to have a stand out The Hass piece here on the Greenbank hoardings, which feels like it was a warm-up piece for his outstanding Upfest combination wall. This is street art of the highest calibre painted in a graffiti spot, and as such stands out a mile. Anyone passing by, and the cycle path gets a lot of footfall, would surely have to stop and admire such a thing of beauty.
The Hass, Greenbank, Bristol, May 2024
The piece falls into two distinct halves which merge in the middle. The left-hand side features a delightful floral design, so delicate and pretty and to the right The Hass has painted a representation of a stone sculpture head, which is reminiscent of the great pieces by PichiAvo.
The Hass, Greenbank, Bristol, May 2024
As a whole, this combination is a true masterpiece, and we are lucky in Bristol to have artists who turn out extraordinary work like this on a reasonably regular basis. This was one of the best surprises I have had on my ’rounds’ for quite a while.
Natural adventures 