I took a stroll in Montpelier a little while ago and visited some streets I have not been to before, and some others that I haven’t been to for a long while. I was very pleased to find this Tom Miller piece on Richmond Road, and although it has been quite heavily tagged, it still conveys loads of movement and emotion in the world of Miller’s ‘imaginite’.
Although Face F1st’s work is, on first viewing, not as spectacular or striking as some of the other local street artists, there is something very cultured and empathetic about his work. The familiar technique of incorporating a girl’s portrait into the word ‘face’ combined with the soft colour schemes marks out Face F1st’s pieces as something rather special.
Well this pair is a rather good collaboration of wildstyle writing from Whysayit and Nero. Whysayit’s work can be found dotted all over Bristol, and as well as these more elaborate burners, he does his fair share of tagging too. The colours are very easy on the eye and the translucent effect really clever.
I have really grown to like the work of OHMS as it is markedly different from anything else on the Bristol graffiti art scene. I still haven’t tracked down the artist or crew, but will find something before too long I hope.
The work of OHMS usually appears to have an artistic theme based around the letters OHMS. They range from a ‘jungle‘ theme to a ‘cartoon space‘ theme for exmple. Always the filling of the lettering is ornate and colourful, and often includes artistic motifs. In this work an ancient Egyptian theme runs through it.
As the pictures were taken in a tunnel, they don’t really convey the vibrancy of this piece, but is is very good. Looking forward to loads more from OHMS as 2017 unfolds.
This is a piece I photographed back in 2016, as are most of my posts at the moment…something that I fear will be happening for quite some while yet. It is a fine wildstyle piece by the irrepressible Deamze (Tom Deams) whose website is here, and is essential reading for those who want to understand why people choose a name and spray paint it.
Tucked away in this little lane in Montpelier is this nice work by Jee See. Here he combines his ‘seismic’ writing with his stencil favourite of a military style girl, both of which can be found separately in Bristol.
The colours of this piece are what really make it stand out from the other graffiti in the area. Jee See is an artist with a different and interesting style and is starting to make his mark in this incredible city.
It is always great to see one of Louis Masai’s works close up, and this is no exception. I have actually visited this work several times recently, but the pictures have not been too good, mainly because of the shadows cast onto the wall from the tree in front of it. Hwever I got there in the end on an overcast day.
The messages that Louis Masai brings to his work chime for me, and I like the way he draws attention to some of the world’s more pressing issues relating to the environment and wildlife. To do so with such brilliant artwork is a rare talent. I hope his work turns a few heads and perhaps encourages people to take action, in whatever form that might take.
Louis Masai has produced dozens of these animal quilt pieces recently, and they seem to work so well, bringing together the organic and inorganic and injecting life into them. This particular piece is well worth a look, and can be found just on the edge of St Werburghs at the end of Mina Road.
Without question this is the most iconic graffiti view in Bristol. These two have been side by side at the top of the Carriageworks building for as long as I can remember. Any street art fan that has visited Bristol is more than likely to have this shot.
The crocodile on the left is by Rowdy, many of whose works can be found in nearby Montpelier and which I have featured on this blog before. Remember this cat for example? The skull on the right is by the very famous Sweet Toof who along with Rowdy is one of the original Bristol street/graffiti artists. It is incredible, but I think this is the first piece by Sweet Toof I have featured here on the blog – I am losing my touch. I will dig out some other of his pieces. If you cannot wait for that, I recommend his very active Instagram account @thesweettoof or take a look at his rather nice website.
When you pull back from the closeups, you can see how high and large these pieces are, and for the observant among you, you will also notice the FOIS letters by Kleiner Shames on the bottom right. Welcome to Bristol.
Taking a quick look back to Haloween last year and a gathering of several street artists from the ASK crew, who produced several pieces with ghoulish themes. This one is from Epok and unusually for him included a rather good character of Frankenstein’s monster.
The colour selections are up to his usual high standards and the letters mistily disguised, which is a bit of a departure from his trademark strong shapes and sharp lines. I like this piece very much as it demonstrates the range of Epok’s work. I am just sorry that I didn’t have time to post it last year.
This is a wonderful collaboration that I saw in Hawley Mews, Camden Town during last summer. There is a great post about the piece from the London calling blog, which perhaps more articulately describes the works than I might be able to do.
The girl and cheetah are by Alice Pasquini, an Italian artist from Rome, who has worked in many great cities all over the world. Her work, which often features portraits and uses light pastel shades, reminds me a lot of Hannah Adamasek’s work. There is a serenity and calmness in this piece.
The desert foxes by Himbad and Marina Zumi add a little humour to the collaboration. There is not a lot of information about Himbad, although lots of his work is posted on various websites. It would appear that he is based in London. His fox looks rather mischievous, which is pretty much in keeping with the other faces he sprays on the streets of London.
Marina Zumi presents us with an altogether softer and kinder looking desert fox. Marina Zumi lives and works in Sao Paolo and is perhaps more used to working large walls. She paints fairy tail animals, often at dusk or nightfall when the magic comes. You can read more about her work here.
It was a real pleasure to see this collaboration. Just one of the rewards for wandering around without any plan or map…psychogeography at its best.
Natural adventures 