7501. St Werburghs tunnel (575)

Stivs, St Werburghs, Bristol, February 2026
Stivs, St Werburghs, Bristol, February 2026

The letters DSC give away the fact that this epic chrome monster is by Stivs. I guess, from time to time, if you are going to go big, you might as well do it loud and proud. To give you some sense of scale, these letters are probably about 11 or 12 feet tall – that is a lot of chrome paint!

I apologise for the poor photography – my iPhone doesn’t seem to like this section of tunnel and often turns out blurry images (note to self – sort it out). Stiv’s enormous letters are written in a calligraffiti style, but being so large are a little less sophisticated than some of his normal-sized pieces. A big bit of fun in the tunnel.

7495. St Werburghs tunnel (574)

I would describe Cort’s graffiti writing as unconventional, both in its conceptual design and also in its unusual selection of colours. These are, in my view, good attributes and what contributes to his ‘quirky’ work standing out.

Cort, St Werburghs, Bristol, February 2026
Cort, St Werburghs, Bristol, February 2026

This piece, spelling KORT, is so off the wall that it is quite difficult to critique, other than to say I really like it. One of the unusual features in this particular piece is the cut away squares in the letters, that provide that very distinctive look so peculiar to Cort. It is good to see more of his work appearing at the moment, as a great balance to the volume of conventional graffiti art we are so lucky to see in Bristol.

7491. St Werburghs tunnel (573)

Hire, St Werburghs, Bristol, February 2026
Hire, St Werburghs, Bristol, February 2026

It has been a very lean start to the year in terms of new street art pieces, which I attribute to the appalling weather that we have had so far this year. It isn’t only difficult to spray paint in the rain, it is also rather unpleasant. The tunnel has provided some refuge from the weather, and this is a nice recent piece by Hire which was painted alongside Sait Bare.

Hire, St Werburghs, Bristol, February 2026
Hire, St Werburghs, Bristol, February 2026

These days, it is more common to see the letters ODIAH than it is to see HIRE from the artist – perhaps it offers him more scope to play with form and colour. In years gone by, Hire used to create much more jagged and spiky pieces, and this feels like a softened version, showing his transition over time. I love the colours and love his work.

7489. St Werburghs tunnel (572)

Daz Cat, St Werburghs, Bristol, January 2026
Daz Cat, St Werburghs, Bristol, January 2026

Daz Cat has painted another one of his tall ‘sentinel’ pieces guarding the entrance to St Werburghs tunnel. In this case, it is a rather lovely dog holding a toolbox that seems to be full of plants and spray cans.

Daz Cat, St Werburghs, Bristol, January 2026
Daz Cat, St Werburghs, Bristol, January 2026

The contents of the dog’s box might be a commentary on the people often seen in and around the tunnel, including, obviously graffiti and street artists and allotmenteers who have a selection of plots nearby. I may have missed the mark, but that is what this fine piece says to me. Great work from Daz Cat (dog).

7487. St Werburghs tunnel (571)

3Dom, St Werburghs, Bristol, February 2026
3Dom, St Werburghs, Bristol, February 2026

Not so long ago, this huge chrome piece by 3Dom appeared alongside one by Stivs in the tunnel. It didn’t take long for someone to run a black line through them, but it didn’t do too much damage to the overall look of the piece.

3Dom, St Werburghs, Bristol, February 2026
3Dom, St Werburghs, Bristol, February 2026

I am going to break from tradition and say that I don’t really like this piece, there is a first for everything I suppose. For me it is just too big, and reduces any impact of the fine details and nuances that 3Dom has made his own. The skull, with a galactic space for a cranium, has cone walls for eyes. Obviously, there is some symbolism here, but I am not too clear what the story is. 3Dom’s catchphrase ‘call in sick’ makes an appearance alongside the piece. Not his best in my opinion.

7484. St Werburghs tunnel (570)

Sait Bare, St Werburghs, Bristol, February 2026
Sait Bare, St Werburghs, Bristol, February 2026

Sait Bare is an artist I haven’t yet met, so I can offer little insight into him or his motivations, but his unusual work is constantly developing and improving. Recently he has switched things up a little and changed from writing the letters SAIT to writing the letters BARE, as in this case.

