1157. The Bearpit (108)

Sometimes it’s a case of blink and you’ll miss it, and so it is with street art. This gorgeous wheatpaste by Lemak didn’t last too long in one of the tunnels of The Bearpit, but the subtle colours and dim lighting meant that it was easy to walk past without stopping to take a look. Big mistake…it is a real beauty from this talented artist, and pushes his experimental approach in a satisfying direction.

Lemak, The Bearpit, Bristol, October 2017
Lemak, The Bearpit, Bristol, October 2017

The golden eagle is hand painted and pasted together in a collage effect, a technique that Lemak has used quite a lot recently and one that I admire. There is a lot to enjoy in this piece, and the hard work I know he puts in is all definitely worth it.

1144. Camden Town, London

Anyone familiar with Bladerunner (the original) will be familiar with the Tyrell quote: ‘The light that burns twice as bright burns half as long – and you have burned so very, very brightly, Roy’.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

This quote could equally well be applied to the extraordinary vocalist Amy Winehouse who died of a drugs overdose in July 2011. In the UK, and especially in North London there is a terrific fondness for this amazingly talented young woman whose moment in the spotlight was so short and fragmented. This wonderful stencil, by Pegasus, is a fine tribute to the singer.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

I have featured a couple of Pegasus pieces in previous posts, this one of Mother Teresa from last year’s upfest, and this one of Donald Trump. Pegasus is fond of creating works of iconic public figures and is not afraid of controversy.

1127. Camden Town, London.

Somewhat reminiscent of Banksy’s work or Unify or JPS, this lovely piece by Dotmaster Is just about perfect for this wall. Situated under a camden council sign stating ‘bill stickers will be prosecuted’. The corny old joke suggests that graffiti under the sign should read ‘Bill Stickers is innocent’ but the joke is a hundred years old.

Dotmaster, Camden Town, London, September 2016
Dotmaster, Camden Town, London, September 2016

This beautifully executed piece presents us with a naughty child spraying that most sacred of images, a heart, on the wall. A picture within a picture. I love this and pretty much everything about it, but I know little or nothing about the artist, but his biography on his website gives you a flavour. I love his comment:

There is NO subculture ONLY subversion.

1118. Dean Lane skate park (87)

Sometimes when I am out looking for new graffiti/street art, something just catches my attention out of the corner of my eye. This interesting piece was in a corner of a street at the top of Dean Lane skate park, and an area I rarely photograph because it is where wannabe graffiti artists go to practice their skills.

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

I have no idea who the artist who sprayed this stencil is, but it is a good piece of work cut from a mocked up photograph (original image:CBS) of James Corden’s car pool karaoke (the rolling stones famously turned down the invitation to take part).

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

This large board disappeared within days of me seeing it and was replaced with a new board, so something weird was going on there.

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

Although this is a single layer stencil, the subject matter is brilliant and the quality is good. If anyone out there knows who it is by, please just let me know.

1114. Upfest 2017 (95)

Agent Provocateur is a bit of a mystery, and like many street artists, doesn’t seem to want to give too much away. This is more than just understandable, it is just how things are in the world of graffiti art. His Upfest profile says:

‘Agent Provocateur […] is […] an […] amazing […] artist *

*edited due to being fake news.’

Agent Provocateur, Upfest, Bristol, July 2017
Agent Provocateur, Upfest, Bristol, July 2017

This piece is a nicely worked stencil with a message of sorts – a pigeon with bombs under its wings. He has uploaded a picture of this onto his website, which offers not a great deal more insight into his world, but has some nice pictures of his artworks.

1113. Upfest 1017 (94)

Woah, hold on there…this is a spectacular stencil by Marvin (or Marlon). Let alone that it is a crazy picture of a dog outside a kennel (Ron’s house) smoking a cigar, it is also a magnificent example of incredibly detailed  and intricate stencil work.

Marvin, Upfest, Bristol, July 2017
Marvin, Upfest, Bristol, July 2017

Marvin (or Marlon) has not crossed my radar before, and I know little about him. The Upfest programme notes say that he has been cutting stencils and spraying for about four years or so, and that he enjoys the fine detail of his stencils which can take up to 60 hours to produce. This is a really great piece.

1105. The Bearpit (103)

Without doubt, this is one of my favourite pieces of recent weeks. Bright and garish, I first saw this when driving around The Bearpit roundabout, and made a mental note to take a closer look next time I walked into work. Fortunately this large wheatpaste was still there, and I was able to look at it more carefully and find out who it was by.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The artist is Christian Hooker who judging from his Instagram account handle is from New York (@nychooker). Quite what he was doing here I don’t know but I am really pleased that he visited the city and even more pleased that he left us a couple of gifts.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The pasteup itself is mocking Trump (I guess) and he posted it on Instagram under the heading ‘subvertising’ which is a term new to me, but I really rather like it. It is, a little like Lemak’s work, a stencil piece that has been printed off and pasted up. I simply love it. Having just visited NYC, I was a little disappointed not to see any of his work. Maybe next time.

1090. Stokes Croft

I have had this piece sitting on my ready to publish file for several months, but just never got round to posting about it. It has long since gone now, but was on this door, next to the Matchbox Gallery for quite some time. It is by Drew Copus, an artist who lives in Hastings, Sussex. It would seem that he has visited Bristol on a few occasions, and I have more of his art somewhere in my files.

Drew Copus, Stokes Croft, Bristol, May 2016
Drew Copus, Stokes Croft, Bristol, May 2016

Although this piece might not be everyone’s cup of tea, I have to say I rather like it. It is cheeky and rude and has three random cockroaches, which kind of appeals to me. It has a bit of edge to it, and I like the way the eyes of the lady are obscured deliberately by the tagging. More from Drew, when I can find it.

1068. Moon Street (37)

Moon Street has an ecclectic hotchpotch of tags, throw ups, stencils, tiles, paste ups and pieces, which is probably why I like it so much. Sometimes you have to look quite hard for things and this is a good example of that. This tile by RIP is secured quite high up on a wall, and could be easily missed.

RIP, Moon Street, Bristol, September 2017
RIP, Moon Street, Bristol, September 2017

The tile is of a stencil piece of a woman’s face looking like she is from the 1920s or 1930s. Unfortunately there is a bit of light reflection on the tile, but it is a fun piece nonetheless. I think the tile went up around the time of Upfest, when RIP was in town.

1063. Upfest 2017 (75)

These are two really beautiful pieces that I wish I’d spent more time looking at during my walk around North Street Green at Upfest. Each of them is calming and serene, and they make a fine pair. I am not sure if the co-location was by accident or by design, but it works very well.

Paintily, Upfest, Bristol, July 2017
Paintily, Upfest, Bristol, July 2017

The left hand side is by Paintily, a Bristol-based artist originally from Brighton. There is something about this stencil that I like a lot, and the stripes on the face of the girl finish the piece off beautifully. I have not seen any of her work before, but would love to see her take her work to the streets.

Taina, Upfest, Bristol, July 2017
Taina, Upfest, Bristol, July 2017

The right hand side is by Taina, and has the feel of a children’s book illustration. Such a simple idea and so beautifully painted, there is a whole story unfolding here, and one I want to know more about.  Taina is a Swiss-Finnish artist based in Zurich whose work I think I could very well fall in love with. A quick look at this website might give you an insight as to why I like her work so much. I definitely want her to return next year.

Paintily and Taina, Upfest, Bristol, July 2017
Paintily and Taina, Upfest, Bristol, July 2017