What a gorgeous, gorgeous piece of anamorphic graffiti writing from Lokey in the tunnel. It is of course another birthday tribute to Minto, and an absolute stunner at that. This particular paint jam certainly brought out the best in several artists.
Lokey, St Werburghs, Bristol, November 2025
Lokey doesn’t paint all that often which is rather a pity, because there is something aesthetically pleasing about his letter shapes, and his technique of crafting depth through light and shade. It is all very clever stuff and he is a master of his craft. A lovely piece.
Alex Arnell certainly provides something a little different with his alarming sketched characters, adding to the vast spectrum of artistic styles we get to enjoy on the streets of Bristol. This piece was one of several from a recent trip to Leonard Lane by the artist.
Alex Arnell, Leonard Lane, Bristol, October 2025
In this piece, the skeletal ghostly figure emerges from the existing artwork on the wall, and the flowers that were there have been incorporated into Alex Arnell’s character as eyes on a tilted head. I like it when artists incorporate the surroundings into their art. Clever work from the visitor.
It is obvious that two paint jams have been giving me plenty of material to write about; Dibz’ and Minto’s birthdays, I think both turned 50 this autumn. This Halloween Count Dracula piece by Jody was to celebrate Dibz half- century.
Jody, Cumberland Basin, Bristol, October 2025
As portrait pieces by Jody go, this one isn’t, in my view, his best, not because of the obvious quality, but because it somehow doesn’t quite sit right with me. It happens from time to time and I can’t explain it. Perhaps it is the cape, which could do with more texture and folds, or maybe the red lips… of course, I am being unbelievably picky, it is a great portrait piece by a superb artist.
For reasons that are too complicated to explain here, I don’t have my glasses with me this morning, which is making writing this post super-difficult and I am squinting, with a face like a bulldog chewing a wasp, while typing these words. Forgive any typos.
This is a superb combination piece by Biers painted to celebrate Minto’s birthday in the tunnel.
Biers, St Werburghs, Bristol, November 2025
The turnout for this paint jam was exceptional, covering most of the length of both walls of the tunnel with new celebratory pieces. The letters, WD40, are superbly filled with a cartoony design of lines and bubbles, and bordered with a fine black line. I feel like I should know who the character is, but I don’t. The whole thing is set on a brick wall, a common device used by graffiti artists. A really lovely piece by Biers, who might have just got his mojo back.
Another quick one. It is easy to forget, from his superb graffiti writing portfolio, that Werm, when he first started, used to paint a lot of characters, so to see him paint this excellent Halloween pumpkin character shouldn’t come as too much of a surprise.
Werm, Purdown, Bristol, November 2025
The concrete slab is the perfect shape for this piece, and is beautifully framed by its surroundings. The artwork itself is very neat and tidy, with brilliant depth created in the teeth especially. A very nice pumpkin piece.
Slim Pickings (Tes), St Werburghs, Bristol, November 2025
A super-quick post this morning. I am visiting my mother, and have been catching up leaving little time to write today’s posts. This is a lovely piece from Slim Pickings (Tes) in the tunnel for Minto’s birthday paint jam.
Slim Pickings (Tes), St Werburghs, Bristol, November 2025
Over the last year or two, Slim Pickings has been switching up his style, and breaking away from his familiar rounded letter style. This is a wonderful example of his variation, although, the cloudy background is more consistent with his typical style. So good to watch him evolve.
At first sight, this wide piece by Mr Draws looks a little confused, but look a little closer and you will see a compelling scene unfolding of four blue whales drifting gently across the wall.
Mr Draws, Dean Lane, Bristol, October 2025
Each of the whales has some red splodges and drips which I guess symbolise blood. They could be a reference to the savage whaling, so dominant in the 1970s when the International Whaling Commission stepped in and massively curtailed the hunting and slaughter, or could reflect other challenges our oceans face due to pollution and climate change. Powerful and evocative stuff from Mr Draws.
Rafat Oner, Cumberland Basin, Bristol, October 2025
2025 has without question been a year of visitors and new artists breaking onto the Bristol stage. Such an influx of talent is a reflection of Bristol’s street art culture and national/international reputation and is a blessing for me, although at times it can be a curse trying to track down who some of the artists are.
Rafat Oner, Cumberland Basin, Bristol, October 2025
This is a stunning combination piece by Rafat Oner, who came to celebrate Dibz’ 50th birthday and wrap up his tribute with a Halloween theme for good measure. The letters RAFAT are beautifully filled with a funky black and purple design and a double green and orange drop shadow, pulling in all the colours of Halloween. The black and white portrait of a girl is a little disturbing where her face distorts on the left. Two further creepy characters are emerging from the ground. All in all a wonderful piece with lots going on to admire.
By now, regular readers will know that I am very fond of the work of Creamylines and will note that I am thrilled by the uptick in his activity this year. This particular piece, underneath the busy M32 motorway, is a little larger than most of his work to date.
Creamylines, M32 Spot, Bristol, October 2025
Unusually, this piece is dominated by reds and purples, where many of his other pieces tend to be yellows, greens and blues. The piece is crammed full of people, eyes and mountains, all set below a glorious red rising sun, with his customary silhouetted birds. A piece full of connection with nature and our surroundings.
Creamylines, M32 Spot, Bristol, October 2025
On a column a few meters away, I found this small piece by Creamylines, which although dogged with graffiti that reads “Do you remember who you are?” “Everything and nothing”, gives us a sense of a slightly more refined work from the artist, which might have been painted with a brush rather than spray paints. All good work from the busy artist.
Posh’s work has been something of a revelation this year. He manages to maintain a house-style which is like an elaborate sketch/scribble with both his graffiti writing and his character pieces. He also has a knack for inserting his characters large or small into places, seemingly just for the hell of it.
Posh, St Werburghs, Bristol, October 2025
This piece features a couple of Posh’s finest caricature characters, with bow ties, top hats, canes and monocles. They represent the epitome of poshness, which is exactly what he is setting out to do and does so well. There is so much life in the piece, and we can only imagine what hollow conversation is going on between the pair. Great work by Posh.