1791. Upfest 2018 (67)

Probably not seen by many visitors to Upfest because of its location, this magnificent piece by Dan Kitchener was sited on yet another of this year’s new walls. It has to be said that the Upfest organisers, led by Steve and Emma have done an incredible job with finding new locations for artists to paint.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

Although I had a map of where all the artists would be, I kind of stumbled upon Dan Kitchener at work. There were very few other visitors watching on, unlike some of the more central venues.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

I went back to the site  a week or two after Upfest to be sure that the scaffolding was down and only then could really appreciate the magnitude of this piece. I love Dan Kitchener’s work, and although the style is familiar, it is the little details in his pieces that I find so compelling.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

The night sky alight with neon signs in a Tokyoesque city and rain falling on the road and pavements that reflect the signs so beautifully. The whole thing is heaving with atmosphere, bustle, dampness and nighttime.

Dan Kitchener, Upfest, Bristol, July 2018
Dan Kitchener, Upfest, Bristol, July 2018

For me though, my favourite bits are the individual characters under their umbrellas, and Dan Kitchener usually positions one of these closer to the foreground to provide a focal point for the scene. An absolute masterpiece.

1790. Upfest 2018 (66)

Often humorous and always tinged with a bit of edge, John D’oh’s stencils can be found on walls all around Bristol (and Cheltenham) and of course at Upfest. This year’s ‘official’ piece was a double-header, the first part of which was a witty corruption of the Infinite Monkey Theory.

John D'oh, Upfest, Bristol, July 2018
John D’oh, Upfest, Bristol, July 2018

The second board is another pithy pop at Brexit, featuring Noel Edmond’s Deal or no Deal as its headline. I absolutely love these topical political stencils, and look forward to his injects about the place.

Street art and Graffiti, John D'oh, Bristol, October 2018
Street art and Graffiti, John D’oh, Bristol, October 2018

Coincidentally, his new book arrived yesterday and I can’t recommend highly it enough, it is one of the best graffiti/street art books that I have read in a while, intelligently written and full of photographs and commentary on his own work. Brilliant.

1789. Upfest 2018 (65)

What a wonderful clean and colourful piece by Bristol-based Zase. There is rather a nice little story going on in this piece, and I love the sketch on the floor of the 3D writing of the artist’s name that appears on the right hand side of the piece.

Zase and Dekor, Upfest, Bristol, July 2018
Zase and Dekor, Upfest, Bristol, July 2018

Zase has been painting solo for a little bit as his collaborator Dekor returned to his homeland for a while. It looks like this is by both of them, or at least it is signed by both on the bottom left-hand side of the piece, so maybe Dekor is back on the scene again. There is a serenity and maybe sadness about the piece, which is certainly one of my favourites of the festival. Oh yeah, and if you wanted evidence of the rain we had, the picture above is a little on the watery side…grrrrr.

1788. Upfest 2018 (64)

A rather saucy work from Dirtystreetart raised a few eyebrows, including mine, at Upfest this year. It complemented the pieces to the left (Guts) and to the right (Decay) by adopting the name badge as its central theme. A lot of artists do this and I have a whole load of  ‘Hello my name is…’ photographs in my archive.

Dirtystreetart, Upfest, Bristol, July 2018
Dirtystreetart, Upfest, Bristol, July 2018

I do rather like this although I am a little puzzled by the overall message of the piece. I think that Dirtystreetart is from Cheltenham and has collaborated in the past with his friend Decay. It is also possible that SF Crew (Super Fresh) is this same pairing.

Decay and Dirtystreetart, The Bearpit, Bristol, November 2017
Decay and Dirtystreetart, The Bearpit, Bristol, November 2017

1787. Upfest 2018 (63)

My oh my this is a very fancy stencil indeed by the incredible RTC from Cheltenham. You would have been hiding under a rock not to know that the subject of this piece is film director Tim Burton surrounded by some of his creations – besides which, just in case we didn’t know, attributes a quote to Burton at the bottom of the piece. “One person’s craziness is another person’s reality“.

