Taboo is an artist who makes me laugh out load, not just because his anti-style letters are a great antidote to perfect wildstyle writing, and his often psychedelic characters full of weirdness and charm, but also because from time to time he paints some epic blockbusters, and this one on the M32 cycle path is quite breath-taking.
Taboo, M32 cycle path, Bristol, June 2023
Clearly visible from the M32 motorway above, this piece offers drivers into Bristol a true Taboo welcome. Even on this massive scale, Taboo sticks to his style, with an irregular letter font, mid-line markings through the letters, and a druggy smiley character representing the first ‘O’. Huge and obvious, this is a great piece of work from Taboo.
I caught up with Mr Draws when he was painting this piece, and he told me it was going to be something a little bit different and he was right. Mr Draws has always had a strong environmental conviction running through his work, and he says that he wants to do more of this kind of messaging work in the future.
Mr Draws, Brunel Way, Bristol, June 2023
Drawing attention to contemporary issues is something that street art does very well, and Mr Draws doesn’t pull any punches in this piece which states “No art on a dead planet”. The whole thing is simply done with big bold letters on a striking background. The colour fades in the big letters have been worked very nicely, and although not painted in his usual style, there is something so very Mr Draws about the piece.
One of the things that I really like about Peggy’s floral works is that she likes to occupy little niches or modest walls, rather than commanding a large ‘in your face’ space. I think that these smaller spots lend themselves really well to her finely crafted designs, which she can adapt to the selected space, which is more difficult to do with writing or character pieces.
Peggy, Dean Lane, Bristol, June 2023
I am not a big fan of brown and dark colours in street art, don’t ask me why, it is a personal taste thing, but in this case, Peggy has worked her magic on me and I like what she has done. Her floral pattern, naturally, has an eye at the centre, keeping watch over the skate park. Lovely work from Peggy, who perhaps ought to have a gallery on Natural Adventures – watch this space.
By the time this post is published I will be midway through leading a workshop for a partnership in Lincolnshire. I arrived in Lincoln yesterday evening, and have never been here before. I was pleasantly surprised by the old town, and the cathedral is one of the most impressive I have seen in England. It is a pity I will be here only for a day, and returning home immediately after the workshop. I digress… Maybe wasn’t very impressed with this piece, when he posted it on Instagram, and was minded to go over it, but he hasn’t so far, so maybe he has some affection for it after all.
Maybe, Brunel Way, Bristol, June 2023
The subtle colours and gentle interlocking shapes make this more of an abstract piece than anything else, and as such does a good job, I think. The green shape has something of the pachyderm about it, and once seen can’t be unseen. I rather like this modest and gentle piece. My kind of thing.
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
This is an absolute epic piece that didn’t last nearly as long as it deserved, and the artists who over painted it should have, in my view, been a little bit more respectful, however everyone knows it is a jungle out there. The Wild West triptych is by Mudra, Kosc and Saor, all of NTS crew.
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
I managed to catch up with the artists while they were painting the piece, and watched as they went about it. There was a lot of planning involved, and they managed to get the proportions right to take out the whole wall in magnificent style.
Mudra, Dean Lane, Bristol, June 2023
To the left, and adopting the collaboration colour scheme, Mudra has written his name in reverse, I mean why not? The letters, in a block style, with each having a different design, a la SkyHigh look like a jumble of rocks in front of a saloon, on which Kosc and Mudra have left tags.
Kosc, Dean Lane, Bristol, June 2023
In the centre Kosc has painted a wonderful generic western portrait piece, pointing a smoking six-shooter at the viewer. I asked him if it was anyone in particular, and he said that it wasn’t, which saved me having to guess when writing it up.
Kosc, Dean Lane, Bristol, June 2023
Completing the triptych, Saor has painted yet another tight, highly graphic set of letters, which closely resemble Epok’s style of writing, but with his own unique stamp. On the buildings on this side, the crew name NTS and a Saor tag adorn the facade. The piece is so clean, and the colours perfectly matched – his work is stepping up to a higher level, without doubt. this is such an impressive epic piece which it is unusual to see outside of a festival, so the boys did really well. Bravo!
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
Background noise. I have only recently become consciously aware of Noise and his rather distinctive style of writing. I have a few of his pieces in my archive, but until now didn’t know much about him, and actually still don’t apart from his name. Noise has been a presence in Bristol, but somehow I just haven’t picked him up on my radar.
Noise, M32 roundabout, Bristol, June 2023
Noise’s writing style is not only accomplished, but rather easier on the eye than some writers. His letters are large, rounded and distinctive, and share a quality with Dopes’ letters. The fills here are beautifully done and create a kind of shiny surface effect. This may be the first, but certainly won’t be the last piece by Noise to appear on Natural Adventures.
Kid Krishna has had a quiet couple of weeks, which means that I can catch up on some of his pieces, although there is so much happening at the moment, it is never easy to catch up on anything. This is a bright, happy piece from Kid Krishna, featuring elements of the Wizard from Vaughn Bode.
Kid Krishna, M32 roundabout, Bristol, May 2023
I can’t really express how good I believe this piece to be. It is clean, tight, cryptic and joyful, and since Kid Krishna appeared on the Bristol scene about 18 months ago, he has been turning out pieces like this one with extraordinary regularity, and in doing so, really pushed the boundaries with his unconventional style.
Natural adventures 