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Arrival at last
relaxation begins here
life’s burdens lifted
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by Scooj
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Arrival at last
relaxation begins here
life’s burdens lifted
.
by Scooj

This is a spot I don’t visit too often, which is a mistake as there is usually some pretty good stuff to look at here. This is a lovely piece of writing, in soft colours, by RichT (I think) which looks like it spells out LOUIS or LOUISE or LOUISA.

Each letter plays its individual part in this creation, which is as much about the flower and face as it is about the writing. There is something quite cartoony about it, that makes it all rather endearing. A fine piece tucked away opposite Temple Meads station.
The very first time I saw Zabou’s work was at an Upfest festival a few years ago. After that I saw more of her work on a couple of trips to London and have become a big fan. Her photorealistic portraits are among the best in the world, and it is a privilege when she comes to visit the west of England, in particular Bristol and Cheltenham.

All I know about this magnificent portrait piece is that it is called stuck, and given that I was a little bit behind the curve, I never saw her painting it, but only as the final completed work, which meant I couldn’t even ask her about it.

I love the way that the face is slightly compressed and contorted in the places where it comes in contact with the hole in the wall. I also love the overall trompe l’oeil effect of the painted brick wall.

This is a magnificent piece that adds weight to the international status of Upfest and helps to draw visitors and inward investment to the city. We have come a long way since Banksy and his contemporaries. A truly stunning piece from Zabou.
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Did my eyes deceive
I saw a girl with elf ears
prosthetic or real?
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by Scooj

It is always great to see Decay painting in Bristol, too much of a rarity these days, and even better when he teams up with Mudra. Although their styles are totally different, they have managed to work well together on this hoarding to divide the space up and allow their pieces to ‘talk to each other.

To the left are some fine initials, DK, bound together by the irrepressible ‘Chuck’, who is very much missed in the city. To the right, Mudra has spelled out his name with an eclectic mix of letter styles, reminiscent of SkyHigh’s approach to writing. The black background brings out the best in both pieces on this collaborative board. Nice one.

On meeting Saor recently at the Cheltenham Paint Fesitval recently, he said that he would prefer me to refer to him as Saor in my blog posts rather than by his previous name. I said that I would do it, even if it gives me a bit of a headache in terms of tagging and cataloguing things. So Saor it is.

This Upfest piece is an absolute beauty. Crisp and clean and with a wonderful colour colour palette. the form of Saor’s letters remind me a little of Epok’s writing style, which is praise indeed. The letters spell out the name SAOR. It was very sweet, watching Saor’s little assistant helping out.

The monster face seems to be back now, having been left out of a few recent pieces, and you can see that Saor hadn’t quite finished off the wispy circular cloud (a halo?) when I took these WIP shots. Saor is definitely an artist who continues to up his game with each new piece.
A gallery of wonderful Kawaii characters and some abstract work from Maesyhook
Instagram : @m.a.e.s.y_
all pictures by Scooj












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Feel the heat building
day temperatures at night
and drought on the way
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by Scooj

I can’t think of a time when Andy Council was busier painting murals on our streets, although he might well have been more active before I started writing about street art in 2015. I’m not complaining, moind, I am always super-happy to see his work.

This is a wonderful rendition in his customary style of an archaeopteryx, I would guess from memory of dinosaur books I used to read as a kid. Andy Council has captured all the elements of the beast with a collection of shapes, which when viewed as a whole create this amazing precursor to birds. So good to see and beautifully painted.

I have a feeling that this might be the third piece painted by Jelly in Bristol, and this time she has brought a friend, apparan, with her. The double portrait, sited just off North Street, is a welcome burst of colour on what is an otherwise rather dull stretch of street.

The two portraits, although quite similar in style, have their own distinctive elements, such as the long eyelashes that Jelly likes to paint. It is really interesting to see the skin tones contrasting and the hair colours too. Portraits of women by women – this is great to see. A fine contribution to Upfest 2022, and we would welcome these two back anytime.