3380. St Werburghs tunnel (214)

On a recent trip to St Werburghs tunnel it was so very nice to be greeted by this monster face piece from CD.TC. There has definitely been an uptick in the frequency with which CD.TC has been hitting the walls this year, unless I have been missing something in the past.

CD.TC, St Werburghs, Bristol, December 2020
CD.TC, St Werburghs, Bristol, December 2020

This was painted at the same time as a Daz Cat piece a few yards away and the two will often be found painting together. I haven’t yet had the pleasure of meeting either of them, but they are out so often, it is only a matter of time.

This particular piece by CD.TC is rather more elaborate than usual, and I am guessing he took a little more time over it. The addition of horns creates an even more terrifying character. There is sure an influence of tribal masks in his pieces. Nice work.

3374. St Werburghs tunnel (213)

Slakarts has been very busy lately, especially with his three-quarter cartoony profile throw up pieces, so it was great to come across this rather more traditional-looking piece from him in the tunnel recently.

Slakarts, St Werburghs, Bristol, December 2020
Slakarts, St Werburghs, Bristol, December 2020

Slakarts’ work is very distinct and rather different from most of the character pieces you see around Bristol. This particular face is rather austere and serious and contains some nice detail, such as the lines around the eyes. Some great shading and spots round this piece off nicely. I definitely feel a Slakarts gallery coming on very soon.

3348.St Werburghs tunnel (211)

I had to have two goes to get photographs of this piece because it was raining the first time and when I got home to check the images, they were obscured by a rather annoying water drop on the camera lens – it happens from time to time.

Mes One, St Werburghs, Bristol, October 2020
Mes One, St Werburghs, Bristol, October 2020

On the left of this collaboration is a rather tidy piece of graffiti writing spelling out MES from Mes One. I’m not sure if I have posted anything by the artist before, but he seems to do the odd piece occasionally, and he has collaborated with Slakarts on more than one occasion. I love the red dots at the base of the letters, a very nice touch.

Slakarts, St Werburghs, Bristol, October 2020
Slakarts, St Werburghs, Bristol, October 2020

On the right, Slakarts gives us another of his three-quarter character portraits that he seems to be so fond of at the moment. Together these two fill this particular space at the entrance to the tunnel really well. Looking forward to more collaborations from these two.

3345. St Werburghs tunnel (211)

I managed to catch up very briefly with Mr Klue as he and Mr Sleven were just finishing off this new piece in St Werburghs tunnel. The turnover of art in this end spot is relatively high because it has a good amount of daylight, and it is always worth photographing something new, because you just can’t be sure how long it will last.

Mr Sleven and Mr Klue, St Werburghs, Bristol, November 2020
Mr Sleven and Mr Klue, St Werburghs, Bristol, November 2020

This is a true collaboration with the work and styles of both artists blending well together. The character with a TV head and outstretched arms is by Mr Sleven and the wispy orange and red abstract patterning by Mr Klue. These two collaborate quite often together and along with DNT and others form part of COM.64.

The two styles come together really well in this piece and the colours are striking. I like this one a lot.

3342. St Werburghs tunnel (210)

Resembling one of the giant stone head statues of Easter Island is this rather nice and low-key piece by Zace. This is only the second piece I have posted by Zace, and it illustrates the diversity of artists in Bristol at the moment and the rate at which new ones are joining the already sizeable cohort.

Zace, St Werburghs, Bristol, November 2020
Zace, St Werburghs, Bristol, November 2020

There is something about this piece that I really like, maybe its modesty or the simplicity. The expression is difficult to read – an enigmatic smile perhaps? There is a lot to like and enjoy in a piece like this one and I really look forward to finding more work from Zace.

3337. St Werburghs tunnel (209)

Always colourful and always a little bit different is what you expect to get with a Benjimagnetic piece. His work feels like it is layered, with each layer adding complexity to the piece, but I haven’t yet seen him paint, so it is difficult to know how he constructs his work.

Benjimagnetic, St Werburghs, Bristol, November 2020
Benjimagnetic, St Werburghs, Bristol, November 2020

I have a real blind spot with reading his letters which is I think because they are hinted at with some black highlights and ethereal fills. If the fills were more solid and outlined complete, it would be much easier to interpret, but then it just wouldn’t be Benjimagnetic. He completes this piece with the words “Outsiders live forever”  – whatever that means.

3334. St Werburghs tunnel (208)

Another green and purple Halloween piece from a paint jam in the tunnel about a month ago, this time from Mest. The piece is clean and tidy and the horizontal fills fade beautifully, and the letters are bounded by a bright white 3D shadow.

Mest, St Werburghs, Bristol, November 2020
Mest, St Werburghs, Bristol, November 2020

Mest is becoming a bit of a regular on Natural Adventures, which is a good thing in my view, and it shouldn’t be too long before I have enough pieces by him to put together a rather nice gallery.

3329. St Werburghs tunnel (207)

This nice piece from Phour was painted during a Halloween paint jam down in the tunnel, I guess about a month ago. How time has flown this year, I think it must be the coronavirus effect.

Phour, St Werburghs, Bristol, November 2020
Phour, St Werburghs, Bristol, November 2020

The colours of the piece were commensurate with the collaborators and Phour has gone with some slightly more elaborate letter shapes than usual for this one. I don’t think that the pumpkin is by Phour, but have included it in the picture because it complements the piece nicely. What festive japes.

3328. St Werburghs tunnel (206)

Painted alongside RBF friend Pekoe, this is a rather nice and colourful piece by Bnie. If it weren’t for Adobe Photoshop, this piece would appear to be rather yellow due to the very awkward lighting conditions in the tunnel, and although not perfect, the adjustments are a truer representation of the colours of the piece than the original photograph.

Bnie, St Werburghs, Bristol, November 2020
Bnie, St Werburghs, Bristol, November 2020

Bnie always conveys a sense of fun and joy and has definitely done so with this piece, typified by the smiling mouth in the B that Ryder himself would be proud of. The colours are an interesting choice and I think they work well, but I am not certain about the darkness of the green. The 3D blocking is outstanding as always, made up of dozens of little black circles on a purple fill. Excellent work.

3323. St Werburghs tunnel (206)

One of the most recognisable ‘mega-tags’ in Bristol is that of Angry Face. What you see is what you get, and he rarely disappoints. One of the advantages of a ‘brand’ like this is that you can spend time doing a nice one, or spend ten minutes with a single-colour throw up, but they all conform to the stock format and identity.

Angry Face, St Werburghs, Bristol, November 2020
Angry Face, St Werburghs, Bristol, November 2020

I mentioned last time that after a long spell away, Angry Face seems to be hitting the walls pretty regularly these days, including with this recent one in St Werburghs tunnel. I’m not sure if the tags either side of the face belong to the artist or not, but the central face is more than enough for me. Good to see.