A gallery of extraordinary characters and writing from Bristol artist DNT.
All photographs by Scooj








































A gallery of extraordinary characters and writing from Bristol artist DNT.
All photographs by Scooj








































Emily Joy Rich is a Bristol-based graphic designer and lettering artist. For anyone interested in letters and typeface art, I strongly recommend a quick squiz at her Instagram feed @emilyjoyrich – you will be in for a treat.

This Upfest 2018 piece is a good example of her typeface skills and she has combined them with an uplifting design and some cloudy kind of things. All that was really needed to set this piece off perfectly was a nice sunny day, but these were in short supply during the 2018 festival.
Another look back to Upfest 2018 with this magnificent mural by The London Police. I know little about The London Police and have only seen their work on social media, but is appears that they have been an outfit since 2002, and comprise two central artists with othhers joining and leaving the collective over time. Ther is more about them in their Biography on their website.

I take my hat off to them for tackling this wall, because in my view, this is one of the trickiest walls and most annoying to photograph at Upfest. The best shots are from the roof opposite or from a drone, and guess what, I don’t have one of those.

The design is reasonably simple and clean which makes it easy to look at and enjoy. It is consistent with their work over many years and I believe the character is called LADS who forms the central part of all of their work. A fine piece.
Well I don’t know about you, but I am getting rather excited about the return of Upfest which will be running in Bristol from 29 to 31 May, although some of the premium walls will be painted during the week before the festival, to make sure they are completed when the main pulse of visitors come.

So (I hate anyone who begins sentences with so) just to whet your appetite I thought I’d take a little look back at Upfest 2018 and some pieces I haven’t yet got round to posting, starting with this beauty from Sake One. In the WIP photograph the artist was taking a break with his (I assume) family, which was lovely to see. Quite a lot of artists had their families and children buzzing around which made the whole thing feel a bit more inclusive.

I didn’t get to see the completed piece until some while after the festival, mainly because I think he finished it after I had left. Alas, this is another one of those spots that seems to have a car permanently parked in front of it, so you’ll just have to make do with these pictures. A fabulous piece from a fabulous artist.
I was on a mission to buy a couple of birthday presents a week or two back, and was running out of options (and time) so I took a stroll up Gloucester Road to see what I could find, as my usual ‘sure thing’ the Guild on Park Street had somewhat let me down. One of the shops I visited a couple of times was CoLAB, a shop that sells art from local artists. This particular shop also has strong links with the street art scene and stocks a range of books published by Tangent on the subject.
On my second trip into the shop, which sealed the deal on a rather nice print of the Carriageworks (with the Iconic Sweet Toof and Rawdy crocodile), I noticed this little alcove that looked a little bit like an ex-changing room (not an exchanging room, that might be something completely diffierent). Hurrah, the unmistakable work of Andy Council.

I don’t usually post indoor art in Natural Adventures, but just occassionally…
I suspect, looking at the wear and tear on this piece it might have been done some time ago. In true Andy Council style it features a bunch of dinosaurs that are constructed out of small houses and includes the Clifton Suspension Bridge, just for good measure. His work is inextricably linked with his home city and his identity can be found all over the place. A great find in a great shop that I will visit more frequently I’m sure.
This is a really nice piece by an artist I call Corupt (because that is what he most commonly writes, although he also writes Stik) unusually he has written BS3 in this piece which is a postcode reference to the Southville and Bedminster area of Bristol (south of the river). It is unusual for an artist to paint a postcode outside the area of that postcode.

The piece is beautifully painted, with a fine spotty fill and nice 3D shading on the letters. My guess is that Corupt may have been a bit pissed off that his background was about six inches shy on the right hand side, it would certainly annoy me. It matters little to the overall quality of the piece.
It is a funny thing, but I have always been quite nonchalant about Banksy. I love his art, I love it that he comes from Bristol but I tend to stand up for all the other artists whose work is extraordinary and who are not Banksy. However, even I got caught up in the frenzy of excitement that surrounded his visit to Bristol last Wednesday night/Thursday morning.

It is not often the artist comes back to his home city, so it always feels rather special when he does. The other thing about his work is that you have to get there quick to see it, because there are some crazy people who try to vandalise his stuff, particularly in Bristol – who knows why. And guess what, since I wrote the last sentence two days ago, an idiot has indeed vandalised the piece with some rather nasty message over the stencil girl.

These pictures are a little bit low-res, I have obviously kept the high res versions in my archive, to avoid copyright theft – something I rarely do. So sorry about the quality. The piece itself features a girl in a hoodie firing a catapult of beautiful red flowers. Is this a love message to Bristol?

The location of the piece is significant, because it is just around the corner that Banksy learned to spray paint under the watchful eye of John Nation, a youth club worker at Barton Hill youth club. John is the godfather of Bristol street art, and what he doesn’t know isn’t worth knowing about.

There was a constant stream of people gathering at the wall when I made it down there on Friday, and it was great to witness their sense of awe that something special had happened here and that they were able to share in it. I couldn’t resist photographing this gentleman with his motorbike, he said the selfie was for his motor club which I thought was very sweet.

You can get a sense of the flow of people from the final picture. The nice fellow in the yellow check shirt had come over from Swansea just to see this wall. I bet they are all glad that they did when they did knowing that it has now been vandalised.
A special day for a hunter and a special day for Bristol.
This is not an easy place to photograph. The spot is sandwiched between two busy slip roads underneath the M32, and just for added difficulty, access is over fences and the River Frome runs through the middle. I haven’t yet ventured into the spot and these photographs are taken through a bit of railing some distance away.

There is little I can say about Smak’s work that I haven’t said dozens of times before, but even in this tricky spot where only a few will ever get to see the piece his work is 100 per cent on point. There is a consistent font style to his letters and his shadinngs are utterly awesome. One huge advantage about this spot is that tagging tends to be pretty much absent.
Yay, let’s hear it for the boys whose recent collaboration in the tunnel is full of happiness, music and soul. Last year, Face 1st and Soap went through a period of not collaborating for whatever reason, but they seem unstoppable just now with several walls that this pair have painted already this year.

On the left of the piece is a nice piece of writing from Face 1st with a beautifully worked horizontal gradation through his lettering and a decent 3D effect using a vanishing point underneath. On the right is a cheerful mariachi singer surrounding the whole collaboration with happy notes from his guitar. I’m not too sure if Soap has ever actually played a guitar, but the left hand is gripping the neck in a rather awkward upside-down position. Overall a wonderful and joyful piece.
On the news that Banksy’s Valentines Day piece in Bristol has already been vandalised.
Those that cannot do
out of bitter resentment
attack those that can.
by Scooj