1791. Upfest 2018 (67)

Probably not seen by many visitors to Upfest because of its location, this magnificent piece by Dan Kitchener was sited on yet another of this year’s new walls. It has to be said that the Upfest organisers, led by Steve and Emma have done an incredible job with finding new locations for artists to paint.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

Although I had a map of where all the artists would be, I kind of stumbled upon Dan Kitchener at work. There were very few other visitors watching on, unlike some of the more central venues.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

I went back to the site  a week or two after Upfest to be sure that the scaffolding was down and only then could really appreciate the magnitude of this piece. I love Dan Kitchener’s work, and although the style is familiar, it is the little details in his pieces that I find so compelling.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

The night sky alight with neon signs in a Tokyoesque city and rain falling on the road and pavements that reflect the signs so beautifully. The whole thing is heaving with atmosphere, bustle, dampness and nighttime.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

For me though, my favourite bits are the individual characters under their umbrellas, and Dan Kitchener usually positions one of these closer to the foreground to provide a focal point for the scene. An absolute masterpiece.

1790. Upfest 2018 (66)

Often humorous and always tinged with a bit of edge, John D’oh’s stencils can be found on walls all around Bristol (and Cheltenham) and of course at Upfest. This year’s ‘official’ piece was a double-header, the first part of which was a witty corruption of the Infinite Monkey Theory.

John D'oh, Upfest, Bristol, July 2018
John D’oh, Upfest, Bristol, July 2018

The second board is another pithy pop at Brexit, featuring Noel Edmond’s Deal or no Deal as its headline. I absolutely love these topical political stencils, and look forward to his injects about the place.

Street art and Graffiti, John D'oh, Bristol, October 2018
Street art and Graffiti, John D’oh, Bristol, October 2018

Coincidentally, his new book arrived yesterday and I can’t recommend highly it enough, it is one of the best graffiti/street art books that I have read in a while, intelligently written and full of photographs and commentary on his own work. Brilliant.

1789. Upfest 2018 (65)

What a wonderful clean and colourful piece by Bristol-based Zase. There is rather a nice little story going on in this piece, and I love the sketch on the floor of the 3D writing of the artist’s name that appears on the right hand side of the piece.

Zase and Dekor, Upfest, Bristol, July 2018
Zase and Dekor, Upfest, Bristol, July 2018

Zase has been painting solo for a little bit as his collaborator Dekor returned to his homeland for a while. It looks like this is by both of them, or at least it is signed by both on the bottom left-hand side of the piece, so maybe Dekor is back on the scene again. There is a serenity and maybe sadness about the piece, which is certainly one of my favourites of the festival. Oh yeah, and if you wanted evidence of the rain we had, the picture above is a little on the watery side…grrrrr.

1788. Upfest 2018 (64)

A rather saucy work from Dirtystreetart raised a few eyebrows, including mine, at Upfest this year. It complemented the pieces to the left (Guts) and to the right (Decay) by adopting the name badge as its central theme. A lot of artists do this and I have a whole load of  ‘Hello my name is…’ photographs in my archive.

Dirtystreetart, Upfest, Bristol, July 2018
Dirtystreetart, Upfest, Bristol, July 2018

I do rather like this although I am a little puzzled by the overall message of the piece. I think that Dirtystreetart is from Cheltenham and has collaborated in the past with his friend Decay. It is also possible that SF Crew (Super Fresh) is this same pairing.

Decay and Dirtystreetart, The Bearpit, Bristol, November 2017
Decay and Dirtystreetart, The Bearpit, Bristol, November 2017

1787. Upfest 2018 (63)

My oh my this is a very fancy stencil indeed by the incredible RTC from Cheltenham. You would have been hiding under a rock not to know that the subject of this piece is film director Tim Burton surrounded by some of his creations – besides which, just in case we didn’t know, attributes a quote to Burton at the bottom of the piece. “One person’s craziness is another person’s reality“.

RTC, Upfest, Bristol, July 2018
RTC, Upfest, Bristol, July 2018

I cannot imagine just how long it must take to prepare this multi-layered stencil, which has such amazing fine detail, but it is all utterly worth it. I can only gaze on in disbelief. Bravo! champion of the art of stencilling.

I had a go at spotting all the films in the piece…

Batman – Mars Attacks – Edward Scissorhands – The Nightmare Before Christmas – Sleepy Hollow – Alice in Wonderland – Beetlejuice.

