Airborne Mark, Lighthouse Community Gardens, London, April 2023
I will be posting pieces from this remarkable spot, which I found quite by accident when visiting London for a work workshop, over the coming weeks. Some of the artists were familiar to me, and some not. This stunning piece falls into the latter category.
Airborne Mark, Lighthouse Community Gardens, London, April 2023
The origami swan held together by paper clips is by Airborne Mark, and is a really beautifully painted piece. The artist had created a fabulous sense of depth with fabulous use of shadows, light and shading. Adding in the paper clips elevates the piece from being great to fantastic… imagine it without them. I have never come across Airborne Mark before, but I really think we ought to get him over to Bristol at some point, maybe for Upfest?
Aspire, Lighthouse Community Gardens, London, April 2023
Every once in a while, the stars align and things work out and all is well in the world. These are moments that we must cherish and draw on to help us through more challenging times when it feels like there is no hope.
I had been invited to facilitate a workshop in London at the end of April, at a small community centre in the heart of Stratford, adjacent to the Olympic Park where there has been a phenomenal amount of redevelopment over the last decade or so. As I approached the location from the station, I spotted an entire block of hoardings, entirely covered in graffiti writing and street art – this was a good day, before the workshop had even begun. Even better, the hoardings surrounded the Lighthouse Community Gardens, the location of the workshop. Guess what I was doing before and after then meeting and in our lunch break.
Aspire, Lighthouse Community Gardens, London, April 2023
I was surprised at how many of the pieces on the hoardings were by artists I am familiar with, including this beauty by former Bristol artist Aspire. Bristol’s loss was definitely London’s gain as you can see from this outstanding sparrow perched on an ice lolly. Aspire’s work is so distinctive – almost always featuring birds, incorporating some pixelated elements. More recently, Aspire has featured human relationships with birds in the form of litter or food etc – the lolly plays this role here.
I was in a very good place, and the workshop went really well too. A red-letter day.
It must be time now to declare Mr Klue the ‘King of St Werburghs tunnel’. I am guessing that he must live locally, because you don’t get to see his work elsewhere in Bristol very often. In the days when The Bearpit was a thing, we would see Mr Klue pieces there and in the Stokes Croft area, but not now.
Mr Klue, St Werburghs, Bristol, April 2023
This piece spells KLUE in the artist’s preferred colouring and ephemeral abstract style. It is beautifully presented on a black background, and it is great to see one of his pieces in daylight, rather than under the tunnel lighting which distorts the colours so much. Mr Klue has certainly hit a rich vein of form and productivity, which is great news for admirers of his work.
I actually photographed these doors earlier this week, which is something I haven’t done for a while. More often, I tend to rifle through my archives to find a set of doors for posting on Thursdays.
Old market is a bit of a strange part of Bristol, caught between architectural periods and bordered by busy roads. It looks a little bit tatty these days, but at one time would have been a bustling market area, and some of the doors and doorways reflect this.
There are lots of pubs and places to eat or be entertained, but the volume of traffic has taken away any sense of community or cohesion – I guess it happens to many cities around the world I guess. Faded glory.
I hope you enjoy the doors – rather too many doorfies for my liking, though!
Black door/gate, Old Market, Bristol, May 2023
Plain door, grand doorway, Old Market, Bristol, May 2023
Pub cellar doors, Old Market, Bristol, May 2023
Pub cellar doors and gates, Old Market, Bristol, May 2023
It is the writing around the door that tells you something about a previous life of the building, Old Market, Bristol, May 2023
Well, that brings proceedings to a close for another week – may I wish you a very happy weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
I’m not sure that I have seen an Elvs/Dibz collaboration before, so this one in Dean lane recently is a bit of a rarity. The two have combined to share a colour scheme and theme, which I think is based on Disney’s Beagle Boys characters. These characters are familiar to me, but I don’t think I have ever read or watched anything with them in.
Elvs, Dean Lane, Bristol, April 2023
You can always tell a good collaboration when you don’t know who has painted certain bits of it, and while it is obvious who painted the writing, it is not so clear with regard to the characters. My guess would be that the two around the ELVS were by him, and the one popping out over the top of DIBZ was by Dibz. As always, Elvs’ writing is first class, and instantly recognisable with his very fat, elaborate lettering. The fill fades are pretty decent too.
Dibz, Dean Lane, Bristol, April 2023
Dibz is no stranger to writing/character combinations, and his skills are on show here. His wildstyle graffiti writing can be difficult to decipher if you don’t know what it says, but usually it is DIBZ, so you are on fairly safe ground. Talking of safes, there is a story in the piece, which involves the cracking of a safe using explosives. The character on the left is plunging the detonator, while the one on the right blocks his ears… the cartooniest of cartoon plots. This is a fabulous collaboration from two immensely talented artists.
Kosc is always on fire, whether it is his graffiti writing or his character pieces, he never disappoints. This is another outstanding piece of writing painted in day glow orange tones, a colour that he favours, but one that fades if left out inn the elements for too long.
Kosc, M32 roundabout, Bristol, April 2023
The letters spell out Kosc and have his trademark ‘rivets’ in place at certain junctions in the lettering, making the whole thing look like a piece of metalwork. The transition of fill colours is exceptional, and the shading within each letter creates a fabulous 3D effect. I think that Kosc may have missed a bit of shading on the far left part of the letter ‘K’, a minor detail, but you can’t unsee it.
Hicka, Pekoe and Maes, M32 roundabout, Bristol, April 2023
At first inspection, this ‘Goosebumps’ collaboration looks like it was painted by three artists; Hicks, Pekoe and Maes, and that would be a fair assumption, but there was another hand in the piece provided by Still, who I met with Maes while they were finishing off the piece. Pekoe and Hicka has just left, moments before I arrived.
Hicka, M32 roundabout, Bristol, April 2023
To the left is a fabulous creepy piece of writing by Hicka, augmented by Still, who was adding some finishing touches the first time I passed by. There is a lovely bubbly organic feel to the letter fills, and the whole thing oozes from the wall. The clever purple shading gives it a bit of a 3D lift too.
Pekoe, M32 roundabout, Bristol, April 2023
Pekoe is always a delight, and her green portrait piece sits beautifully with the theme. The piece is a bit creepy, but also really attractive and I think that Pekoe has absolutely smashed it. The red lips and pupils of her eyes really stand out from the green skin tones, and the white zig-zags on the black hair give it a shiny look.
Maes, M32 roundabout, Bristol, April 2023
Finally on the right is some writing by Maes. You can probably tell that Maes is at the start of his journey with graffiti writing, but is doing really well. He was receiving some coaching from Still. His chunky letters have drips and dots and a little bit of what looks like snow-capping on the top left of each letter. With regular practice, I can see Maes improving, he certainly already is making his mark about the place. Overall this is a really decent collaboration.
Another instalment from the Burberry check paint jam in Sparke Evans Park, and this one is by Smak. The artist has really gone to town on this one and spread himself out a bit, with a truly awesome piece of graffiti writing.
Smak, Sparke Evans Park, Bristol, April 2023
You can make out the letters SMAK, although with all the patterning, if you didn’t know what you were looking for it could be a bit tricky. As you might expect, the technique and skill in this piece are second to none, and you are seeing graffiti writing at its absolute best. It is great to see a spike in activity from Smak.
Natural adventures 