.
How low can they stoop?
sending away refugees
one way processing
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by Scooj
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How low can they stoop?
sending away refugees
one way processing
.
by Scooj
I believe that this is the third Morag piece I have posted on Natural Adventures, and I must say that I really love what he does. The simplest of thick black lines in an apparently continuous loop painted on a single colour background to create a perfectly stylised face.

There is definitely something in the simplicity that brings out the design really well, and actually, the simplicity is a little more sophisticated than it might at first appear. This picture was taken on a very bright day, and unfortunately I have cast a shadow over the piece. Hey ho.
It is great that Turoe manages to paint reasonably regularly in spite of some health challenges, and when he does paint he still has the ability to surprise. This rather retro piece is a bit of a beauty down on the cycle path, and I suspect it will be there for some time.

The block letters overlap one another and are on the lean, but each one is perfectly finished with crisp, clean lines and borders. You can date the piece from around the time of the Oscar ceremony thanks to the reference to Will Smith. I love the way that street art does this, chronicling contemporary events before being irreversibly wiped from the ‘canvass’ through being buffed, bombed, tagged or replaced.
Oh hurrah! It is that fabulous Mr Underbite, decorating our walls again. I love this character and long to see many more variations of this cartoon face in Bristol. He reminds me of a comic character called Plug from the Bash Street Kids in Beano, who had a terrible overbite.

The flowers are a lovely touch and make this grumpy character somehow feel a little less grumpy. This is a nicely painted face character face piece and one of a growing number of such pieces by various artists in the city at the moment. This is a highly memorable piece.
Here we have yet another fabulous piece by Rozalita on the Bristol to Bath cycle track, and one that not only looks great, but tells a very important story. Rozalita passionately opposes the Police, Crime, Sentencing and Courts Bill (PCSC), as should we all, as elements of the Bill will give the police disproportionate powers with regard to peaceful protests and the rights of travelling people. Another ‘Conservative’ withdrawal of liberties, driven by those who live in comfort and care little for others.

The piece itself tells a story of a travelling lifestyle that is lovingly portrayed, and I suspect that Rozalita has drawn on personal experience, which comes across in this tender piece.

Rozalita is truly spreading her wings with her artwork and her progress and development is a pleasure to witness. Kill the Bill!
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Between work and bed
there are simply too few hours
and then tomorrow
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by Scooj
You can expect a whole lot more of these wonderful monster pieces from Mote, because I have a lot in my archive, and he paints regularly enough to keep me busy. This is a great example of his work, and also typifies his preference for columns. Although the monster might seem a little naive, it is actually beautifully painted and Mote takes his time to keep his lines sharp and his fills really solid.

I take great inspiration from artists like Mote, Enn Kay and Maybe Paints who are all pretty new to painting the streets and have come on really quickly, presenting some outstanding work. If I get a moment, I hope to do my first public piece this summer, following their brave example, very possibly on one of the columns under the M32.
We don’t seem all that often, but when he visits a wall, he always leaves an impression, because his work is rather unique. I am talking about Stif who paints his rather surreal pieces from time to time in Dean Lane or sometimes Brunel Way. With this particular piece it was a case of blink and you’ll miss it, because it didn’t last long at all.

Stif tends to paint on a black background which contrasts with the bold colours that he uses. This piece looks like it is a monster breaking out of a red parcel, and it might be a simple as that, I can’t really find a story or narrative underpinning the piece. It is rather eccentric and very memorable, and definitely worthy of posting on Natural Adventures.
This wonderful piece from Merny made me laugh a lot and offered another insight into the artist’s observational skills and ability to recreate otherwise ordinary conversations or objects and turn them into something visually special. I always enjoy his work, and the naive style lends itself to remarkable storytelling.

The heroine of the piece declares ‘I utterly can’t help it if I’m beautiful hun!’ And tells us so much about this rather vain and laughable, but somehow endearing character. What I like about the piece is that we all probably know somebody like this, and it is this resonance that works so well, like a good situational comedian. The woman is talking to herself in a mirror, which makes the piece even more hilarious. Great work from Merny.
Finding Mr Klue pieces these days is a real treat, as they have become a bit of a rarity in recent months. I only know of one other piece he has painted this year, which I missed, on Turbo Island. So coming across this one rather made my day.

Mr Klue certainly hasn’t lost his touch, nor his knack for selecting beautiful colour palettes. This wall had played host to a magnificent 3Dom piece, which had remained intact for a very long time, but had recently been bombed. Once this happens, a wall will tend to undergo a renaissance and rapid turnover, so taggers and bombers play a role in rejuvenating walls, even if it is irritating. Beneficiaries of this new start are Mr Klue, being able to paint in one of his favourite spots, and passers by who can enjoy a fresh piece of work from one of our very best abstract artists.