5561. Queen’s Road (7)

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

This absolutely sensational piece by Andrew Burns Colwill, is another from the paint jam celebrating 650 years of Bristol, and is the one that probably most closely follows the brief. The idea behind the paint jam was to celebrate Bristol, to paint with brushes (no spray cans), and to paint in a Renaissance style. Andrew Burns Colwill manages to nail it with this outstanding mural.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

These pictures somehow got stuck in my pipeline system for publication, and were prompted (rediscovered) by yesterday’s Martin D’Acy piece, which is pretty much adjacent to this one. The elephant in the room with these pictures is the rather unfortunate and prominent street furniture, in the form of scooters and bins. I thought long and hard about waiting to get some ‘clean’ pictures of the piece, but felt publishing them ‘warts and all’ was probably more authentic, and the scooters in particular are directly referenced in the work. I will return however and get a clean shot to post here in due course.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

The piece is in two halves, split vertically down the middle, with the left-hand side being the old city and to the right the modern city. His soak stain technique creates a washed appearance and extraordinary atmosphere. The old city, painted in light optimistic hues, is prosperous and on the up, and alludes to its merchant connections and seafaring trade. There is beauty in the characters, oxen and architecture that Andrew Burns Colwill has captures perfectly.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

Contrast this with the right-hand side of the piece, which is a little darker in shade and mood. There is an impersonal sense that prevails as individuals rush from one place to another on their scooters, emblematic transport of our time. Like so much of his work, Andrew Burns Colwill tells a story here, and it is not all good. The optimism and vibrancy of our past has not ended with the social progress and cohesion we might have expected, but with an almost dystopian present.

The story is clear, and most beautifully painted. If you happen to visit Bristol, take a moment to seek out this piece and spend time looking at it and feel the history of the place.

5560. Queen’s Road (6)

Martin D'Acy, Queen's Road, Bristol, August 2023
Martin D’Acy, Queen’s Road, Bristol, August 2023

Although I don’t recall seeing any of his work in Bristol, I am aware of Martin D’Acy and his outstanding murals, having seen some of them in Weston-super-Mare, which to my shame, I haven’t yet published on Natural Adventures. This piece was painted as part of the Bristol 650 year celebration and paint jam, curated and coordinated by Upfest and Bristol BID.

Martin D'Acy, Queen's Road, Bristol, August 2023
Martin D’Acy, Queen’s Road, Bristol, August 2023

The stunning and tranquil scene, which has been painted on some extraordinarily tricky door panels, depicts manicured parkland and a beautiful stillwater. There is a sense of a designed country estate with attractive follies, something deeply entrenched in British culture. I am not too sure what happened on the bit of wall between the windows and the doors, but it looks like the piece is perhaps unfinished. Nonetheless, this is a truly excellent mural that many may ignore, perhaps assuming it is one of those stick-on plastic pictures that blight shop windows on our streets. My advice to those who don’t open their eyes… put your phone down and look around you.

5559. Mina Road (12)

Stivs and Vane, Mina Road, Bristol, August 2023
Stivs and Vane, Mina Road, Bristol, August 2023

I was fortunate enough to be driving by when Stivs and Vane were pretty much finishing off this piece, but couldn’t take any pictures at that time, because Vane had parked his van in front of it while they were clearing away all their gear. I didn’t go back immediately, knowing that it was a commission piece that would be respected by taggers.

Stivs and Vane, Mina Road, Bristol, August 2023
Stivs and Vane, Mina Road, Bristol, August 2023

The fantasy woodland piece is a true collaboration, where it is not possible to disentangle which artist painted which bits of the extraordinary work. The piece is quite unusual in Bristol, as we don’t get to see many of this kind of collaborative mural. Each of the artists has included some letters, with Stivs writing DSC on the left and Vane writing TAF on the right.

Stivs and Vane, Mina Road, Bristol, August 2023
Stivs and Vane, Mina Road, Bristol, August 2023

The almost Disneyesque style of the piece, it reminds me a little of Sleeping Beauty, is compelling to look at and beautifully executed. So absorbing is the piece that it is difficult to see that there is a garage door right in the middle. A garage door that once played host to an outstanding piece by Silent Hobo. This is something you might usually associate with Upfest and a premium wall in Bedminster, but here it is in Mina Road, thanks to an enlightened resident. Bravo gentlemen!

Silent Hobo, Mina Road, Bristol, October 2020
Silent Hobo, Mina Road, Bristol, October 2020

5558. Cumberland Basin

Kid Krishna, Cumberland Basin, Bristol, September 2023
Kid Krishna, Cumberland Basin, Bristol, September 2023

Earlier on this year, perhaps the most productive and creative street artist in Bristol for a while was arguably Kid Krishna. He was smashing it all over the place with his writing/character mash-ups and then, all of a sudden, nothing until about three weeks ago. I know that he had some other projects on the go and perhaps he was working on those.

Kid Krishna, Cumberland Basin, Bristol, September 2023
Kid Krishna, Cumberland Basin, Bristol, September 2023

This piece, on his return, is much softer and rounded than what I am used to seeing, but still characteristically a Kid Krishna piece. The letters spell CRIE, not that you’d be able to guess just by looking at it. I would describe this piece as more ‘mainstream’ than some of his work, but he has since painted something a little bit more ‘scratchy’ in St Werburghs. I hope that we will be seeing more of his street work over the remainder of the year.

5557. M32 roundabout J3 (516)

Logoe, M32 roundabout, Bristol, September 2023
Logoe, M32 roundabout, Bristol, September 2023

This lovely script writing piece by Logoe was one of nine painted during a frenzied 24 hour period of activity when he visited Bristol a few weeks back. I think I only managed to find five of them, and often these blitz pieces get painted over quite quickly, depending on where they are.

