1465. Upfest 2017 (164)

It took me a lifetime to get round to finding this collaboration and at last posting it. It is just a little too far from my work to manage in a lunchtime, so I had to make a special trip. It is by the incredible Fanakapan and Insane51.

Insane51 and Fanakapan, Upfest, Bristol, July 2017
Insane51 and Fanakapan, Upfest, Bristol, July 2017

There is so much to love about this piece (except its location) that I don’t know where to start. I could try to start with the cracked wall, which is cleverly done and lets us into the world of these two artists. It is interesting that the character is both behind the hole (see his head) and in front of it (see his left arm further down). I don’t know if this is intentional, but it adds to the wackiness of the piece.

Insane51 and Fanakapan, Upfest, Bristol, July 2017
Insane51 and Fanakapan, Upfest, Bristol, July 2017

The flamingo and tin can are the work of Fanakapan and the double image of the baseball caped man is by Insane51. The whole piece is utterly bonkers and brilliant, so beautifully executed and incredible attention to detail.

Insane51 and Fanakapan, Upfest, Bristol, July 2017
Insane51 and Fanakapan, Upfest, Bristol, July 2017

I love the reflections in the sunglasses and in the tin can – these are the things that highlight how talented these artists are. the wall itself is a bugger to photograph, because there is not much room between it and the wall behind, as you can see from the long shot. I’ve been saving some of the really good Upfest pieces until last.

1464. Upfest 2017 (163)

Where do I begin with this piece, a collaboration from Will Barras and Xenz? Not that we knew it at the time, but this is the swan song for this premium wall on the Masonic pub. The second hand car business has sold up and developers will be moving in soon.

Will Barras and Xenz, Upfest, Bristol, July 2017
Will Barras and Xenz, Upfest, Bristol, July 2017

I spoke to Will Barras Before he started this piece, and he felt rather intimated by the size of the wall, by the previous piece (Pichiavo) and by collaborating on something this large. However, he faced his demons and got on with the job.

Will Barras and Xenz, Upfest, Bristol, July 2017
Will Barras and Xenz, Upfest, Bristol, July 2017

My first impression was not favourable – I didn’t like it. I felt the wall was way too big and there was so much going on it was difficult to engage with it. It has taken me several months to change my views, but change they have – I have become a fan.

Will Barras and Xenz, Upfest, Bristol, July 2017
Will Barras and Xenz, Upfest, Bristol, July 2017

I’m not sure why I think this, but I think it is called ‘she’s a waterfall’ – a song by The Stone Roses – anyhow I might be wrong about that. The two artists with similar styles, but different subject matter preferences (Xenz – fantasy worlds and birds, Will Barras – bikes and abstract stuff), have combined to create a huge picture story which contains beauty, hope, fantasy and of course a bike. A fitting farewell to this stunning wall.

Luis Seven Martins (L7M), North Street, Bristol, May 2016
Luis Seven Martins (L7M), North Street, Bristol, May 2016
PichiAvo, Upfest, Bristol, July 2016
PichiAvo, Upfest, Bristol, July 2016

 

1463. Upfest 2017 (162)

This gorgeous piece by Olivier Roubieu was definitely a hit with critics and visitors to Upfest 2017, receiving a lot ov coverage immediately after the event. It is a classy sophisticated piece beautifully painted, and something quite unusual for the walls of Bristol.

Oliver Roubieu, Upfest, Bristol, July 2017
Oliver Roubieu, Upfest, Bristol, July 2017

I note from his excellent website that Olivier Roubieu paints a lot of nudes, and I wonder if he toned this piece down for the conservative British audience. In general, it is rare to see nudes in street art in the UK and yet, it seems to be quite common on the continent. I don’t really know what is at the root of it – is it the people or the authorities?

Oliver Roubieu, Upfest, Bristol, July 2017
Oliver Roubieu, Upfest, Bristol, July 2017

The dancers caught in an instant are full of movement and poise and stand out from the ethrial background ‘noise’. Difficult to believe that this has been created with spray cans. A fabulous contributiion to Upfest 2017.

1462. Upfest 2017 (161)

Back to some more pieces from Upfest 2017 starting with the third collaboration from Caro Pepe and Age Age. I love the work that these two do together, and their different subject matter and styles complement each other so well and in this piece fuse together perfectly.

Age Age and Caro Pepe, Upfest, Bristol, July 2017
Age Age and Caro Pepe, Upfest, Bristol, July 2017

At last year’s Upfest they definitely went for this subtle colour scheme of mauves and browns, which is actually very effective. These are not brash ‘in your face’ works, rather they are gentle comforting studies.

