Cort is another ever-present writer in Bristol who, year in year out, turns out his peculiar brand of writing on a regular basis, always there in the background, never any fuss. I have met Cort on several occasions, and he is way too modest about his work, and reluctant to say very much too, which is fine, not all people feel the need to chat.
This piece in Dean Lane, is so typical of Cort’s work, with his unusual letter font, combining curvy shaped letters with straight angular ones. His colours are also quite peculiar to the artist, and the stand-out element is probably the red patterning on the grey level of the fill. It is the simplicity, nothing too busy, and the unique style that I enjoy most about this pice. Cort is probably one of the most under-represented artists on Natural Adventures, and I ought to post more of his pieces than I do.
Codo, Cheltenham Paint Festival 23, Cheltenham, July 2023
When I first started to write about graffiti and street art back in 2015, I had my own unconscious biases and preconceptions about the artists, and I must confess that I was a little afraid, believing that the edgy nature of the world I was entering was somehow representative of the people creating the art. How utterly wrong I was, and what a fool I was. I have met many, many artists and I can think of only one or two that were having a ‘bad hair day’, all the rest, without exception, have been wonderful people with interesting stories to tell, generous with their time and conversation.
Codo, Cheltenham Paint Festival 23, Cheltenham, July 2023
So, with this backdrop of incredible and talented people in mind, I met one of the very kindest and engaging people to date at the Cheltenham Paint Festival in one of the Honeybourne Line tunnels. I am talking about Codo (@codoartni). I caught up with Codo while he was finishing off his intricate/simple doodle piece, and he stopped, not only to chat with me, but went on to advise me on several aspects of can control, and gifted me some spray cans and a whole ton of banana caps. He made these gestures without any desire for gratitude, but filled with enthusiasm to help a wannabe artist. He made my day.
Codo, Cheltenham Paint Festival 23. Cheltenham, July 2023
I have not seen Codo’s work before, so it was great to see him at work on this piece. Originally he had sprayed a pink and blue background with doodles, but decided to overwrite it with black lined doodles and the resulting effect is rather good. In amongst the patterns and faces are shout-outs to other artists he was painting with and other cryptic messages. The central character, dominates the work and is a simple thick-lined version of the smaller doodles all around. This is Codo’s identity, his look and feel that underpins his work. Great stuff. I very much hope to meet him again, perhaps if he could get himself invited over to Upfest next year or something like that, that would be cool.
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
There were an awful lot of beautiful birds painted at the Cheltenham Paint Festival this year, whether by coincidence or design I simply don’t know, but it feels like the nature theme is running strongly through street art these days, perhaps as a subliminal or conscious response to the global biodiversity crisis we face.
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
This enormous piece by Sophie Tuttle on the side of a building on Devonshire Street features two owls, one in good health, the other a skeleton, joined together by a red thread that each is holding in its beak. There is symbolism here I’m sure, and perhaps it is the delicate line we walk between life and death.
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
Both of the owls are perfectly painted, and each has a halo behind with a floral design in subtle blues. Perfectly proportioned and anatomically correct these owns are as much a study of form as they are paintings of birds.
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
I don’t believe I have come across Sophie Tuttle before, but that is hardly surprising since she is Boston- based. Her commitment to free and accessible art is a great thing indeed, and what a privilege to see her amazing artwork at the Cheltenham Paint Festival. Perhaps we could entice her to visit Bristol some time.
Sophie Long, Cheltenham Paint Festival 23. Cheltenham, July 2023
There was a time not so long ago when Andy ‘Dice’ Davies (Dice 67) had had to cancel this year’s Cheltenham Paint Festival due to the lack of funding – a swiftly organised crowd-funding scheme saved the day and meant that the festival could go ahead, and in my view was the best festival to date. Huge gratitude and congratulations have to go to Andy and his organising team and the funders to have made it such a success.
Sophie Long, Cheltenham Paint Festival 23. Cheltenham, July 2023
I visited the festival on the Saturday, and many pieces were unfinished, so I will be paying Cheltenham a visit, when time permits, later in the year. One of the first complete pieces I found was this outstanding pair of lovebirds by Bristol artist Sophie Long, and what a beautiful site it is. There is a reference to Sinead O’Connor, whose recent death still hits a chord for those who loved her music and approach to life. Nothing compares to you.
Sophie Long, Cheltenham Paint Festival 23. Cheltenham, July 2023
Sophie Long is well known for her wildlife paintings and street art and has absolutely nailed it here, without a drip in sight. It is a pity I didn’t see her, because she is always up for a chat. This is the first of five posts from the Cheltenham Paint Festival, with more to come in due course.
I feel that, having met Lupa for the second time recently at the Cheltenham Paint Festival, I should really start digging out some of her pieces from my archives, especially as we had a great chat and I felt most honoured that she not only remembered me, but also remembered my name, and thanked me for the recent post I wrote about her piece in Peel Street Green.
Lupa, Purdown, Bristol, May 2023
This is a lovely and enduring piece up at Purdown, which I photographed in May, but I think had been there already for a while and was still there when I walked the dog around the site last week. There is a charm and simplicity about Lupa’s work that makes it enjoyable to see, and she manages to give off good vibes – maybe it is the design of the letter ‘U’ with its smiley face, or the large block letters, or the vibrant colours – probably a combination of all these things. I look forward to seeing more of her work, and will continue to mine out old pieces from the archive.
Dopes is another artist whose presence in Bristol has been fairly intermittent for some time, so it was great to see this wonderful piece on the roundabout a couple of weeks ago. When one sees a piece like this, it demonstrates just how powerful and important it can be to buff a wall first to bring out the best in the work.
Dopes, M32 roundabout, Bristol, July 2023
This piece is dazzling and has a great energy about it, with the yellow light bursting out from behind the purple and pink filled letters. I’m not so sure about the golden pattern on the background, which looks rather flat compared to the vibrancy of the rest. This is a really classy piece from Dopes, I only hope we don’t have to wait so long for the next one.
For much of the year, Pl8o has been fairly quiet, but in recent weeks he seems to have rediscovered his enthusiasm and energy for painting walls – perhaps he has a little more time on his hands. This piece in Sparke Evans Park is one of several new pieces appearing around Bristol at the moment.
Pl8o Sparke Evans Park, Bristol, July 2023
There is a lot of creativity in this piece, and the character is cleverly interlinked with the letters. The character is a beautifully painted carton cyclist, full of movement indicated by the shirt flaring at the back and the three white movement lines. The rear wheel of the bicycle is incorporated into the ‘o’ of Pl8o. A nice birthday piece for Alos.
Dog Bless the Band, M32 Cycle path, Bristol, July 2023
Dog Bless the Band is a curious street artist I have yet to meet. I say curious because his pieces are unlike pretty much anything else in the city right now. Curious also because of his name and because of the letters he writes – MOTEL, I mean what is it all about?
Dog Bless the Band, M32 Cycle path, Bristol, July 2023
The large monolithic letters have a very earthy feel about them which is exaggerated in this piece by the muted colours, especially the green dusting, which gives the appearance of algae or moss on rocks. I’m not sure if that is the effect he was aiming for, but it is how it comes across to me. To the right there is a toadstool.
Dog Bless the Band, M32 Cycle path, Bristol, July 2023
I wasn’t entirely sure whether the toadstool was painted by Dog Bless the Band or by a friend alongside, but have decided it is his own work, perhaps a study, because of the same colour selection and proximity. There are no other signatures or marks that would suggest another artist, simply the surprise of seeing the toadstool. Perhaps this signifies him straying into accompanying his letters with other work.
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