When I think about Bristol street art, one of the first images that springs to mind is a Rowdy crocodile. Somehow what he does and how he does it embodies a sense of mischief and humour, edge and naive art, and is at the very heart of the Bristol scene.
Rowdy, St Michael’s Hill, Bristol, June 2025
I love this little spot at the bottom of St Michael’s hill, which has played host to a few different artworks over the years. I love also that is obviously used to be a butcher’s shop and still has the old tiles. Some crocodiles and a radiant cat decorate the walls and window perfectly and ooze everything that Rowdy is all about. I love this.
I was tipped-off by John D’oh about this wonderful, small stencil in a little alleyway off St Michael’s Hill, and it is always nice to have that kind of trust and bond with an artist, and sit is something I really appreciate.
John D’oh, St Michael’s Hill, Bristol, July 2022
The subject matter of the stencil is our national treasure, Sir David Attenborough, although he is actually so much more than a national treasure. Sir David Attenborough is an inspiration and hero to an entire generation, and his work, highlighting the wonder of biodiversity is an example and warning to national and world leaders, who should listen to what he has to say. I love the way that Sir David Attenborough and Greta Thunberg have joined forces, creating a generational continuity campaigning on behalf of our beautiful planet.
The stencil is notable for being a contemporary image of the great man, showing him as the old man that he is, no sentimentality. Another great piece in which John D’oh has captured one of the most important champions for our planet, with an injection of humour in the words, mimicking a voice-over by the great man himself.
My wife was a little late for work a couple of weeks ago, so I gave her a lift in the car. Our route takes us onto St Michael’s hill, and I glanced (as I always do when passing by) down a little alleyway favoured by John D’oh and by total luck he was there spraying a new stencil. Of course, after dropping my wife off, I made a bee-line for the alley way and stopped for a quick chat with John D’oh. As always it was a genuine pleasure to catch up, and great to see the artist at work. While we were talking, a bird pooped on one of the freshly painted faces… the perils of being a street artist!
John D’oh, St Michael’s Hill, Bristol, May 2022
The piece is a fantastic awareness work that talks about mental health, in particular depression and anxiety, a topic that resonates for me and my family, and I expect for a great many people in today’s troubled landscape. The words on the stencil piece read:
“Pretending you’re okay is easier than having to explain to anyone why you’re not.
Mental health – don’t suffer in silence
Depression is when you don’t really care about anything, anxiety is when you care too much about everything, and having both is just like hell.”
John D’oh, St Michael’s Hill, Bristol, May 2022
I believe this to be one of John Doh’s finest pieces. The topic aside (a massively important one), he presents four stunning colourful stencils perfectly and seamlessly joined and topped and tailed with a banner and footer. The whole thing is expertly produced and beautifully proportioned.
John D’oh, St Michael’s Hill, Bristol, May 2022
The stylised comic-book characters are cleverly selected to be both eye-catching and, to a degree, nostalgic. It was interesting to see that John D’oh brought elements of this piece to his collage of pieces for Upfest this year – the joy of stencil art.
John D’oh, St Michael’s Hill, Bristol, May 2022
I drove past the spot this morning, on a repeat wife-lift scenario, and saw that he has added another piece to his expanding gallery, so I’ll have to pop up there for another photo session soon. Utterly fabulous work from John D’oh.
Well, well, well this piece by John D’oh caused something of a stir locally, and I shall try and give a brief description of why. It first appeared down a little side lane off St Michael’s hill about three weeks ago. I had spotted it from a bus on my way to work and registered it as one to come back to to photograph. The first lesson here is always take pictures of street art when you see it, because if you wait it will be gone next time you pass by, and this is exactly what happened with this.
The following week I was on my way to five-a-side football and it was still there and I made a mental note of coming back ASAP to take some pictures. On my way home an hour and a half later it had been buffed with white paint.
At pretty much the same time, there was a story on the Bristol Live website that it might be a Banksy, and stories like this always cause a stir. The piece is actually a clever adaptation of a Banksy work painted in Los Angeles entitled ‘Playhouse foreclosure‘. The core elements are the same, but the builder is absent, and the little girl is standing on the other side of the playhouse facing the other way.
John D’oh, St Michael’s Hill, Bristol, July 2019
The central point of the piece however was to enter into the realms of debate over the copyright of street art. It is critical of the stance taken by Banksy (and his lawyers) who recently won a case against a museum in Milan for selling Banksy Merchandise. Banksy has always had a pretty firm position of being against copyright and intellectual property rights, so this piece is simply highlighting the hypocrisy.
Having said that, this is a really difficult area for street artists and one that causes a lot of lively discussion. I know that John D’oh admires Banksy greatly, and has in the past used Banksy’s work and inspiration for his own work. In this instance I think he is being deliberately provocative to highlight this copyright/ideology minefield.
So how did I get my pictures? Well the great thing about stencils is that they can be used again and again, and within a couple of days, John D’oh had returned and repainted the piece (you can see the white paint that had been used to buff the original). Who buffed it in the first place and why, well we might never know, but all’s well that ends well.
Occasionally I vary my walk to work, and instead of sweeping through Stokes Croft and The Bearpit, where I am guaranteed to find some lovely new stuff, I take the hilly route and drop down St Michael’s Hill. This is not an area known for its street art, so finding this large wall by Cheba is a real find.
Cheba, St Michael’s Hill, Bristol, December 2017
What a lovely way to decorate a ‘dead’ wall like this one with one of his cosmos pieces. He really has nailed this technique and is quite the best at it that I have seen. I managed to get a shot of it before completion, and it was some time before I visited it again.
Cheba, St Michael’s Hill, Bristol, February 2018
I always like to see his work, it is something fresh and different.
This is not a new piece by Shab, it has been here for months, but it replaces a piece by him that was here before and which I posted in February 2017. It would seem that Shab has the permission of the owners to claim this spot as his own.
Shab, St Michael’s Hill, Bristol, November 2017
I never tire of the abstract form that Shab brings to his work, enjoy the anatomical references he makes in his work, which recently has been the inclusion of an eye. In this piece he includes another eye and also the eye scokets and nasal cavity of a skull.
Shab, St Michael’s Hill, Bristol, November 2017
This is an interesting piece and slightly off the beaten track. One for the locals.
Well it’s all Shabs at the moment. I said that there would be more to share with you, and so it is. This is a lovely piece on the side of a small café at the bottom of St Michael’s Hill, and in an area without much I the way of street art.
Shab, St Michael’s Hill, Bristol, September 2016
This piece has the characteristic colourful outlines of a figure, and of course a beautiful signature eye. I have walked past this many many times on my way to work, and I believe it to be an outstanding work.
Shab, St Michael’s Hill, Bristol, September 2016
The area is significant to me and my family as both of my children were born in St Michael’s Hospital just up the hill from here.
Natural adventures 