6636. Dean Lane skate park (794)

Risky, Dean Lane, Bristol, December 2024
Risky, Dean Lane, Bristol, December 2024

It feels funny posting this piece by Risky, because it is only the third to have made it onto the pages of Natural Adventures, but I have been photographing his work for at least two years, so I am surprised I haven’t published more. I know little about the artist, and can’t find any socials at all, so until I catch Risky in the act I’ll have to remain ignorant – having said this, I have a nagging feeling that I may have met him a while back, painting under Brunel Way… the old grey matter isn’t what it used to be.

Risky, Dean Lane, Bristol, December 2024
Risky, Dean Lane, Bristol, December 2024

I love it that Risky, like so many other occasional writers in Bristol, turns up from time to time with a vibrant and colourful piece like this one, that really catch the eye. While this isn’t technically high-end, it has loads of things that I like; some great letter shapes and that strong red colour works really hard; some interesting white highlights that help the letters to pop, and some more subtle red highlights, adding a bit of depth to the letters; finally, a green drop shadow and yellow border. Although not the tidiest piece I have seen, I really like it.

6635. River Avon (73)

Klashwhensober, River Avon, Bristol, December 2024
Klashwhensober, River Avon, Bristol, December 2024

This is a curious piece by Klashwhensober, painted alongside Sworm on a low wall that supports one of the bridges over the River Avon – a bridge that doesn’t actually lead to anywhere. It looks like this might have been a bit of a dregs piece, because there are a few colours involved, that don’t necessarily complement one another, and the light blue and yellow look rather thin, and perhaps were running out.

Klashwhensober, River Avon, Bristol, December 2024
Klashwhensober, River Avon, Bristol, December 2024

Klashwhensober has been painting a lot of character/writing combination pieces over the last year, and as a general rule of thumb, the more time he spends on a piece, the better the outcome. While all the design elements are present in this piece, it feels a little rushed and rough around the edges. The character on the left is a bit strange, and slightly divorced in style and colour from the writing. Overall, this is an interesting piece, but not one of Klashwhensober’s finest.

6634. St Werburghs tunnel (469)

Mr Klue, St Werburghs, Bristol, December 2024
Mr Klue, St Werburghs, Bristol, December 2024

I believe that this piece by Mr Klue was painted at breakneck speed. On the day it was painted, I checked out the wall around lunchtime, and there was nothing there. Paul H visited the spot a while later and the piece was completed. This is my account of events… of course I might have had a ‘moment’, or a blind spot and walked past the piece without noticing it, but I simply don’t think that happened. Anyhow, all’s well that ends well, and I managed to snap it up as if it were new, eventually.

Mr Klue, St Werburghs, Bristol, December 2024
Mr Klue, St Werburghs, Bristol, December 2024

2024 was a stand-out year for Mr Klue, and what a way to round-off the year with this fine abstract writing piece set on a festive gold background. The letters spell KLUE, and are more defined here than in some of his more ephemeral pieces. The orange and turquoise work well together and are augmented with splashes of lime green and purple. A fine piece. I am looking forward to another great year from Mr Klue in 2025

6633. M32 roundabout J3 (647)

Zake, M32 roundabout, Bristol, December 2024
Zake, M32 roundabout, Bristol, December 2024

This cartoon portrait piece by Zake embraces the spirit of Christmas in the subtlest way, with a tiny little Father Christmas hat jauntily perched on the character’s head. It was painted as the central part of a PWA Christmas celebration triptych, sandwiched between Face 1st and Soap.

Zake, M32 roundabout, Bristol, December 2024
Zake, M32 roundabout, Bristol, December 2024

As ever, Zake has achieved an incredible 3D effect in this piece using his well-practised skill of using light and shade, and in this example, using different colours to achieve these contrasts. As a result, the face pops out from the wall in an incredible way. I am really pleased that the PWA crew took the time to spread a little joy this Christmas.

6632. Coach and Horses.

Sled One, Coach and Horses, Bristol, December 2024
Sled One, Coach and Horses, Bristol, December 2024

I tend to be very slow off the mark photographing new pieces on this wall of the Coach and Horses pub, but feel that I can take my time to visit, when I happen to be passing because the wall has a very slow turnover and is rarely tagged. I managed to find myself over in the area, after visiting the recycling centre and took the opportunity to check out the fabulous pieces making up the collaboration. This first piece is by Sled One.

Sled One, Coach and Horses, Bristol, December 2024
Sled One, Coach and Horses, Bristol, December 2024

Sled One has always had a rather surreal take on his characters and scenes, but what makes them so special is his incredible talent with the spray can. One is simply left with the lingering question… how does he do that? The piece, called ‘Shit TV’, features a fly, sitting on a turd, watching TV with a pair of 3D secs on and eating popcorn and drinking a milkshake. It doesn’t get much weirder or obscure than this, but Sled One thinks of these things and brings them to life in a remarkable way. Brilliant work from a brilliant artist.

