A collection of amazing abstract street art by Bristol artist Mr Klue (Klue Wone)
Instagram: @mr_klue
All photographs taken by Scooj
Mr Klue
Tag: Street art
1914. Upfest 2018 (110)
I remember very well the piece that Bill Giles created for Upfest 2017, and this piece, in a similar style, is bigger and better. Bill is a Bristol designer/illustrator and street artist whose ‘melting’ characters are instantly recognisable.
This piece, at the Tobacco Factory, is classic Bill Giles and has real class. It is great to have a picture of the skecth stage of the work to get a feel for how the piece gets from the black book onto the wall.
I like this piece, and rather wish he did a little more street work than he does. Imagine what this would look like at Dean Lane for example. A lovely piece for Upfest.
1913. Upfest 2018 (109)
Tell me honestly…who doesn’t love a stencil of a chimp? And as they go, this is about as good as you are going to get – a brilliant piece by Matti. I don’t know too much about the artist, and although he has a website, it appears to be unpopulated.
This stencil captures so beautifully the nature and soul of this little chimp. What is going on behind those glassy eyes? This piece so perfectly matches the perfect subject matter with brilliantly executed technical skills.
I could look at those eyes for hours.
1912. Upfest 2018 (108)
With so many artists flooding in to Bristol for Upfest, it is always great to see that there is a good representation of local artists, who keep things real. It can be overwhelming seeing so much street art, and at times awe inspiring, but it is as well to remember the roots of a festival like this whose foundations were built on the work of graffiti writers and street artists who produce work day in and day out on our city streets.
This is a great piece of writing from Ryder of RAW (Read and Weep) which is technically brilliant as well as rather beautiful. Each of the letters seems to be bursting with character, and the colours and shading are absolutely masterfully worked. Anyone who wants to get more into burners, should take a long hard look at this one and enjoy the technique that has been applied to create it.
1911. Upfest 2018 (107)
This is the second Mini Gabi wheatpaste I have posted from Upfest 2018 which this time features our heroine making a strong and contemporary statement ‘girls’ rights to feel safe!!’
Before the festival I had never heard of Mini Gabi but strangely enough on my trip to Shoreditch in November I saw several of her paste ups, which felt really good. I’ll be posting them in due course. I’m rather liking this little character who has real attitude (some similarities to Phoebe New York), and regular readers will know I am very ford of wheatpastes.
1910. Upfest 2018 (106)
I have only ever seen three pieces by Beep Monkey, and each of them has been at each of the last three Upfests. His work is consistently good and has a lovely cartoon style that is both witty and fun.
I always look out for his work at Upfest because his wife is a colleague of mine, although it took us a couple of years to work out the connection. In this piece it looks like the monkey and the rabbit are having a bit of a disagreement. The piece almost looks animated and the three white flashes give it some movement. Another beauty from Beep Monkey.
1909. Upfest 2018 (105)
Regular readers of Natural Adventures may recall posts about the ephemeral work of Annika Pixie who is a Bristol artist and regular at Upfest. Annika is a vibrant and colourful member of the local art community, who appears to spend her winters in Thailand teaching before returning to her adopted city.
This portrait carries all the hallmarks of an Annika Pixie piece. The face is partly obscured by a thin veil as if peering through a net curtain and there is a sadness in the girl’s expression. on her chest are some little ballet dancer stencils…I wonder what the story is here. It is always great to see Annika’s work although I was disappointed to have missed talking to her this year.
1908. Upfest 2018 (104)
The Hen and Chicken on North Street has a lot of wall space and is one of the focal points of Upfest. This particular wall has had some beauties on it in the past and this monochrome piece by 8Mail is no exception. Although this artist has been to Upfest for the last six years, I’m not sure I recall his work and can’t find any in my archives, but I do think I’ll have to go and take a better look.
Usually working in charcoals, this urban artist likes to capture chaotic and fleeting moments. There was just such a moment while he was painting the piece, when he tried to use the chair in the picture to stand. All I need to say is that the artist is a tall young man, and the chair was not designed for standing on.
This is a fine simple piece, that despite its simplicity contains real interest. I found it captivating.
1904. St Werburghs tunnel (56)
I am really pleased to see that Face 1st and Soap have teamed up again, it feels like a while since they last collaborated, to produce this beautiful piece. The two distinct halves are joined by the hair of Face 1st’s girl.
I love the concept of Face 1st’s character sketching out an idea in her black book, there is a lovely story unfolding and it brings a whole extra layer to the piece. This really is something special.
The Soap half of the collaboration is yet another great example of just how good his writing is with the blue and lilac elements almost resembling stained glass windows. I always feel these two artists are so modest with their work, and it is a pity that something like this is lurking in the darkness of St Werburghs tunnel…it deserves more prominence.
1903. St Werburghs tunnel (55)
What a wonderfully clever piece this is from Fiva, who has used his trademark block letters to spell out his name but has repeated the word in a different font through the letters in a way that gives the whole thing a 3D look. This piece uses techniques that are used by Pref ID who is a master of this kind of visual wordplay.
As is often the case with Fiva’s work, he leaves us a character as additional interest in the piece. I really like his work and only wish he did more but realise that he, like many other street artists, is likely to have a real job and maybe family and can only get out to play when time and circumstance permit.
Natural adventures 