Sait Bare, St Werburghs, Bristol, February 2026
Sait Bare, St Werburghs, Bristol, February 2026

The colours he ha selected for this piece have a wonderfully rich quality, with the two tones of deep red and the reversed out spots contrasting really well with the sandy yellow. . The letters are set in a grey buffed wall with some nice pink and blue (that winning combo) spots. This is a lovely looking piece from Sait Bare.

7473. St Werburghs tunnel (569)

Kool Hand, St Werburghs, Bristol, October 2025
Kool Hand, St Werburghs, Bristol, October 2025

This was a piece from a little while ago by Kool Hand, celebrating his own birthday with some friends in the tunnel. For some reason, my iPhone was playing up that day, and my photographs a little blurry – some kind of auto-setting might have kicked in because of the low light levels.

Kool Hand, St Werburghs, Bristol, October 2025
Kool Hand, St Werburghs, Bristol, October 2025

The combination piece has the letters KOOL accompanied by a trademark orangutan head, and the whole thing is very nicely presented. Kool Hand is an artist whose work just keeps on developing gradually but consistently. A very nice birthday present to self.

7471. St Werburghs tunnel (568)

Fasho, St Werburghs, Bristol, February 2026
Fasho, St Werburghs, Bristol, February 2026

For quite a while now, I have been photographing Fasho’s writing, but held back on posting any pieces due to the fact that I know nothing at all about the artist. It seems that until I meet them, I’ll not find out any more, so I thought I’d go ahead with this nice green piece in the tunnel.

Fasho, St Werburghs, Bristol, February 2026
Fasho, St Werburghs, Bristol, February 2026

Fasho has a rather unique style of writing that includes exaggerated rounded ends to all the letters, giving the writing a soft appearance. This combination piece (which I am assuming is all by Fasho, although the character might be another artist’s work) contains the letters FASHO and a gun-wielding soldier on the left. There is good definition between the green fills and patterns and the white and black borders, keeping the piece tidy. A peace icon in the position of the ‘O’ indicate where this piece is coming from. Much more from Fasho to come from my archives.

 

 

7462. St Werburghs tunnel (567)

Neddy Ned Ned and Jest Soubriquet, St Werburghs, Bristol, February 2026
Neddy Ned Ned and Jest Soubriquet, St Werburghs, Bristol, February 2026

It has been really hard work finding new pieces so far this year. The near constant rain has kept most artists at home. I am expecting a deluge of work once the sun returns, and my files for March and April to be overflowing. At least St Werburghs tunnel seems to offer refuge for those brave enough to venture out, like Neddy Ned Ned and Jest Soubriquet.

Neddy Ned Ned, St Werburghs, Bristol, February 2026
Neddy Ned Ned, St Werburghs, Bristol, February 2026

I really wasn’t expecting this piece, so it definitely came as a pleasant surprise. The letters, spelling out WISKA are by Neddy Ned Ned, and are full of colour, with delineated horizontal stripes running through the letters in colour sequences. The drop shadow has a disappearing point in the middle of the piece, and the upper half colours are black and green and the lower half, red and green. A nicely thought out piece.

Jest Soubriquet, St Werburghs, Bristol, February 2026
Jest Soubriquet, St Werburghs, Bristol, February 2026

The portrait piece by Jest Soubriquet is really striking, especially the lips and eyes. I feel that the top half of the head needs to be higher, as the proportions don’t quite work. I like the mix of a realistic face with stylised hair, it works for me. Nice to see these two painting together.

7461. St Werburghs tunnel (556)

Zinso, St Werburghs, Bristol, February, 2026
Zinso, St Werburghs, Bristol, February, 2026

This is an interesting augmentation piece by Zinso, using the underlying work by Conrico to make his mark. This kind of addition takes us into the murky waters of convention and respect, particularly with this Conrico piece, which had only been present for a few days, celebrating Tera’s birthday. While I rather like augmentation pieces, I do feel that they should have a period of clear space between the original and the addition.

Zinso, St Werburghs, Bristol, January 2026
Zinso, St Werburghs, Bristol, January 2026

The skull face that has been added is neat and crisp, and very much what you’d expect from Zinso. It also provides a totally different look and feel from the original by Conrico. As I have said many, many times on Natural Adventures, it is a jungle out there.

Conrico, St Werburghs, Bristol, January 2026
Conrico, St Werburghs, Bristol, January 2026