It feels like Raid has been really upping his game lately, both in frequency of painting and in the quality of his work. When I first saw this piece, I said “oh yes!” under my breath, knowing that I was looking at a really classy piece of writing that has come about through hard graft and honing of skills. Watching Raid’s development is a joy and a pleasure.
Raid, New Stadium Road, Bristol, January 2024
It is impossible to ignore the brilliant fill pattern, which although quite simple in concept is beautifully executed and really effective… it has the ‘wow’ factor. The letters RAID are in a rotationally symmetrical form, a form that Raid has used several times before. An outstanding piece of graffiti writing.
Sepr and Boaster, Dean Lane, Bristol, January 2024
Aah! what joy finding this outstanding piece by Sepr and Boaster the day before going away for a week on holiday. Finding this piece, in part, helped me to overcome any withdrawal symptoms or FOMO while I was skiing in the French Alps. If I had missed the piece, I would have been a little regretful. but thankfully that didn’t happen.
Sepr, Dean Lane, Bristol, January 2024
It is possible to see when artists are having fun and obviously bouncing with shared ideas and inspiration. A pair of toucans drinking Carlsberg Special Brew… who’d have thought it? The toucan on the left was painted by Sepr with all his trademark stylised cartoon painting skills on show. I cannot explain how much I like this piece, and have missed his work, which seems to be occasional these days. The toucan is holding a plastic bag containing four beer cans and he is holding another in his other hand. The piece is accompanied with the words “Two can Jackie Chan the toucan with a bag o’cans!” pretty much describes the piece. Jackie Chan is offering a can to his friend to the right.
Boaster, Dean Lane, Bristol, January 2024
I recently posted a piece by Boaster which I photographed in Nottingham, so it is really satisfying to see another one so soon and this time in my home town of Bristol. Boaster’s toucan is drinking a bottle of Brahma beer (a brand I am not familiar with) and uttering the words “sim voce”, which I think means ‘yeah’ sort of thing in Portuguese. Am I to infer that the toucan is Brazilian? it would make sense. The two toucans are different in style, one very sharp, the other a little fluffier, but they work perfectly together. This is easily the best collaboration of the year so far, in my opinion.
Having not seen Werm for an eternity, it was really nice to bump into him while he was painting this piece. What made the encounter stranger still was that we had been communicating the day before about a RichT piece that I had posted. Sometimes it is difficult not to believe in coincidence, although I know there is a whole ton of evidence to dismiss it.
Werm, M32 roundabout, Bristol, January 2024
Werm is trying out something a little different in this piece, and has definitely edged away from his ultra-complex wildstyle pieces of the last year or two. The notable thing about this piece is the gently pastel colours softly transitioning across all of the letters in a seemingly random sequence. The strong 3D shadow, green border and trimmings and the black buffed wall help the piece to stand out nicely. A good start to the New Year from Werm.
Acer One and Andy Council, Greville Smyth Park, Bristol, January 2024
The bunch of small buildings in the southeast corner of Greville Smyth Park have served as a canvas for the last few Upfest festivals, and this wall has recently been ‘dressed’ with this outstanding collaboration from Acer One and Andy Council. From the colours, you might pick up that this piece recognises and supports the plight of the Palestinian people, and Acer One offers a full explanation of the piece in his Instagram feed.
Acer One and Andy Council, Greville Smyth Park, Bristol, January 2024
The letters SPEAK BIRD are beautifully presented by Acer One with his characteristic black shadow. The birds, which look like bee eaters to me, are by Andy Council. The one on the right is rather disturbingly composed of bombs and missiles. Both elements of the piece are beautifully painted and the words poignant once you know the back-story to the piece. I wish it would all just end.
There are a multitude of reasons why street/graffiti artists go through productive and non-productive phases, sometimes to do with friends, family and relationships, sometimes location/geography, sometimes employment, sometimes mental/physical health issues and sometimes simply falling in or out of love with it. I am pleased to report that Mr Riks seems to have found a rhythm and has been out and about a fair bit recently.
Mr Riks, New Stadium Road, Bristol, January 2024
This is a spot, where Mr Riks has painted before, alongside his friend Silent Hobo. This time it is a solo piece, and a very nice one at that. Some great colours in the distinctive bubble script writing, with a couple of cheeky characters peering on. A great piece from an accomplished writer.
I am so incredibly short of time today, suffering from having to plough through a mountain of work that has accumulated during the week that I was away. I sometimes wonder if it is worth going on holiday at all, because the feel-good factor wears off so quickly. This is a stunner from Fade.
Fade, Dean Lane, Bristol, January 2024
It is quite difficult to understand just how Fade manages to turn out so many high quality pieces, each and every one completely original and perfectly turned out – he has certainly found his niche. This piece looks like a fiery furnace of coke or coal blasting out heat to create the hot letters. Great design, superb fills… excellent piece from Fade.
Whenever I see the number 404, my heart sinks, thinking of some kind of computer error code. Fortunately no such disappointment with this fine piece from Kid Krishna at the end of the tunnel, it what is proving to be a fruitful and exciting comeback after a few lay months.
Kid Krishna, St Werburghs, Bristol, January 2024
I have to take it on trust that the letters spell out CRIE, because, although it is what he usually writes, the letters are very well disguised and obscured. I love the way the greyscale piece draws in a puddle of colour towards the middle, a little reminiscent of those blotting paper colour separations we did at school in science lessons.. Great to have Kid Krishna firing on all cylinders again.
Sako and Zake, St Mark’s Avenue, Bristol, January 2024
Photographing this piece in a narrow alley in Easton was never going to be easy. I had to remove (and replace) three heavy wheelie bins, just to get sight of the collaboration by Sako and Zake. There are other bits and bobs obscuring the piece, but I am an archivist, not a blooming street cleaner.
Sako and Zake, St Mark’s Avenue, Bristol, January 2024
I really enjoy Sako’s work, which has more than a hint of mystery and intrigue. Using his favoured blue and purple tints, he has created a gangway leading into a tunnel, with a giant hand emerging from the water and a tiny figure standing on a finger. Wistfully looking on is a profile portrait piece by Zake, which is quite unlike his more usual larger-than-life exaggerated cartoon portraits. A beautiful face and beautiful hair.
This is a fine collaboration from the pair of artists, and has left me wondering what it is all about. The sooner I get to meet Sako, the better.
Mr Crawls continues on his quest to delight Bristolians with his birds and monster birds all over the city. This smaller piece is on one of two that were presumably painted around the same time on the long hoarding at Greenbank.
Mr Crawls, Greenbank, Bristol, January 2024
The gull-like cartoon character looks rather charming with his sleepy eyes. I am guessing this was a quick one, as the white fill is a little on the thin side. The thick pink border does just enough to separate the bird from the busy background, without the need for buffing the wall. If Mr Crawls continues with his high volume of pieces, I might have to start grouping them into posts.
On one of my favourite walls is this slightly different piece by Lee Roy, spelling out VLAD. I am not sure if this is a one-off, or a new direction of travel, but I am guessing the former. This is a funny old wall really, sometimes a piece can last a month or two, and other times there may be half a dozen in a period of a few days. This one and its predecessor didn’t last long.
Lee Roy, Dean Lane, Bristol, January 2024
Lee Roy has worked this piece very nicely, set on a dramatic red background with yellow drops, his gold/grey/white fill is full of symbols and patterns that are commonly used in his and others’ work. Verging on anti-style, this is a great piece by Lee Roy.
Natural adventures 