3342. St Werburghs tunnel (210)

Resembling one of the giant stone head statues of Easter Island is this rather nice and low-key piece by Zace. This is only the second piece I have posted by Zace, and it illustrates the diversity of artists in Bristol at the moment and the rate at which new ones are joining the already sizeable cohort.

Zace, St Werburghs, Bristol, November 2020
Zace, St Werburghs, Bristol, November 2020

There is something about this piece that I really like, maybe its modesty or the simplicity. The expression is difficult to read – an enigmatic smile perhaps? There is a lot to like and enjoy in a piece like this one and I really look forward to finding more work from Zace.

3337. St Werburghs tunnel (209)

Always colourful and always a little bit different is what you expect to get with a Benjimagnetic piece. His work feels like it is layered, with each layer adding complexity to the piece, but I haven’t yet seen him paint, so it is difficult to know how he constructs his work.

Benjimagnetic, St Werburghs, Bristol, November 2020
Benjimagnetic, St Werburghs, Bristol, November 2020

I have a real blind spot with reading his letters which is I think because they are hinted at with some black highlights and ethereal fills. If the fills were more solid and outlined complete, it would be much easier to interpret, but then it just wouldn’t be Benjimagnetic. He completes this piece with the words “Outsiders live forever”  – whatever that means.

3334. St Werburghs tunnel (208)

Another green and purple Halloween piece from a paint jam in the tunnel about a month ago, this time from Mest. The piece is clean and tidy and the horizontal fills fade beautifully, and the letters are bounded by a bright white 3D shadow.

Mest, St Werburghs, Bristol, November 2020
Mest, St Werburghs, Bristol, November 2020

Mest is becoming a bit of a regular on Natural Adventures, which is a good thing in my view, and it shouldn’t be too long before I have enough pieces by him to put together a rather nice gallery.

3329. St Werburghs tunnel (207)

This nice piece from Phour was painted during a Halloween paint jam down in the tunnel, I guess about a month ago. How time has flown this year, I think it must be the coronavirus effect.

Phour, St Werburghs, Bristol, November 2020
Phour, St Werburghs, Bristol, November 2020

The colours of the piece were commensurate with the collaborators and Phour has gone with some slightly more elaborate letter shapes than usual for this one. I don’t think that the pumpkin is by Phour, but have included it in the picture because it complements the piece nicely. What festive japes.

3328. St Werburghs tunnel (206)

Painted alongside RBF friend Pekoe, this is a rather nice and colourful piece by Bnie. If it weren’t for Adobe Photoshop, this piece would appear to be rather yellow due to the very awkward lighting conditions in the tunnel, and although not perfect, the adjustments are a truer representation of the colours of the piece than the original photograph.

Bnie, St Werburghs, Bristol, November 2020
Bnie, St Werburghs, Bristol, November 2020

Bnie always conveys a sense of fun and joy and has definitely done so with this piece, typified by the smiling mouth in the B that Ryder himself would be proud of. The colours are an interesting choice and I think they work well, but I am not certain about the darkness of the green. The 3D blocking is outstanding as always, made up of dozens of little black circles on a purple fill. Excellent work.

3323. St Werburghs tunnel (206)

One of the most recognisable ‘mega-tags’ in Bristol is that of Angry Face. What you see is what you get, and he rarely disappoints. One of the advantages of a ‘brand’ like this is that you can spend time doing a nice one, or spend ten minutes with a single-colour throw up, but they all conform to the stock format and identity.

Angry Face, St Werburghs, Bristol, November 2020
Angry Face, St Werburghs, Bristol, November 2020

I mentioned last time that after a long spell away, Angry Face seems to be hitting the walls pretty regularly these days, including with this recent one in St Werburghs tunnel. I’m not sure if the tags either side of the face belong to the artist or not, but the central face is more than enough for me. Good to see.

3319. St Werburghs Tunnel (205)

I cannot think of a Pekoe portrait that I haven’t liked. Her style is so recognisable and has a beautiful innocence about it, if you know what I mean. There is no pretension, it is what it is and isn’t pretending to be anything else, and I like that.

Pekoe, St Werburghs, Bristol, November 2020
Pekoe, St Werburghs, Bristol, November 2020

This piece appeared last week alongside a Bnie piece in the tunnel and together they painted under the RBF banner. The three-quarter portrait reverts to a theme often used by Pekoe, namely a third eye on the forehead. The turquoise, pink and yellow colours work very nicely together and the decorative features are wonderful. I particularly like the green shading on the woman’s shoulders and face that give a lift to the whole portrait. Lovely work.

3305. St Werburghs tunnel (204)

When I think about it, Daz Cat has been one of the most prolific artists in Bristol this year. Mostly in the North Bristol area he seems to be churning out cats at about the rate of one a fortnight or less. This is one of his recent ones in St Werburghs tunnel.

Daz Cat, St Werburghs, Bristol, November 2020
Daz Cat, St Werburghs, Bristol, November 2020

The tunnel is a frustrating place for photography, but a great place for wet-weather spray-painting. This particular cat is quite large, even though it doesn’t look like it, and stands out from what is mostly graffiti writing in the tunnel. The thing about Daz Cat is that his cats are getting technically better and better with more detail creeping in to each new piece. Much more to come.

3298. St Werburghs tunnel (203)

This piece has been in the tunnel for rather a long time and similarly was in my October folder for an equally long time, speaking to me saying ‘post me, post me’ every time I saw it. I have at last yielded, and I am writing about this piece by Zace, a Bristol artist whose work I can’t recall having seen before.

Zace, St Werburghs, Bristol, October 2020
Zace, St Werburghs, Bristol, October 2020

An alien face with brains hanging out of the top of a severed skull – now there’s something you don’t see every day (unless you go through St Werburghs tunnel a lot). This is a memorable piece in bright colours that attract the eye, and the artist has woven the letters ZACE into the brain squiggles. Weird and wonderful, and I am sure not the last we’ll see of Zace.

3287. St Werburghs tunnel (202)

I pitched up in the tunnel just as Elvs and a couple of friends were just leaving. Unfortunaetly I wasn’t able to say hello as they jumped into their car and disappeared. Fortunately they had left behind some lovely pieces, including this one by Elvs himself.

Elvs, St Werburghs, Bristol, October 2020
Elvs, St Werburghs, Bristol, October 2020

It feels like Elvs has been fairly quiet through the latter part of summer and the walls of Bristol have been all the duller for his absence (or at least they might have been were it not for the abundance of talent in the city, but I think you know where I’m coming from). This is a typical piece of Elvs writing in his unique style with three horizontal fills and a 3D shading with a vanishing point in the centre of the work. Welcome back.