Logoe, M32 roundabout, Bristol, September 2023
Logoe, M32 roundabout, Bristol, September 2023

It would be inconsistent of me to say I like the colours used in this piece, because I have said repeatedly on Natural Adventures that brown colour palettes are probably my least favourite. What he has done here is great to see… just a shame it is brown.

5556. Dean Lane skate park (649)

Mudra, Dean Lane, Bristol, September 2023
Mudra, Dean Lane, Bristol, September 2023

This is not the easiest canvass on which to paint, but Mudra has more than coped, in fact he has excelled, with this piece, painted during a bit of a paint jam alongside Kosc, Nugmoose, Momma Nature and Peggy. I get the feeling that Mudra drew the short straw regarding wall space. What you can’t really tell from the pictures is that Mudra has painted on a low slope of about 20 degrees – back breaking stuff… even the dog thinks so.

Mudra, Dean Lane, Bristol, September 2023
Mudra, Dean Lane, Bristol, September 2023

The writing itself is another masterclass from Mudra, devoting a different design to each of the letters but somehow combining them seamlessly. In the middle is a little vehicle that looks a little bit like a Sinclair C5, but might be something else entirely. I like this piece a lot and have great admiration for the end result on a very tricky bit of concrete.

5555. Cumberland Basin

Morag, Cumberland Basin, Bristol, September 2023
Morag, Cumberland Basin, Bristol, September 2023

When I first saw this piece I wasn’t immediately sure who it was by, and the penny didn’t drop for several days, mainly because the central elements used by Morag are there, but the fruit somehow completely threw me off the scent.

Morag, Cumberland Basin, Bristol, September 2023
Morag, Cumberland Basin, Bristol, September 2023

Most of the Morag pieces I have seen to date have been individual faces, usually painted on columns. This piece is telling a bit of a story, and from a fruit perspective, perhaps a rather sinister story, the suggestion being that the large bully orange is extracting juice from a grape much to the consternation of the apple. The face drawing using a single line technique is the trademark style that gives the artist away. It has been a while so it was great to find this piece a few weeks back.

5554. Dean Lane skate park (648)

The Last One, Dean Lane, Bristol, September 2023
The Last One, Dean Lane, Bristol, September 2023

An important element of photographing and writing about street/graffiti art is keeping your eyes open at all times and noticing little differences or flashes of colour that might not have been there before. Having a keen eye and observing everything, which spills over into an appreciation for the built environment and architecture. This piece by The Last One, is a little tucked away and above the normal field of view, sitting on the roof of the swimming pool next to the skate park. It is also very difficult to photograph, unless you are strong and brave enough to climb up on to the flat roof.

The Last One, Dean Lane, Bristol, September 2023
The Last One, Dean Lane, Bristol, September 2023

This is the third piece I have posted by The Last One, and each of them has been an absolute beauty. His writing/character combinations are perfectly balanced and show off his skills with both. The chrome letters spell LAST, in his distinctive style and the cat character, which at first I thought was the Looney Tunes Sylvester Cat  but actually isn’t, is well presented. A little research tells me the cat is actually Penelope Pussycat. Looking forward to more visits from the incredibly talented The Last One.

5553. M32 roundabout J3 (515)

Mudra, M32 roundabout, Bristol, September 2023
Mudra, M32 roundabout, Bristol, September 2023

As a rule, Mudra usually paints alongside other artists and it has been a long time since I found a piece that he painted alone… until I came across this one last month. The piece is carefully placed around the southern tunnel entrance on the M32 roundabout, where the River Frome emerges from its culvert.

Mudra, M32 roundabout, Bristol, September 2023
Mudra, M32 roundabout, Bristol, September 2023

In painting around this corner, Mudra has had to remove the posters that blight this area, doing us all a favour in the process (although a quick trip to the bin might have been in order). Mudra has painted his letters in a subtle blend of colours from bronze to rose to grey/white, an unusual combination that looks quite spectacular. The centrepiece is the skull, taking the place of the letter ‘D’, which has been really well observed and recreated. Sometimes skulls just don’t look like skulls, but this one looks pretty anatomically correct from what I can see. A smoking cigar has been added for additional effect. This is an unusual and unexpected piece from the brilliantly creative Mudra.

5552. Tobacco Factory

Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023

The huge wall on the side of the Tobacco Factory, opposite Aldi, is arguably the premium wall in Bristol, curated by Upfest for some of the best artists to decorate. The last piece painted here was from Upfest 2022, and was probably reaching the end of its sell-by date. It is one of so many Upfest pieces I haven’t got round to sharing on Natural Adventures… yet.

Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023

Two of Bristol’s finest and most established artists have combined to paint this incredible tribute to the city and more specifically Bedminster, Silent Hobo and Inkie. The mural is in two distinct sections, the top half writing and frame by Inkie, and the busy scene by Silent Hobo.

Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023

Inkie painted a few pieces while he was in Bristol, which tends to happen, because he is a very busy artist, taking commissions all over the globe, and seemingly forever on the move. The words ‘Planet Local’ are beautifully painted in his characteristic style, and nicely decorated with stars, creating a perfect backdrop for Silent Hobo’s storytelling below.

Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023

There is always so much going on in Silent Hobo’s work and the way he presents the ordinary Bristol scenes is quite unique. There is an authenticity and warmth in this piece that captures relatable goings on; a boy playing with his toys, a sleeping cat, a young couple, a chef making a delivery and a young singer all occupy the left hand side of the piece.

Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023

To the right, there is more bustle and deliveries and a rather strange walking house. A hen and bee get in on the action too, and everything is overlaid on a background of classic Bristolian architecture. There is an honesty and lightness in this piece which is a perfect antidote to our everyday preoccupations and concerns, reminding us that life is beautiful and good.