7246. Frome Side (60)

Totosoapcity, Frome Side, Bristol, September 2025
Totosoapcity, Frome Side, Bristol, September 2025

Frome Side, as I like to call it, is a spot that runs underneath a stretch of the M32. The concrete walls are on either side of the canalised River Frome, and crossing from one side to the other is perilous to say the least, across slender concrete slabs, about 2ft wide without a handrail. I tend to remain on the east bank, where the access is, and photograph the west bank from there, looking across the river. This piece from Totosoapcity was on the far west bank.

Totosoapcity, Frome Side, Bristol, September 2025
Totosoapcity, Frome Side, Bristol, September 2025

Totosoapcity has a unique and easy to recognise letter style which tends to remain pretty much as standard from piece to piece, and it is the decoration and fill that provides variation. The letters ARS(Z)A have a symmetry about them, and are filled with an unusual selection of colours in a radiating geometric pattern. The background is decorated with what looks like piles of rocks. Interesting stuff from Totosoapcity.

7206. Frome Side (55)

Totosoapcity, Frome Side, Bristol, September 2025
Totosoapcity, Frome Side, Bristol, September 2025

Totosoapcity is one of those graffiti writers whose letter shapes remain broadly constant and whose magic happens with his colour selections and patterns. The letters ARSA or ARZA have a symmetry about them, which really establishes Totosoapcity’s ‘brand’ or presence.

Totosoapcity, Frome Side, Bristol, September 2025
Totosoapcity, Frome Side, Bristol, September 2025

The letters are given depth with the 3D drop shadow in red and white stripes, and further uplifted by the four ‘starbursts’ whose contribution should never be underestimated. The colour scheme has a bit of a confection feel to it, maybe trifle or rhubarb and custard chews. An all-round nice piece from Totosoapcity.

7126. M32 roundabout J3 (701)

Sait Bare, M32 roundabout, Bristol, August 2025
Sait Bare, M32 roundabout, Bristol, August 2025

In Bristol we have so many different styles of graffiti writing, and a lot of these fit into certain defined categories such as wildstyle, anamorphic, calligraffiti, anti-style, script, bubble writing and so on, but with some artists, it is really difficult to stick them in a particular pigeonhole, and I think Sait bare is one of those,

Sait Bare, M32 roundabout, Bristol, August 2025
Sait Bare, M32 roundabout, Bristol, August 2025

This is a nice piece painted alongside Hire, a pairing that seems to be increasingly common. There is a bilateral symmetry emerging in this piece, which is perhaps the key focal point, as the fills are quite plain. The drop shadow converging on a central vanishing point and the glowing green border highlights provide plenty of depth. Also, the eyes, which are common to both this piece and the adjacent one by Hire, definitely add interest.

7028. Sparke Evans Park (135)

Totosoapcity, Sparke Evans Park, Bristol, June 2025
Totosoapcity, Sparke Evans Park, Bristol, June 2025

What is a little peculiar is that if I look back through my archives I would probably find half a dozen or so pieces by Totosoapcity, but it is only recently, once I found out the artist’s name, that I have actually started to post his distinctive writing.

Totosoapcity, Sparke Evans Park, Bristol, June 2025
Totosoapcity, Sparke Evans Park, Bristol, June 2025

There is a symmetry to Totosoapcity’s writing, and I am never too sure what the letters spell, but I think it is ARSA. There are some good blues, pinks and purples in the piece with a deep 3D drop shadow vanishing in the centre, below the wall. There are a few decorative circles filling and breaking up the white space around the background. A nice piece. I will have to trawl through my archives and dig out some old ones.

6896. Peel Street Green (40)

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025


I am chronically short on time for today’s post, indeed I was short of time when I wrote it yesterday. This is another intricate bilaterally symmetrical piece piece from Werm, to bolster his catalogue of such pieces. I feel that he might move on to another theme before too long, especially as he has been painting these types of pieces for a while now.

Werm, Peel Street Green, Bristol, April 2025
Werm, Peel Street Green, Bristol, April 2025

This set of letters spelling WERM are rather nicely filled with a white and off-white colour and a contiguous pattern that runs through the piece. A deep pink drop shadow is bordered with a blue line and the whole thing is set on a blue splash, also symmetrical. Nice work.

6822. River Avon (83)

Werm, River Avon, Bristol, March 2025
Werm, River Avon, Bristol, March 2025

Werm is becoming one of those consistent, drumbeat graffiti writers whose work is always there and reminds us what the Bristol street/graffiti art scene is all about. His current style takes us through his playing with symmetry of the letters WERM, forever striving for perfection.

Werm, River Avon, Bristol, March 2025
Werm, River Avon, Bristol, March 2025

In addition to his beautifully presented letters, Werm has set the piece on a pattern of pixelated cubes, adding just enough interest to lift the piece. Unfortunately, the afternoon sun has crept into the right-hand half of these pictures, but that is a daily hazard when photographing street art… and bins, and parked cars etc.

6799. Cumberland Basin

Werm, Cumberland Basin, Bristol, March 2025
Werm, Cumberland Basin, Bristol, March 2025

Werm is continuing along his journey, experimenting with bilateral symmetry in his writing. The symmetry in this one is notable, but I think that it might be the colour scheme that initially attracts the eye, with some nice contrasting reds, greens and oranges.

Werm, Cumberland Basin, Bristol, March 2025
Werm, Cumberland Basin, Bristol, March 2025

What baffles me about writers like Werm is how they manage to get everything ‘right’ if you know what I mean. For example, in this piece the green drop shadow veers off to the right, but it needs to be perfect across all the letters otherwise something would look out of kilter. I suppose the old adage, practice makes perfect, applies here, but it is still an admirable talent.

6790. Cumberland Basin

Werm, Cumberland Basin, Bristol, February 2025
Werm, Cumberland Basin, Bristol, February 2025

Today’s posts will have to be the quickest ever. I am staying in Godalming and running a workshop today and forgot to write the blog posts last night, so am squeezing these ones in before breakfast. This is a fine symmetrical piece by Werm on the long wall at Cumberland Basin.

Werm, Cumberland Basin, Bristol, February 2025
Werm, Cumberland Basin, Bristol, February 2025

At first glance, this doesn’t look too much different from many of his other pieces, but look a little closer and you can see that the subtle fill to the letters is contiguous throughout all the letters, which is a tried and tested technique by graffiti writers, and executed really well here by Werm.

6647. Peel Street Green (36)

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

Werm has had a very good year in 2024, and tried out several new variants of his letters, sticking with some and abandoning others. This was a particular theme that saw him through most of the year, crafting the letters WERM into a bilaterally symmetrical pattern.

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

This one looks like it might have suffered a little at the hands of the weather, or the background wasn’t fully applied, which is a pity, because it distracts a little from the writing itself, demonstrating why backgrounds can be so important. It’ll be interesting to see if Werm moves on from this style in 2025.

6580. Sparke Evans Park (110)

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The Sparke Evans Park wall tends to look rather nice in the autumn and winter, with the browns and golds of the leaf litter beneath it. These colours provide a nice backdrop, and consciously or otherwise, this piece by Werm has picked up on those seasonal surroundings. The other good thing about this wall in the duller months is that it is possible to photograph it without shadows from trees being cast, resulting in horrible dappling.

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The writing, spelling out WERM, is one of the best examples of bilateral symmetry in writing you are likely to see. The symmetry becomes even easier to make out because of the colour regimes Werm has selected, breaking it down into sections, thus making it easier for the eye to make comparisons. The dark green background is just right too. Nice work.