6032. St Werburghs tunnel (424)

Fade and Pekoe, St Werburghs, Bristol, May 2024
Fade and Pekoe, St Werburghs, Bristol, May 2024

Ah! Bravo! Bravo! What a magnificent and, if I am honest, slightly unexpected collaboration from Fade and Pekoe in the tunnel. Although the pair have painted together in the past, it still somehow feels like a surprise when they hook up to paint together.

Fade, St Werburghs, Bristol, May 2024
Fade, St Werburghs, Bristol, May 2024

I was going to write that this might not be the tightest of pieces, but the more I look at it the better it gets I’m my view. The sumptuous colour palette of gold and light purple ticks all the boxes and turns a good wall into a great one. Fade has kept the purple flashes to a subtle minimum, with just enough colour to complement the wonderful gold writing. Lifting the letters further is the beautifully clean white accent line along the upper edges of the letters. Brilliant.

Pekoe, St Werburghs, Bristol, May 2024
Pekoe, St Werburghs, Bristol, May 2024

I wasn’t too sure about Pekoe’s portrait on first glance, but I am sure now that it is absolutely on point. The lady is wearing a gold hoody that frames a beautifully expressive face and flowing hair. The woman’s face looks quizzically amused about something, and seems to be suspended in that moment before breaking into laughter, at least that is what I see, and that is the joy of art, we each take home what we see. I really love this collaboration and look forward to their next project together.

6024. Anchor Road (5)

Inkie, Anchor Road, Bristol, May 2024
Inkie, Anchor Road, Bristol, May 2024

This container, behind the Watershed, is one of the more curious spots in Bristol. I am not sure who owns the container, nor do I understand quite why the council has given permission for it to be sited here, but here it is and fortunately for us, it has played host to a series of high-end commissions over the years. Inkie replaced the Paul Monsters piece that had been here before a little while back, but I have only recently photographed it.

Inkie, Anchor Road, Bristol, May 2024
Inkie, Anchor Road, Bristol, May 2024

There are several Inkie elements that have come together in perfect harmony in this combination piece. The print background runs through the whole piece and sets a regular patterned backdrop. Of course the distinctive writing in very Inkie colours is as good as you’ll see and to the right is one of his beautiful Art Nouveau style characters. The only board of the piece that leaves me scratching my head is the cartoon-style spray can, which doesn’t look like an Inkie piece at all and doesn’t quite fit with the rest of it.

6018. M32 Cycle path (265)

Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024
Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024

Regular readers may be experiencing ‘déjà vu’ on seeing this fine collaboration from Wxttsart and Mind 49, as they have overwritten and incorporated elements of their last collaboration on this exact spot, and the unobservant might have missed the ‘update’ altogether.

Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024
Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024

The ‘old’ work is the purple and cream script by Wxttsart running through the middle of the piece which has a clever ‘ripped wallpaper’ look to it and has been augmented with fresh writing at the top and bottom of the piece that appears to spell out MYLK, (milk being Wxttsart’s moniker). The portrait, by Mind 49, is rather larger than its predecessor and beautifully executed. Mind 49 manages to paint informal portraits in a photorealistic style while retaining a softness about them, and this is a prime example. Both artists have combined (again) perfectly to create this striking collaboration piece.

Wxttsart and Mind 49, M32 Cycle path, Bristol, January 2024
Wxttsart and Mind 49, M32 Cycle path, Bristol, January 2024

6010. Greenbank (116)

 

Laic217, Greenbank, Bristol, April 2024
Laic217, Greenbank, Bristol, April 2024

Some artists are content to stick with what they know and play safe, others are constantly pushing the boundaries, and Laic217 has undergone something of an epiphany recently, taking his distinctive style into new and unexpected places, and as an observer, I am enjoying the trip.

Laic217, Greenbank, Bristol, April 2024
Laic217, Greenbank, Bristol, April 2024

This outstanding portrait piece on the long hoarding at Greenbank features a man holding a miniature trumpet, all in greyscale except for the instrument. The piece is not signed, but there are some telltale signs that this is by Laic217, namely the unusual proportions of the character’s head, and more obviously the folds of material in his clothes, a speciality perfected by Laic217. This is a wonderful piece.

5969. M32 Cycle path (260)

Tao Create, M32 Cycle path, Bristol, April 2024
Tao Create, M32 Cycle path, Bristol, April 2024

This is a special piece for me, because I was present while Tao Create was painting it (for a short while, at least) and met her for the first time. I have been wanting to meet her for a while to be able to tell her how much I admire her work and how much she has improved in recent months. I think that meeting the artists is the bit I love most about photographing their art, as it gives you glimpses of insight into their personality and sometimes their inspirations and ideas.

Tao Create, M32 Cycle path, Bristol, April 2024
Tao Create, M32 Cycle path, Bristol, April 2024

This piece was painted to promote a Femme Fatale event on 6 April. Now, I am a little bit old and never been all that well-connected with the music scene since the 1980s, so I had to find out a little bit about what this was all about. This is what I came up with:

Femme Fatale Heartek MicroCabaRave

An event held at 395 on Saturday 6th April. Doors are at 17:00 with entertainment starting at 18:00. The event finishes at 01:00. The event has been tagged in the techno, jungle, dub, reggae and industrial categories.

I don’t much like posting promotional pieces, because I am a bit funny about that, it feels akin to advertising, but of course I make exceptions.

Tao Create, M32 Cycle path, Bristol, April 2024
Tao Create, M32 Cycle path, Bristol, April 2024

Tao Create’s portrait is copied from an image, not of anyone in particular, to represent the Femme Fatale idea. Given that Tao Create hasn’t painted all that many pieces in the photorealistic style, this is absolutely remarkable. I very much hope to see more of her work during 2024 and beyond, she is a real talent.