6631. Hornsey Road, North London

Northbanksy, Hornsey Road, North London, December 2024
Northbanksy, Hornsey Road, North London, December 2024

The road tunnel under the railway on Hornsey Road has become a gallery for the work of Northbanksy and his tribute portraits to a plethora of Arsenal players past and present, and here are a couple more of his stencil-style pieces.

Northbanksy, Hornsey Road, North London, December 2024
Northbanksy, Hornsey Road, North London, December 2024

Thounsands of Arsenal fans shuffle along the pavement on match days and stop to admire and enjoy these, if I am perfectly honest, quite crude pieces. The portrait of Ian Wright is a particular favourite, as he embodies the spirit of Arsenal, and his love for the club is so infectious. This piece is also the only one in the tunnel that includes any colour, so it stands out.

Northbanksy, Hornsey Road, North London, December 2024
Northbanksy, Hornsey Road, North London, December 2024

The portrait of Mohamed Elneny, until recently a loyal and long-serving Arsenal player, reminds us of the good natured and team player, who although not the best footballer in the world, did a magnificent job for the club over many years. I absolutely love this gallery by Northbanksy… more to come.

6630. Dean Lane skate park (793)

Haka, Dean Lane, Bristol, December 2024
Haka, Dean Lane, Bristol, December 2024

This looks like it might be my last street art post of 2024, a year in which I have published 897 street/graffiti posts and 22 artist galleries, not a bad haul really, and there have been some corkers in amongst that lot. I tend not to do annual reviews or ‘top tens’, but I am sorely tempted to do so this year. Time, of course, is my enemy (and my friend).

Haka, Dean Lane, Bristol, December 2024
Haka, Dean Lane, Bristol, December 2024

It somehow feels good to round off the year with a piece by Haka, a true Bristol combination graffiti writer/character illustrator, who has been presenting children’s picture book and cartoon characters for a long while. In this piece he has painted one of my favourite walls with his characteristic writing and included a faithfully recreated BFG – Big Friendly Giant by Roald Dahl, illustrated by Quentin Blake. Be safe seeing the old year out and New Year in.

6629. M32 roundabout J3 (646)

Face 1st, M32 roundabout, Bristol, December 2024
Face 1st, M32 roundabout, Bristol, December 2024

Although Face 1st has moved away from Bristol, he is still making trips to the city and leaving behind some lovely pieces, including this Christmas piece which he painted alongside Zake and Soap.

Face 1st, M32 roundabout, Bristol, December 2024
Face 1st, M32 roundabout, Bristol, December 2024

This is a sumptuous piece of graffiti writing, in the block style that Face 1st likes to paint from time to time. The ‘gold’ colour is created using two tones, which provide shading and depth. The writing is wrapped up in a festive red ribbon – the perfect Christmas present. Face 1st is, and always be welcome in Bristol.

6628. Sparke Evans Park (114)

Jevoissoul, Sparke Evans Park, Bristol, December 2024
Jevoissoul, Sparke Evans Park, Bristol, December 2024

Jevoissoul, who prefers to be called @slowlane100 on Instagram has had a very good year, and built up his repertoire from basic character pieces to tidy combination pieces, with writing that has seen a steady improvement. This wonderful piece, in Sparke Evans Park, shows how constant practice pays dividends.

Jevoissoul, Sparke Evans Park, Bristol, December 2024
Jevoissoul, Sparke Evans Park, Bristol, December 2024

The letters SLOW are bookended with two characters, one with a cap and one without, and both with the characteristic mouth design that epitomises Jevoissoul’s work. There is a lot to like in this combination piece, but overall it is the neatness that comes across most. I am looking forward to a further year of improvement.

6627. Cumberland Basin

Pura Decadencia, Cumberland Basin, Bristol, December 2024
Pura Decadencia, Cumberland Basin, Bristol, December 2024

It is that rather curious work week after Christmas, where not a lot really happens, especially with the New Year’s Day bank holiday stuck in the middle of it. Time to prepare for the year ahead and get the brain into gear. One thing that remains constant is the conveyor belt of street and graffiti art that appears on the streets of Bristol, come rain or shine, and subsequently, my recording of it. Tghis is a recent beauty by Pura Decadencia.

Pura Decadencia, Cumberland Basin, Bristol, December 2024
Pura Decadencia, Cumberland Basin, Bristol, December 2024

For once, Pura Decadencia hasn’t included the lips and vampire teeth that have become synonymous with her work, allowing us to concentrate on her letters. Pura Decadencia pretty much always writes with large curvy bubble letters, and they are cleverly brought to life with great white accent lines that create a 3D effect. Her colours work nicely together and are lifted by the unusual pink and white striped background. Another wonderful piece from the artist.