On Natural Adventures, I typically prepare the images in advance that I am going to post, so I might have maybe up to two week’s worth of material waiting in the wings. Then each morning, before work, I quickly pull some words together and insert the prepared images, and hey presto, we have street art post number 4046.
This approach means that I know, several days in advance what pieces I will be posting, so when Skronius posted this new piece on Instagram yesterday, I was able to inform him that I had coincidentally prepared a blog which I would publish today. I expect that this rambling is just too much information, so on to the piece.
Skronius definitely seems to favour this spot, and I haven’t yet seen any of his work anywhere else in Bristol. His style is quite illustrative and is full of dynamism and movement. This bright and colourful creature munching on steps reminds me very much of the Buddhist art you might see in Nepal or Tibet, the theme, style and colours could all have been lifted from that region and placed here in Purdown. I am a fan of Skronius’ work which is refreshing and different. Looking forward to finding more, and seeing Skronius develop as a street artist.
Of all the newer artists in Bristol, I think I know the least about Skronius. Keeping a low profile seems to be the order of the day, or maybe our paths simply haven’t crossed yet. Skronius certainly favours this spot, and since I only visit about once every three weeks or so, the likelihood of meeting are pretty slim.
I would say that fantasy creatures and worlds are favoured by Skronius, and this dragon head is quite fabulous. His style really doesn’t look like spray-painting, and this piece in particular looks like it could be a watercolour. I think Skronius achieves this effect by laying down the character colours first and then adding in the detail with the black lines. However it is done, it is an unusual effect. I love the way it is signed in the smoke in the top left-hand corner.
Skronius is an artist whose work I have only ever seen up at Purdown Battery, and I know very little about him. I like what I have seen though, and his style is very illustrative and looks more like canvas work than a spray-painted wall. The Bristol artist I would most liken him to is Conrico.
There is a lot to like in this small piece in which a skeleton (just the skull really) is advancing to cause mischief, no doubt. The colour selections are superb, with the subtle purples creating shadows, rather than black. Skronius has signed the piece with some lovely calligraphic writing (Stivs had better watch out). I am hungry for more from Skronius, and perhaps in some other locations.
This is a curious piece up at Purdown by an artist that doesn’t yet seemed to gained any traction with the community of followers of street art in Bristol – Skronius. This is only the second or third piece I have seen by the artist, and I haven’t seen anything beyond this particular spot.
I have to say that I rather like what I see, although it is on the unusual side. This particular piece reminds me a little of Conrico’s work in terms of the rather free style employed. The piece features some kind of wolf-like creature with a double mouth, which is pretty hard to work out. I can’t put my finger on it, but there is something I like about the piece and it certainly adds to the wonderful diversity of art we have in This magnificent city.
Consistent with the theme of so many posts on Natural Adventures this year, this piece is by yet another debut artist on this blog, and one I know practically nothing about.
Skronius would appear to be off the radar of most Bristol street art commentators and I wonder if the artist is new to the city or new to painting in the streets altogether. Skronius has an Instagram account, but only 3 posts and six followers (at the time of writing), so it is difficult to provide much background.
From the look of this piece, I would guess that Skronius is no stranger to the art world with some really nice shading and textures in this piece that help to lift the cat-like robot character. I’m not too sure what the relevance of the bees and honeycomb are, but they help to fill the white gaps around the central focus. There is a lot to like about this unusual piece which is technically nicely done and I look forward to seeing more from the artist over the coming months.