5957. Purdown (70)

 

Jest Soubriquet, Purdown, Bristol, March 2024
Jest Soubriquet, Purdown, Bristol, March 2024

When visiting artists come to Bristol, they will often paint more than one piece, and in the case of some, such as Logoe, they might paint several over a single weekend. I think that this is one of two pieces painted by Jest Soubriquet earlier this year.

Jest Soubriquet, Purdown, Bristol, March 2024
Jest Soubriquet, Purdown, Bristol, March 2024

The portrait piece is set on a Palestinian flag, thus making it a relevant contemporary addition to the complicated and troubled commentary on the conflict between the Israeli government and Hamas. The portrait is cleverly painted in a patchwork of colours that shouldn’t really work, but somehow do. This is a wonderful and highly distinctive piece from an artist who will always be welcome in Bristol.

5945. Sparke Evans Park (92)

Mind 49 and Fino, Sparke Evans Park, Bristol, March 2024
Mind 49 and Fino, Sparke Evans Park, Bristol, March 2024

There was a good turnout for the LRS paint jam in Sparke Evans Park last month, with some really good pieces, including this collaborative work from Mind 49 and Fino (previously referred to as 3F Fino in Natural Adventures). The two totally different styles and subject matter of these two artists have combined really well.

Mind 49, Sparke Evans Park, Bristol, March 2024
Mind 49, Sparke Evans Park, Bristol, March 2024

Mind 49 is consistently turning out some outstanding portrait pieces at the moment, and pushing himself to continue refining and improving his work. I understand that his subjects are randomly selected images, and therefore represent anonymity. His style is edging towards photorealism although the textures of his artwork look very much like brush strokes. Great stuff.

Fino, Sparke Evans Park, Bristol, March 2024
Fino, Sparke Evans Park, Bristol, March 2024

It would appear that Fino has awoken from his winter slumbers and is starting to paint a little more now, and I was lucky enough to meet him a short while ago while painting with Tao Create on the M32 Cycle path. I thought that he might have moved away, but far from it… just a winter rest. The colours he has chosen for his FINO letters are exquisite, and the fills and borders are beautifully neat and tidy. This is a simple and attractive piece and a great counterbalance to Mind 49’s portrait piece.

5938. Brunel Way (266)

Abbie Laura Smith, Brunel Way, Bristol, June 2023
Abbie Laura Smith, Brunel Way, Bristol, June 2023

Trawling through my archives in search of a particular piece definitely has some extra benefits, which mainly consist of unearthing ‘lost’ work that was either by an unknown artist at the time or simply got left behind due to the volume of photographs coming in each week. I was so pleased therefore, to stumble on this lovely wheatpaste by Abbie Laura Smith from last summer during my last rummage.

Abbie Laura Smith, Brunel Way, Bristol, June 2023
Abbie Laura Smith, Brunel Way, Bristol, June 2023

The small paste up, looks like it is slightly out of focus, but that is due to the double line outline of the portrait. I love the way that Abbie Laura Smith has placed this colourful piece on a colourfully tagged column, almost disguising it, and as I have said before, the placement of paste ups is just as important as the artwork, and she has smashed both elements with this one.  I am so pleased to have been able to share this, albeit ten months late.

5916. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, March 2024
Mind 49, Cumberland Basin, Bristol, March 2024

It seems that as soon as I post a piece by Mind 49, I get to photograph another one, such is the rate at which he is painting at the moment. His portrait pieces always have a sense of mystery about them, with the faces often being partially obscured. He leaves much to the imagination, which is clever stuff really, and which reminds me a little of Caro Pepe’s approach to her art.

Mind 49, Cumberland Basin, Bristol, March 2024
Mind 49, Cumberland Basin, Bristol, March 2024

This is a writing/portrait combination which is really striking in its orange and red colouring. I am not sure that the portrait is of anyone specific, and in his Instagram feed Mind 49 says that this was ‘experimenting’. Well it seems to have been a successful experiment from what I can see. More to come soon.

5915. Sparke Evans Park (90)

Tao Create and Rozalita, Sparke Evans Park, Bristol, March 2024
Tao Create and Rozalita, Sparke Evans Park, Bristol, March 2024

There are some pieces that stick in the mind, sometimes for a long while, and sometimes forever. This is one of those. This striking collaboration between Tao Create and Rozalita has embedded in memory, and it will be one of those iconic pieces that I will be able to recall and tell people about for as long as my mind is good.

Tao Create, Sparke Evans Park, Bristol, March 2024
Tao Create, Sparke Evans Park, Bristol, March 2024

On the left, Tao Create has painted a gorgeous portrait piece, and in doing so has shown us just how far she has come over the last two or three years. I can only think that she has been to art school, because the transformation is extraordinary. The near-photorealistic portrait is utterly captivating and the contours of the face are perfectly handled with skill using shading in browns and yellows. I cannot express how much I love this portrait, not how surprised I was to see that it was by Tao Create.

Rozalita, Sparke Evans Park, Bristol, March 2024
Rozalita, Sparke Evans Park, Bristol, March 2024

On the right is the third recent piece by Rozalita depicting Frida Kahlo, and it is another cracker, this time in various shades of yellow. There is a strength that comes from the portrait, perhaps reflecting the strength of Kahlo herself. The flower design is, I think, also by Rozalita, who has undergone a renaissance lately. Oh joy. My favourite piece of the year.