1786. Upfest 2018 (62)

I might have mentioned before that there were a lot of shutter pieces at this year’s Upfest and this mysterious piece is by French artist Kaldea Nakajima. I don’t know too much about her or her work, but have found her creative website that hosts some of her work.

Kaldea, Upfest, Bristol, July 2018
Kaldea, Upfest, Bristol, July 2018

I rather like this female portrait with octopus-like tentacles for hair, and a wonderful halo signifying what I’m not quite sure. The lips are very Japanese, and I wonder if there is some influence there, judging from her surname. Altiogether an unusual and calming piece.

1785. Upfest 2018 (61)

This might be the most high-profile piece at Upfest 2018 and was possibly the most photographed wall of the festival. It is by the outstanding duo Nomad Clan whose fisherman and octopus wowed visitors at last year’s event.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

This piece combines two themes for the festival in a beautiful way; The Simpsons and Bristol Women’s Voice celebrating 100 years of the first women getting the vote. Lisa Simpson is the perfect choice as a champion for women and I think this piece is entitled #bemorelisa. All walls have to start somewhere and this one starts with a grid.

The whole thing took about three days to complete and is a real tour de force from Nomad Clan. They really do excel at these large walls and seem to have the capacity to paint them with such apparent ease.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

It is easy to see just why this was such a popular piece at the festival from the sheer scale, but for me it is the Lisa Simpson that leaps out, there is something about her face and eyes that works for me.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

I am not sure who the other character is, but with the loud hailer, it is obvious that this is all about Women’s voice. An impressive work, although I am probably more fond of last year’s piece.

Nomad Clan, Upfest, Bristol, July 2017
Nomad Clan, Upfest, Bristol, July 2017

 

 

1766. Upfest 2018 (60)

There were a few wheatpasters at Upfest this year that were completely new to me, including Mini Gabi who created this fun piece, I think on North Street. Having done just a little bit of research on Mini Gabi, she certainly seems to be well established and has an excellent website and biography that you can find here.

Mini Gabi, Upfest, Bristol, July 2018
Mini Gabi, Upfest, Bristol, July 2018

I like the Sex Pistols reference with a soft take on it with the words ‘I just want to be me’. There are some similarities with Phoebe New York, not so much in style, but more in creating a fictional character to be pasted about the place. Another similarity is in the inclusion of contemporary quotes or short phrases. The artist is actually called Gabi Almeida, but for this blog I shall be calling her Mini Gabi, because it makes sense to me. There might be more of these to follow.

1765. Upfest 2018 (59)

This was not the main piece by Si2 (Hull Graffiti) at Upfest this year, but a lovely gift to leave behind. Si2’s wheelie bins can be found all over the place, generally wherever the artist has been. To get a utility box thrown in for good measure is an extra treat.

Hull Graffiti, Upfest, Bristol, July 2018
Hull Graffiti, Upfest, Bristol, July 2018

Si2 has a great knack for creating deep shadows on his monster faces that give them a texture and almost 3D feel to them. The strong prime colours might also help them to stand out. You would have a heart of stone not to raise at least a small smirk on seeing these creations.

Hull Graffiti, Upfest, Bristol, July 2018
Hull Graffiti, Upfest, Bristol, July 2018

I was not 100 percent convinced my his official piece this yer, but will need to take anothert look before writing a post about it. These are however, delightful.

1764. Upfest 2018 (58)

Some readers will know that Dice 67 is one of my favourite artists and that I have been really enjoying his transition from stencil artist to freehand and from practitioner to festival organiser – an inspirational artist and one I was fortunate enough to interview in this post published in July last year.

Dice 67, Upfest, Bristol, July 2018
Dice 67, Upfest, Bristol, July 2018

This striking piece features American teenager Alyssa Carson who is working towards being one of the first astronauts to journey to Mars some time in the 2030s. I have watched a couple of videos of her, and her youthful ambition is inspiring.

Dice 67, Upfest, Bristol, July 2018
Dice 67, Upfest, Bristol, July 2018

Dice 67 is creating some outstanding work and this piece is probably my favourite freehand work to date. The proportions on the board work well and the feeling of space to the left of Alyssa is cleverly done. I love the quote…

Always follow your dream and don’t let anyone take it away from you

…oh to be young again.