How truly wonderful to see a Skor85 piece for two big reasons; the first is that I haven’t seen any of her work in an absolute age, and secondly, she is one of the nicest, kindest and most bubbly artists in Bristol. Even better is that this is one of two pieces she painted during this paint jam organised in the M32 Spot by Conrico.
Skor85, M32 Spot, Bristol, May 2023
The column piece looks like a mash-up of a portrait with a design idea, and kind of comes in a top and bottom half. The portrait below seems to portray happiness, but is somewhat at odds with the deer design above, which is more stylised and looks ready to go onto the front of a Christmas card. I am puzzled by the rune on the deer’s forehead… is it an expression or is it a tag? I think the former. The whole thing is a welcome return from Skor85.
Skor85 is a wonderful artist, living in Bristol, although I believe she is one of a number of artists in the city originally from Poland. It has been a very long time since I last saw any of her work, so managing to catch up with her, albeit briefly, at Upfest was a real bonus.
Skor85, Upfest 22, Bristol, May 2022
Her work often contains studies of the human form, although it might be contorted or in some way agonised, not unlike the work of Object…. I am pretty sure that there is some kind of narrative in this piece, but I am not quite sure that I can pin it down. I wonder if there is an anti-war theme to it.
Skor85, Upfest 22, Bristol, May 2022
The tortured character, an alien perhaps, appears to be fending off shells or satellites containing concepts such as television or money. A complex piece with plenty to think about together with a rich combination of a beautifully worked character and catastrophic scenes in the background, make this a real Upfesst winner.
A gallery of superb character pieces from Bristol artist Skor85
All photographs by Scooj
Skor85, Brunel Way, Bristol, August 2020Skor85, Brunel Way, Bristol, June 2020Skor85, Brunel Way, Bristol, June 2020Skor85, Brunel Way, Bristol, June 2020Skor85, Brunel Way, Bristol, June 2020Skor85, The Bearpit, Bristol, January 2019Skor85, The Bearpit, Bristol, April 2018Skor85, The Bearpit, Bristol, February 2018Skor85, Leonard Lane, Bristol, January 2018Skor85, Upfest, Bristol, July 2017Skor85, Moon Street, Bristol, January 2017Skor85, Dean Lane, Bristol, July 2016Skor85, Dean Lane, Bristol, June 2017Skor85, The Bearpit, Bristol, March 2017Skor85, The Bearpit, Bristol, January 2017
This is another nice column piece from Skor85 under Brunel Way. I have always liked her work from the first time I saw it at a time when I thought she was a he… before I knew any better. To add to the fact that I like her work, I also really like her as a person, she is so full of energy and always seems pleased to see me, which can’t be said for everyone I know. One of life’s dynamos.
Skor85, Brunel Way, Bristol, August 2020
This column piece seems to be of a female monster figure representative of I don’t quite know what, but surely representative of something. There is a sadness about the piece and I am drawn into feeling sorry for the figure. So much from a small and modest piece. Love her work.
Possibly the most difficult piece I have tried to photograph. This is a magnificent column piece by the wonderful Skor85 who organised a small paint jam last weekend under Brunel Way. She had invited various folks along via FB Messenger and so I was able to get along and get some WIP pictures.
Skor85, Brunel Way, Bristol, June 2020
Before I say anything else, I have to share that Skor85 is without doubt the nicest and most enthusiastic street artist I know and when I arrived she made me feel so welcome and seemed genuinely pleased to see me, which after months of lock down felt really good.
Skor85, Brunel Way, Bristol, June 2020
Her piece is all about balance, equality and unity which is an understandable theme in these troubling and uncertain times. Two fish sitting on a set of balance scales illustrate this theme and remind me a little of Al Gore’s film ‘Inconvenient Truth’ where he puts the earth and money on either side of a scale and poses the question ‘which is more important’. I digress.
Skor85, Brunel Way, Bristol, June 2020
Skor85, Brunel Way, Bristol, June 2020
Skor85 has a lovely touch to her artwork that almost looks like brush strokes rather than spraycan art. I have always liked her work and can’t wait to see more as the summer unfolds.
