6898. M32 roundabout J3 (677)

Bloem, M32 roundabout, Bristol, April 2025
Bloem, M32 roundabout, Bristol, April 2025

It took me a while to register that this excellent piece of bubble writing was by Bloem, mainly because it is quite unlike anything I have seen her paint before, and showcases her extraordinary talent for graffiti writing as well as her street art pieces and not to mention her jewellery making skills too.

Bloem, M32 roundabout, Bristol, April 2025
Bloem, M32 roundabout, Bristol, April 2025

In this piece, the letters BLOEM are presented as an overlapping sequence in different colours for each one. There is a lot of study and thought that has gone into this piece. Bubble writing is usually associated with quick throw ups, or ‘throwies’, but this is a clean and tidy piece with some deliberate shadings alongside the letters and white accent spots, to help provide depth. This is an accomplished piece from arising star in the Bristol scene.

6897. St Werburghs tunnel (491)

Mr Klue, St Werburghs, Bristol, April 2025
Mr Klue, St Werburghs, Bristol, April 2025

I am writing this from a tired Travelodge in Warrington, having watched Arsenal lose to PSG in the second leg of the Champions League Semi Final in an equally tired and slightly empty Irish Pub. I have had a long day, and still have this blog post to write. At least I am writing about this fabulous Mad Hatter piece in the tunnel by Mr Klue.

Mr Klue, St Werburghs, Bristol, April 2025
Mr Klue, St Werburghs, Bristol, April 2025

I think Mr Klue painted this as a bit of an extra, after he has finished another piece that I watched him complete. He is on a roll this year and has been churning out some great pieces. I particularly like these little characters that he paints and I have seen several of them over the years. This character is a little more solid than his ephemeral abstract writing and manages to convey a certain amount of mystery and intrigue.

I am always reminded when I see this character, of a wonderful double LP that me and my sister had as children, which was a musical version of Alice in Wonderland, and thanks to the Interweb, here is a picture of it. Try and find an online version to listen to, you won’t regret it.

Alice in Wonderland album cover. A brilliant musical version with a star-studded cast.
Alice in Wonderland album cover. A brilliant musical version with a star-studded cast.

6896. Peel Street Green (40)

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025


I am chronically short on time for today’s post, indeed I was short of time when I wrote it yesterday. This is another intricate bilaterally symmetrical piece piece from Werm, to bolster his catalogue of such pieces. I feel that he might move on to another theme before too long, especially as he has been painting these types of pieces for a while now.

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025

This set of letters spelling WERM are rather nicely filled with a white and off-white colour and a contiguous pattern that runs through the piece. A deep pink drop shadow is bordered with a blue line and the whole thing is set on a blue splash, also symmetrical. Nice work.

6895. Dean Lane skate park (827)

Tian, Dean Lane, Bristol, April 2025
Tian, Dean Lane, Bristol, April 2025

This was the second wheatpaste I found by Christain (Tian) Lecouble on his recent visit to Bristol, during which he scattered a dozen or so paste ups in the East Street area of the city. In my mind, he is a brilliant artist who uses a sense of nostalgia to enhance his collage style. He is an accomplished and successful artist in his own right, and his paste ups seem to be a bit of a fun distraction for him.

Tian, Dean Lane, Bristol, April 2025
Tian, Dean Lane, Bristol, April 2025

The sepia tinted boxer is taken from a painting he composed called ‘Philadelphia Miracle’ and features the boxer Richie Kates whose career spanned 1969 to 1983. Tian is 61, and so I am guessing that Kates entered his mind at that time, and these works are representations of his own past, which resonates with me as I am the same age. This is one of many more Tian wheatpastes from this visit to come on Natural Adventures.

6894. Stokes Croft

Kid Krishna, Stokes Croft, Bristol, April 2025
Kid Krishna, Stokes Croft, Bristol, April 2025

There is no doubt about it, Kid Krishna has been smashing it recently, and indeed for quite a while now, and his recent spell has seen him turn out some outstanding work, including this intriguing piece in Stokes Croft. It is great to see Kid Krishna and others returning to this area (thanks to some new hoardings), which ten years ago was at the centre of the Bristol graffiti/street art scene.

Kid Krishna, Stokes Croft, Bristol, April 2025
Kid Krishna, Stokes Croft, Bristol, April 2025

This portrait/writing combination is quite extraordinary, and takes Kid Krishna’s work to another level. There is a sharpness and realistic feel to the piece that expands on his more abstract work more commonly seen. What this piece also demonstrates is his capacity to create some really high-end artwork. The portrait of a tattooed woman on the left, gazing heavenwards, is exceptional and shows off Kid Krishna’s ability to paint fie detail, depth and texture. To the right, the writing has a transparent quality and looks to be fragmenting or melting – the whole piece plays with us in this juxtaposition of character and letters. Brilliant!

