6673. Brunel Way (308)

Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025
Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025

Towards the end of the year, the collaborations from Dibz and Fade plus guests, dropped off significantly, and I have a feeling that Fade told me he was making a trip to America in the winter, and perhaps that was the reason. I am sure that this is only a temporary blip and that this collaboration marks the first of many in 2025

Fade, Brunel Way, Bristol, January 2025
Fade, Brunel Way, Bristol, January 2025

This time, Dibz and Fade have teamed up with Stivs, who has provided the centrepiece for this collaboration. In this piece, there is a clear themed palette giving off a rusty red vibe, combined with a deep white drop shadow. Fade has written his FADER letters with accuracy, and the shadow fill is either thin or patterned, and I can’t quite decide which.

Stivs, Brunel Way, Bristol, January 2025
Stivs, Brunel Way, Bristol, January 2025

Stivs has provided the character interest in the centre with a magnificent Teenage Mutant Ninja Turtle portrait (he is going through a bit of a TMNT phase at the moment). The writing at the top says ‘Have a turtlee good 25’ giving away that this is a New Year collaboration piece.

Dibz, Brunel Way, Bristol, January 2025
Dibz, Brunel Way, Bristol, January 2025

Dibz rounds off the triptych with a reflection (in terms of colour and style) of Fade’s writing, and also has the same effect on the white drop shadow, which leads me to conclude that it is a deliberate, mottled pattern rather than thin paint, which makes sense really, because these masters of their craft would never be happy with substandard fills. A great way to begin the year.

6672. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, January 2025
Mr Draws, Cumberland Basin, Bristol, January 2025

I have met Mr Draws a great many times, which is not surprising, given the frequency with which both of us are out and about in the more popular graffiti spots of Bristol. I can honestly say that he is a gentle and really decent man, who’s good nature comes out in his light-hearted writing.

Mr Draws, Cumberland Basin, Bristol, January 2025
Mr Draws, Cumberland Basin, Bristol, January 2025

This transition piece was painted at the end of 2024 and start of 2025 (I hope not on New Year’s Eve itself). Some nice letters spelling out DRAW, and a rather tired and emotional looking Smiley positioned in the centre of the piece, perhaps representing some exuberant celebrating and welcoming of 2025.

6671. Stapleton Road

Jevoissoul and Omie, Stapleton Road, Bristol, January 2025
Jevoissoul and Omie, Stapleton Road, Bristol, January 2025

The new hoarding at the very top end of Stapleton Road has been colonised pretty quickly, and I can see it becoming a popular spot over the coming months. Omie and Jevoissoul have teamed up to paint one section of the virgin hoarding, and started off with a rather fetching pink background.

Jevoissoul, Stapleton Road, Bristol, January 2025
Jevoissoul, Stapleton Road, Bristol, January 2025

Jevoissoul is fast becoming one of the most active street artists in Bristol, with his stylised character faces and ‘SLOW’ writing appearing pretty much all over the city. Hardly a day passes without stumbling on another new piece. Since I first became aware of his work, his pieces have become much tighter, with strong, tidy black lines and solid fills. This is a good example of his improvement.

Omie, Stapleton Road, Bristol, January 2025
Omie, Stapleton Road, Bristol, January 2025

Having met Omie over the Christmas break, it is so nice now to visualise the face and person behind the great writing. What I particularly like about Omie’s work is that every piece is utterly unique and different from anything else I have seen by him before. His creativity is admirable. I like the colours and the brush-stroke effect he has achieved with this piece. I wonder how long this collaboration will remain before others get to test out this new spot.

Letter from across the American North Atlantic

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Dear Mother Nature

brace yourself for an onslaught

the four years will pass

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by Scooj

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A second version of this haiku begins with the first line:

Dear America…

6670. Cumberland Basin

Acer One, Cumberland Basin, Bristol, January 2025
Acer One, Cumberland Basin, Bristol, January 2025

After a reasonably quiet winter season, Acer One has pulled this beauty out of the hat. The piece is painted on a wall that Acer One has made his own over recent years, and this is a rather special instalment.

Acer One, Cumberland Basin, Bristol, January 2025
Acer One, Cumberland Basin, Bristol, January 2025

The stylised letters spell out ‘peace and love’ which are placed over a swirling ribbon of colour and a neutral grey background. Acer One specialises in his stylised fonts, and tends to execute them to perfection. A nice sentiment and great piece.

6669. Stapleton Road

Nice One, Stapleton Road, Bristol, January 2025
Nice One, Stapleton Road, Bristol, January 2025

I love the way that street and graffiti artists are so quick to find new hoardings, a job, in fairness, made much easier when they are adjacent to an existing known spot. So it is with these hoardings near the M32 Spot. Nice One has painted another of his stunning landscape pieces on this virgin board and it looks fantastic.

Nice One, Stapleton Road, Bristol, January 2025
Nice One, Stapleton Road, Bristol, January 2025

The winter scene features a rural landscape with bare trees and a church tower, all covered in snow. It is a pretty scene and one that is rarely seen in street art. Nice one is an interesting character who combines a subversive edge with a fine art and design style, and he is producing some of the best artwork in Bristol at the moment (in my opinion). A wonderful piece.

Old England

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Rochester City

Cathedral, castle, high street

forgotten jewel

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by Scooj

On tour 2025

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Destination Kent

first of several workshops

north, south, west and east

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by Scooj

6668. River Avon (75)

Grimes, River Avon, Bristol, January 2024
Grimes, River Avon, Bristol, January 2024

Another piece from the archives, and it is one from Grimes that I must have photographed before I knew who the artist was, and held back as I rarely post unattributed work. This one was taken back in January last year, and may have been the first time I became aware of his outstanding graffiti writing work.

Grimes, River Avon, Bristol, January 2024
Grimes, River Avon, Bristol, January 2024

The fruity colours are ones that he really seems to enjoy using, and I have to say that it is the colour palette decisions that he makes that have drawn me into his work, that and the energy that emanates from his pieces. There is a busyness about this piece with the colours and all of the fill patterns, but somehow he gets away with it and it doesn’t feel like hard work viewing it, which can happen sometimes with busy pieces. Nice work from Grimes, who incidentally is a really lovely bloke.

6667. Greville Smyth Park (4)

Andrew Burns Colwill, Greville Smyth Park, Bristol, January 2024
Andrew Burns Colwill, Greville Smyth Park, Bristol, January 2024

I found this piece, by Andrew Burns Colwill, in my archives and I can’t for the life of me understand why I haven’t posted it before. His work is so good that every time I photograph it, I try to post it on Natural Adventures. Something went wrong with the system here, but at least I am putting things straight now.

Andrew Burns Colwill, Greville Smyth Park, Bristol, January 2024
Andrew Burns Colwill, Greville Smyth Park, Bristol, January 2024

I have a feeling that the incredible mural may have been painted as an Upfest piece back in 2022, but I only photographed t in January 2024, so not only am I slow in posting it, I was also very slow in finding in in the first place. As with all of Andrew Burns Colwill’s pieces there is a strong story happening here, and my interpretation is that mankind is running out of time on this beautiful Earth. There is a deep sadness in the piece which is extremely powerful. As ever Andrew Burns Colwill reminds us of our fragile relationship with the place we call home.