Age Age and Caro Pepe, Upfest, Bristol, July 2017
Age Age and Caro Pepe, Upfest, Bristol, July 2017

Age Age’s contribution begins on the left and Caro Pepe’s on the right. The central panel is where they come together creating a robot girl whose right eye is covered over under the face mask. Of their three contributions, this is my favourite. I think they are returning this year and it will be interesting to see if they work together again.

Caro Pepe and Age Age, Upfest, Bristol, July 2017
Caro Pepe and Age Age, Upfest, Bristol, July 2017
Caro Pepe and Age Age, Upfest, Bristol, July 2017
Caro Pepe and Age Age, Upfest, Bristol, July 2017

1461. Hepburn Road (6)

Whichever way you look at it, this end of Hepburn Road is one of the dingiest roads in Bristol, but it is a bit of a Mecca for graffiti. Occasionally there are some good pieces that appear here, usually at this top end.

Smak, Hepburn Road, Bristol, March 2018
Smak, Hepburn Road, Bristol, March 2018

This is a quick one from Smak, who is now firmly established as a writer in the pages of this blog. Not as elaborate as some of his work, it is nonetheless clean and tidy and oozes quality.

1460. The Bearpit (142)

I have said it many times, it is always a real pleasure when artists from out of town come to Bristol and leave us a gift, and what a gift this was from London artist Tommy Fiendish.

Tommy Fiendish, The Bearpit, Bristol, March 2018
Tommy Fiendish, The Bearpit, Bristol, March 2018

I don’t know too much about the artist other than that he is at art college in London and he enjoys Hip Hop. I did however find this brilliant post on his Instagram feed which I highly recommend taking a look at – it features this piece and the throw up that went over the top of it. What a way to fight back!

Tommy Fiendish, The Bearpit, Bristol, March 2018
Tommy Fiendish, The Bearpit, Bristol, March 2018

A highly detailed and technically strong piece, it was most eyecatching and on the morning I was photographing it, it had really attracted quite a crowd of admirers. Welcome back anytime.

 

 

 

1459. The Bearpit (141)

Many will instantly recognise this pair of rabbits as the work of NEVERGIVEUP. I’m not quite sure why I always put his name in full caps, I think it might be because he uses them on his Instagram account. He tends to sign his work NGU Familia or in this case #GGUFam. I tend to get locked into conventions, so it is difficult for me to change what I have been calling him from the start.

NEVERGIVEUP, The Bearpit, Bristol, April 2018
NEVERGIVEUP, The Bearpit, Bristol, April 2018

I recently found out a little bit more about the artist, and he told me he works as a restaurant manager in the Harbourside – the flexible hours probably suit his insatiable appetite for street art. He hopes to ‘go pro’ on the art side of things, and I think with his determination he’ll make it.

NEVERGIVEUP, The Bearpit, Bristol, April 2018
NEVERGIVEUP, The Bearpit, Bristol, April 2018

These crazy goofy rabbits are brilliant as always, and seem to be getting better and better.

1458. The Bearpit (140)

This is the second piece I have posted by Daz Cat and interestingly this time it is a dog. I’m not sure what the slogan ‘Without a pack the dog days are back’ is all about, but it has a nice ring to it.

Daz Cat, The Bearpit, Bristol, April 2018
Daz Cat, The Bearpit, Bristol, April 2018

My initial reaction to this piece is that it looks a bit rough and ready, but actually I think that might just be an artifact of the style Daz Cat uses. If you look closely, the shading and shapes used in crafting the dog’s head are sophisticated and cleverly done, giving an appearance in places almost of a stencil (for example around the nose). I like his work, and I am pleased to see a proliferation of it at the moment. It is always nice to see new work about the place. This piece was created for the Spring paint jam.

1457. St Werburghs tunnel (20)

Well here is a piece by an artist I haven’t seen in an absolute age. It is a stencil of a street character by Hoax. I’m not sure if he hasn’t been doing much street art for a while or if I just haven’t been where he usually sprays. Whatever, it is really great to see a new piece by him.

Hoax, St Werburghs tunnel, Bristol, April 2018
Hoax, St Werburghs tunnel, Bristol, April 2018

Unfortunately, the piece is quite high on the entrance to the tunnel in St Werburghs (which must have been a challenge to work on) and the light is reflecting off the brickwork, making it a bit difficult to appreciate the detail of the stencil, such as the check pattern on the shirt. This is a nice piece from Hoax…looking forward to seeing more.

1456. Dean Lane skate park (120)

Ugar is becoming something of a regular down at Dean Lane skate park, and his writing really stands out due to his unusual and irregular letters but particularly because of the fill style he uses.

Ugar, Dean Lane, Bristol, April 2018
Ugar, Dean Lane, Bristol, April 2018

I am building up quite a good photographic collection of his work and I am enjoying watching his development as an artist. This is small but perfectly formed, a nice piece.