It has become a rare thing indeed to find much new work in The Bearpit, which is why finding this lovely piece by Skor85 was such a nice surprise. I’m afraid the quote is a little lost on me, but it feels like there is an interesting story behind this piece.
Skip forward about fifteen minutes and I have found some stuff on the Interweb that probably explains the background to the piece, and it would seem to be linked to an art project by Pierre Huyghe and Philippe Parreno.
Skor85, The Bearpit, Bristol, January 2019
I am pleased that I had spotted a Manga connection and was going to comment on it, but feel a little fraudulent writing about it, knowing that I have been able to confirm my hunch subsequently. I love Skor85’s work which nearly always has a dream like narrative to it. It has been a long time since I have seen anything by her.
What a lovely surprise this was in Dean Lane, a small piece from Skor85 squeezed in between some other works on the long wall. I haven’t seen anything from her in quite a while, so it was good to stumble across this one.
Skor 85, Dean Lane, Bristol, August 2018
An interesting perspective of a dog in which the bare teeth are somehow brought into sharp focus by the blood-red background. A slightly scary piece, but really nicely presented. I like Skor85’s work very much – there is an ‘other worldly’ feel to it all…dreams and nightmares.
The Bearpit street/graffiti art walls are under threat. Bristol City Council appears to be taking a tougher position on the walls and boards and has recently started to paint over some fine pieces that have been there for ages. My guess is that this is a task that will bring no joy to anybody, as artists and officials play tit-for-tat paint wars. Street art and graffiti are part of what makes Bristol special, part of its USP, and by over-regulating it you will destroy it and the culture around it – all you will end up with is sterile corporate pieces that don’t really represent the local scene.
It feels odd to me going to cities, for example Chichester, that have no graffiti or ‘legal walls’ but held a festival a few years back and has some very nice pieces dotted about the place on carefully selected walls. The problem I have with that is that it is all sanitised and signed-off by the ruling classes of the city. Where is the budding street art culture in Chichester? there is none to speak of, just some imported art to create a sense of ‘edge’ but actually totally safe and permitted to the nth degree.
I say all this because at the recent paint jam in The Bearpit, several artists, including Skor85 made their feelings clear. How strange it might seem in a few months time that there won’t be any walls left where they can make their feelings known, without the permission of the officials of Bristol. This will inevitably lead to more and widespread illegal art.
Skor85, The Bearpit, Bristol, April 2018
Skor85’s meaasge is loud and clear “Could you live without freedom of expression?” The piece itself is delightful, a vibrant plant emitting sparks of colour set on a background of purples, reds and oranges. I like it a lot.
It is always, always good to find pieces by Skor85. She is probably one of the unsung heroes of the Bristol street art scene, occasionally turning out these extraordinary fantasy dreamlike pieces in all of the spots I like to visit.
Skor85, The Bearpit, Bristol, February 2018
In this piece Skor85 has painted a futuristic/medieval character sitting on the ground clutching a gem in one hand and a weapon in the other. The words ‘Think truth’ give the piece an overall message…maybe it relates to gun law in America, I’m not sure.
Skor85, The Bearpit, Bristol, February 2018
Her command of the colours and tones in this piece is obvious, and I love the way she gives the effect of a pastel drawing rather than a spray can work. I admire her work a lot.
Leonard Lane is one of my favourite spots. somehow it feels more exclusive than some of the other more popular spots, and it is tucked away in the deepest heart of old Bristol. The Lane has become more popular with ‘established’ artists in recent weeks, with both Decay and John D’oh making themselves at home in this narrow space.
Skor85, Leonard Lane, Bristol, January 2018
Now it is the turn of Skor85 and this curious piece. What I like about her work is its dream-like stories that unfold in front of you. This one involves two people rather happy about something and high fiving. Meanwhile, the lady with her bunny ballet outfit brandishes a cutlass and the man is holding a dead rabbit. What on earth… . It doesn’t matter. I love this piece, which is nicely framed too. It would be great to see more of this kind of work in the heavily tagged lane.
Natural adventures 