6893. Montpelier Park

Nice One, Montpelier Park, Bristol, April 2025
Nice One, Montpelier Park, Bristol, April 2025

Oof. This is a beauty from Nice One, probably the most original and exciting artist to have come onto my radar in the last year or so. Before I started recording his work, I suspect I missed a whole ton of his pieces, which is deeply regrettable.

Nice One, Montpelier Park, Bristol, April 2025
Nice One, Montpelier Park, Bristol, April 2025

This is a superb skull piece painted in his sketchy style and accompanied by a hint of his NICE letters at the bottom of the piece. There is so much depth and texture in this piece, and the hatching gives it that sketchbook quality. I need to catch up with the artist again, it has been a while, as I have a whole load of questions to ask him about his work. Great stuff.

6892. M32 roundabout J3 (676)

Slakarts, M32 roundabout, Bristol, April 2025
Slakarts, M32 roundabout, Bristol, April 2025

It is a pity that Slakarts doesn’t appear to have much time for painting his stylised character pieces these days, but on the upside it probably means that he has a busy work and social life that is keeping him occupied. It is a bittersweet problem that real life can get in the way of the things we love to do with our ‘free’ time.

Slakarts, M32 roundabout, Bristol, April 2025
Slakarts, M32 roundabout, Bristol, April 2025

This is a welcome return of the Slakarts face that is so familiar, as you can see in this updated gallery of his work. The character face has two tongues, a duplication device often used by Slakarts, is bordered with a strong, thick red line and filled with nicely worked patterns in yellow and white. A welcome return from Slakarts.

6891. St Werburghs tunnel (490)

DFC1848, St Werburghs, Bristol, April 2025
DFC1848, St Werburghs, Bristol, April 2025

It is always a pleasure when DFC1848 comes to visit, and sometimes I even manage to catch up with him, but unfortunately not on his most recent visit, during which he dropped a few pieces about the place, including these ones.

DFC1848, St Werburghs, Bristol, April 2025
DFC1848, St Werburghs, Bristol, April 2025

He has become an accomplished character painter, coming up with a raft of different cartoon-style creatures for us to enjoy. I’m not sure what this little fellow is, a beaver? A meerkat? It doesn’t really matter. The animal is holding up a placard which simply reads ‘smile’. Unfortunately, yellow text on a white background is a real  ‘no no’ in the world of communications, as for many people it is difficult to pick out the writing.

DFC1848, St Werburghs, Bristol, April 2025
DFC1848, St Werburghs, Bristol, April 2025

Not content with his first creature, DFC1848 also painted a ‘sticker’ character a few yards away, for good measure. Decent fun stuff.

6890. Cumberland Basin

Minto, Cumberland Basin, Bristol, April 2025
Minto, Cumberland Basin, Bristol, April 2025

Minto has a very distinctive style, and his writing tends to be a vehicle for combining a collage of characters and icons, bringing together an eclectic selection of thoughts and ideas into a single piece.

Minto, Cumberland Basin, Bristol, April 2025
Minto, Cumberland Basin, Bristol, April 2025

In this piece, Minto has gone for some solid fills, a different colour for each letter, and has used the parallel horizontal lines on the wall to proportion everything. His character looks a little sinister to me, as if he is up to no good. This is a well-presented piece from a very accomplished graffiti writer.

6889. Greenbank (155)

Sepr and Pekoe, Greenbank, Bristol, April 2025
Sepr and Pekoe, Greenbank, Bristol, April 2025

I’m not sure why, but I am always surprised (and thrilled) when I see collaborations between Pekoe and Sepr. Somehow in my head I don’t see them as natural collaborators, but how wrong I am. This delightfully witty piece on the long hoarding at Greenbank took me several attempts to get decent pictures. The fine weather we have been experiencing has a downside which is that full sun causes shadows to be cast everywhere. Eventually I took advantage of an overcast day and made my way to the spot.

Sepr, Greenbank, Bristol, April 2025
Sepr, Greenbank, Bristol, April 2025

The combination tells a story of a headless chicken, and in the left hand side, Sepr has created one of his superb cartoon characters, in this case a ‘one chicken band’. Obviously the festive bird wasn’t to everyone’s taste and the decapitated body marches on as the head complete with party hat watches on.

Pekoe, Greenbank, Bristol, April 2025
Pekoe, Greenbank, Bristol, April 2025

The perpetrator of the violent crime is a rather charming young woman wielding an axe, which makes one feel a little uncomfortable. Pekoe has done a great job here and unusually has painted more of a full character than her more usual head portrait. I have noticed that recently she has also been painting traffic cones in her pieces, like a little signature. The collaboration is witty, gruesome and really well painted. It would be great to see more of these story pieces from these great artists.