1340. The Bearpit (122)

It is always, always good to find pieces by Skor85. She is probably one of the unsung heroes of the Bristol street art scene, occasionally turning out these extraordinary fantasy dreamlike pieces in all of the spots I like to visit.

Skor85, The Bearpit, Bristol, February 2018
Skor85, The Bearpit, Bristol, February 2018

In this piece Skor85 has painted a futuristic/medieval character sitting on the ground clutching a gem in one hand and a weapon in the other. The words ‘Think truth’ give the piece an overall message…maybe it relates to gun law in America, I’m not sure.

Skor85, The Bearpit, Bristol, February 2018
Skor85, The Bearpit, Bristol, February 2018

Her command of the colours and tones in this piece is obvious, and I love the way she gives the effect of a pastel drawing rather than a spray can work. I admire her work a lot.

1339. The Bearpit (121)

I recently saw this fabulous piece by Decay in The Bearpit only a few days after I stumbled across an identical one in Shoreditch a few days earlier. I think that this is all part of a new approach to his work in 2018, and one which will be interesting to observe.

Decay, The Bearpit, Bristol, February 2018
Decay, The Bearpit, Bristol, February 2018

I am accustomed to seeing his abstract concentric rings in shades of red, grey, white and black with a small face at the centre, which I love, but I await with eagerness the direction his liberation will take.

Is anyone listening?

 

Clumsy with my words

they tumble in a vacuum

unheard and unloved.

 

by Scooj

  • The father of teenagers.

Slow worm

 

Neither slow nor worm

unkind lazy misnomer;

lizard without legs.

 

by Scooj

 

  • I’m having an uninspired day and so am republishing a haiku I wrote on April 28 2015 under the title Haiku 13.

1338. Cherry Lane (2)

Since Kleiner Shames moved to London I have really missed his extraordinary pieces. It would appear that he recently visited his hometown, and this is the second of his new pieces that I have found. I particularly like this one.

Kleiner Shames, Cherry Lane, Bristol, February 2018
Kleiner Shames, Cherry Lane, Bristol, February 2018

The writing as always spellls out FOIS, but it is the cowboy hat and eyes, giving character to the S that really grabs me. I have two of his pictures hangng in my home, which perhaps indicates how much I like his work.

1337. The Bearpit (120)

Situated at the end of one of The Bearpit tunnels is a nice wall, which recently has been a bit of a mess. Because of this, it is easy to miss this small piece in one corner of the wall. It is a rather nice stencil of a panda carrying a boogie box (does that date me?) on his shoulder by Bristol-based artist J. West.

J. West, The Bearpit, Bristol, February 2018
J. West, The Bearpit, Bristol, February 2018

I have not seen an awful lot of his work on the streets, but what little I have seen I like. I have said it many times before, but it is so worth keeping your eyes open and seeing what is around you…you never know you might just come across a boogie box panda.

J. West, M32 Spot, Bristol, October 2017
J. West, M32 Spot, Bristol, October 2017

1336. M32 roundabout J3 (68)

A wonderful new collaboration between Ryder and T-Rex which was part of an informal paint jam organised by Smak. Unfortunately many of the pieces sprayed on the Saturday were sprayed over by the Sunday. I think this one remains.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

This is quite a common format for this pair, with Ryder spelling out his name in the centre, and dinosaurs book-ending the writing. The orange and blue combination work nicely, especially on such a dull day. Ryder often inserts eyes and teeth into his letters to give them a bit more character.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

T-Rex’s T-rexs are always fun to see, and can be found all over the city. The one on the left has been painted running down the hill towards the letters, making really good use of the site.

Ryder and TRex, M32, Bristol, February 2018
Ryder and TRex, M32, Bristol, February 2018

Finally the dinosaur on the right is emerging from the bushes making a stealthy attack. Altogether this is a nicely executed and fun collaboration.

New hope

 

On hold no longer

Spring’s majestic arrival

cheers tired, jaded hearts.

 

by Scooj

1335. M32 Spot (15)

Laic217 is, as regular readers will know, one of my absolute favourite Bristol artists, and his work has been going from strength to strength over the last few years. One of the things that has really improved is how he creates textures on the clothes of his characters.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

In this piece the skeleton looks like he is wearing a fleece hoodie, with gentle folds and creases. The colour is outstanding, and lifts the whole thing…it’s in your face.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

Skeletons clutching spray cans is a speciality of Laic217 and although he does a lot of them, they are all quite different and it is difficult to tire of them. I think it is the combinations of colours that sets this piece apart from others.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

I first saw this piece piece in Instagram but couldn’t work out where it was. The cycle track that runs alongside the M32 has been closed off while construction work is going on, and this particular spot has become a bit of a cul-de-sac, which I only occasionally visit. I had to ask another photographer where it was…something I don’t like doing too much…it is a pride thing.

 

 

1334. Dean Lane skate park (112)

I said in a recent post that Biers has been busy recently, and this is a second piece of his from Dean Lane in a very short space of time, and he has done at least one more somewhere else since

Biers, Dean Lane, Bristol, February 2018
Biers, Dean Lane, Bristol, February 2018

I am not sure who the character in this piece is, ought I to know? Biers has gone for a large one here, taking up much of the long wall at Dean Lane, of course it is gone now, but I was pleased to be able to catch it. In my view this is one of the best pieces I have seen from Biers, the colours and contrasts are good and he has lovely clean lines around the piece.

Biers, Dean Lane, Bristol, February 2018
Biers, Dean Lane, Bristol, February 2018

I think one of the things I really like about his work is the style of his lettering, there is something unique about it, the B and the S being particularly special. I can’t really pretend to know too much about such things, but I know that I like this work. Now who is that gorilla-like character.

Doing a little bit of a Google search has led me to the character probably being from the Nintendo Wii game ‘Punch-out’. Not one I ever played. Glad I sorted that out because it was beginning to bug me. No Frills.