3530. St Werburghs tunnel (227)

Obviously I am thoroughly enjoying Zoe Power’s enhanced presence on the streets at the moment, with her recent collaboration with Mr Penfold, her work in progress under the railway bridge on Stapleton Road and of course, this lovely collaboration with Rtiiika in the tunnel.

Zoe Power and Rtiiika, St Werburghs, Bristol, February 2021
Zoe Power and Rtiiika, St Werburghs, Bristol, February 2021

I had heard that she was keen to do more street work but was nonetheless surprised to stumble on this collaboration so soon. I have seen two or three Rtiiika pieces around Bristol, but this definitely raises her profile. Their styles are complementary and the bright colours work well. Zoe’s characters continue to remind me of Matisse and Rtiiika’s character also has a touch of modernism about it. I love this and want to see a whole lot more from these two.

3624. St Werburghs tunnel (226)

This is the first of two outstanding recent collaborations by Andy Council and Acer One. What a great combination these two make… their very different styles have come together in this piece in an extraordinary way and it feels as if they were made for each other.

Andy Council, St Werburghs, Bristol February b2021
Andy Council, St Werburghs, Bristol February b2021

On the left is a superb ammonite or nautilus by Andy Council, with the coiled shell appearing to be stitched together with thick thread. The body and tentacles in rich and vibrant blues extend across the piece and weave their way into the lettering from Acer One. It is incredible how Andy Council can draw together inorganic components and create organic creatures. He is a master of this.

Acer One, St Werburghs, Bristol February b2021
Acer One, St Werburghs, Bristol February b2021

The right hand side of this collaboration is yet another stunning piece of designed writing from Acer One, who is definitely going through a golden period in my eyes. Here he spells out ‘Acer’ with his geometric lettering. There is an optical think going on here where the patterns can be seen either as flat designs or as 3D images. Very clever stuff.

Andy Council and Acer One, St Werburghs, Bristol February b2021
Andy Council and Acer One, St Werburghs, Bristol February b2021

An outstanding collaboration from these two and a little warm up for another one at Templemeads Station.

3512. St Werburghs tunnel (226)

There are some artists whose work is capable of lifting a mood, and for those fleeting moments while I am looking at their work I am transported away from my troubles. Billy is one of those artists. Bright, simple and colourful her work usually carries a message which gives depth and meaning to the artwork.

Billy, St Werburghs, Bristol, February 2021
Billy, St Werburghs, Bristol, February 2021

This piece ‘what a mess’ was painted alongside Merny’s truck piece, the pair often paint together, and helped to lift this spot into a blaze of brightness. I don’t know if the ‘mess’ relates directly to the subject of the piece or whether it is deeper than that and describing the state of our country. On either level it works.

Morny and Billy, St Werburghs, Bristol, February 2021
Morny and Billy, St Werburghs, Bristol, February 2021

Sadly this piece along with Merny’s didn’t last too long, and the aggressive tagging that partially covered them over was annoying to say the least. I just don’t get some people.

3503. St Werburghs tunnel (225)

Right, let’s get down to business. Merny, or Morny as I call him, because that is how he signed himself once in the past at a time when he first appeared on my radar, is an artist I really like. His naive style, with children’s crayon-like scribbles is so unique and refreshing and adds a wholesome and entertaining aspect to our walls.

Morny, St Werburghs, Bristol, February 2021
Morny, St Werburghs, Bristol, February 2021

In this piece Mo(e)rny gives us a super truck to marvel at. Irregular wheels and a curious child-like perspective add to the interest of the work. Sadly it didn’t last very long, and there are some taggers who appear to have a particular dislike of Morny’s work, which is a little ironic, because the stuff they slap over other people’s work is usually pretty shoddy. Is it jealousy? Or just wilful nastiness? Who knows, but I hope it doesn’t discourage Morny from continuing to create these lively vibrant pieces.

3496. St Werburghs tunnel (224)

Elvs is another very consistent artist whose work continues to brighten up our Bristol walls. With this recent piece he includes a fabulous character which some might recognise from the TV cartoon series Top Cat, I think it is Brain or Fancy.

Elvs, St Werburghs, Bristol, February 2021
Elvs, St Werburghs, Bristol, February 2021

The writing is vertically striated with three colours, pink, purple and yellow and spells out ELVS as you’d expect. The whole piece is framed nicely on a blue patterned background bounded with a yellow border. A fine piece from Elvs.

3472. St Werburghs tunnel (223)

This is a really nice example of two artists who like to paint together switching things up a little. Kool Hand and Daz Cat have painted a lot together, but not so much over the last six months or so. When they collaborate, Daz Cat normally paints a character and Kool Hand provides the writing.

Kool Hand and Daz Cat, St Werburghs, Bristol January 2021
Kool Hand and Daz Cat, St Werburghs, Bristol January 2021

In this recent piece in the tunnel, the leopard on the left is by Kool Hand and is superbly done, I think it might be one of his best characters yet and Daz Cat has thrown up the letters DKAT. It must be fun painting with friends and playing with styles and methods and it certainly keeps things interesting for the likes of me.

3455. St Werburghs tunnel (222)

Pekoe’s portraits just keep getting better and better and seem to flow with the ease of an artist really enjoying their trade. There is something just a little bit special about this one, Maybe it is the RBF T-shirt, maybe it is something else, but it works very well for me.

Pekoe, St Werburghs, Bristol, January 2021
Pekoe, St Werburghs, Bristol, January 2021

The lighting in the tunnel, as I have said countless times, is dreadful, and I had to adjust the colours to be a truer representation, because my original photograph was ‘yellowed out’. No tears on the face of this young lady, but an emphasis on cheeks and lips. Big hair as always and an all-round wonderful portrait piece.

3453. St Werburghs tunnel (221)

I have a feeling that this playful piece in St Werburghs tunnel was the first time that I became aware of the work of Ugloe, way back in October. I have stumbled across one or two others and each of them is carefully thought out and beautifully executed.

Ugloe, St Werburghs, Bristol, October 2020
Ugloe, St Werburghs, Bristol, October 2020

Ugloe’s style is a clever mash up of graffiti writing combined with illustration and is very effective. It merges the edgy with the safe. In this piece, the colourful letters spelling UGLO are being decorated and given some sparkle by three of her distinctive characters. A joyful piece.

3447. St Werburghs tunnel (220)

This wall at the Farm end of St Werburghs tunnel has been ripe for a refresh for some time and who better to bring about some colour and joy than Mr Draws? As night follows day, Mr Draws will be out there brightening up our walls with his unique style.

Mr Draws, St Werburghs, Bristol, January 2021
Mr Draws, St Werburghs, Bristol, January 2021

This one is a simple affair using blues, purples and red laid out as horizontal fills in a DRAW outline. There is a deep 3D black shadow and the whole thing is given added interest with some yellow bars. Bold and shouty – this piece has Mr Draws written all over it, literally.

3438. St Werburghs tunnel (219)

There are a bunch of writers in Bristol who have one thing in common, they write the same letters in roughly the same letter style, but add creativity in the colour selections and fill styles that they choose. Phour is one such artist, and this is a recent piece of his from St Werburghs tunnel.

Phour, St Werburghs, Bristol, January 2021
Phour, St Werburghs, Bristol, January 2021

The tunnel is a great place for rainy day painting and there is a rich seam of, in the main, great graffiti and street art. In fact the only problem with the tunnel is the light conditions, which mean that photographs from there never do the artwork justice, with a lot of orange and yellow polluting the images. With a little adjustment, I managed to get as close as possible to the true colours of this Phour piece. Nice letters, nice 3D work and a very good background. Good to see.