RTC, Upfest, Bristol, July 2018
RTC, Upfest, Bristol, July 2018

I cannot imagine just how long it must take to prepare this multi-layered stencil, which has such amazing fine detail, but it is all utterly worth it. I can only gaze on in disbelief. Bravo! champion of the art of stencilling.

I had a go at spotting all the films in the piece…

Batman – Mars Attacks – Edward Scissorhands – The Nightmare Before Christmas – Sleepy Hollow – Alice in Wonderland – Beetlejuice.

1785. Upfest 2018 (61)

This might be the most high-profile piece at Upfest 2018 and was possibly the most photographed wall of the festival. It is by the outstanding duo Nomad Clan whose fisherman and octopus wowed visitors at last year’s event.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

This piece combines two themes for the festival in a beautiful way; The Simpsons and Bristol Women’s Voice celebrating 100 years of the first women getting the vote. Lisa Simpson is the perfect choice as a champion for women and I think this piece is entitled #bemorelisa. All walls have to start somewhere and this one starts with a grid.

The whole thing took about three days to complete and is a real tour de force from Nomad Clan. They really do excel at these large walls and seem to have the capacity to paint them with such apparent ease.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

It is easy to see just why this was such a popular piece at the festival from the sheer scale, but for me it is the Lisa Simpson that leaps out, there is something about her face and eyes that works for me.

Nomad Clan, Upfest, Bristol, July 2018
Nomad Clan, Upfest, Bristol, July 2018

I am not sure who the other character is, but with the loud hailer, it is obvious that this is all about Women’s voice. An impressive work, although I am probably more fond of last year’s piece.

Nomad Clan, Upfest, Bristol, July 2017
Nomad Clan, Upfest, Bristol, July 2017

 

 

1784. Waterloo Place (3)

Adjacent to the Sofa Project back yard is another yard that is a bit of a street art goldmine. First up from this little backwater is this gorgeous piece by Voyder, characteristically sharp and of very high quality.

Voyder, Waterloo Place, Bristol, October 2018
Voyder, Waterloo Place, Bristol, October 2018

With a vanishing point somewhere behind the lettering this piece stands out from the wall and the flash across the middle gives the impression of a reflective band of sunlight as if the piece is being tilted side to side. Now sunlight…that would make a refreshing change. Beautiful piece of writing as always.

1783. Waterloo Place (2)

I was first alerted to this Kleiner Shames piece on Instagram, but from the pictures I saw I just couldn’t get the location. In the end I had to message one of my street art buddies to find out where it was…which looking at it now with hindsight is blooming obvious. There is a charity in Bristol called the SOFA Project (Shift Old Furniture Around) which has two locations one of which, the Old Market store, has a walled yard where this piece is sprayed. The charity sells on old furniture, donated locally, to those less able to afford new furniture. A worthy venture.

Kleiner Shames, Waterloo Place, Bristol, October 2018
Kleiner Shames, Waterloo Place, Bristol, October 2018

On to this stunning piece by my favourite ex-Bristol artist, Kleiner Shames. Most of his wall work is writing, with the odd exception, and he tends to spell out the letters FOIS which spells out ‘time’ in french. The lettering here is so easy on the eye and beautifully designed. Every time I see pieces like this I feel there must be an element of art deco architectural influence going onm, or at least that is what it looks like to me. This is a very fine piece indeed.

1782. St Werburghs tunnel (44)

So back we go now to St Werburghs tunnel where we find another Face 1st piece, this time it is just the face and hair which has a leaf-like appearance. I think the hair might spell Face, as in other works by the artist, but I fear I am losing my grasp a little and see writing in things where there is none.

Face 1st, St Werburghs, Bristol, October 2018
Face 1st, St Werburghs, Bristol, October 2018

I think that Face 1st tends to do a couple of these at a time when there is a paint jam in the tunnel, because there always seems to be something by him in there at any one time. This piece features his commonly used purples and pinks which often dominate his colour palettes.

1781. Thomas Street (2)

On the same recently erected hoarding in Thomas Street where Sled One sprayed his banana piece, is this wonderful organic piece of wildstyle writing from Ments. Normally Ments writes his name, but this piece is so cryptic that although I suspect it says his name I can’t quite make it out, other than an S at the end.

Ments, Thomas Street, Bristol, October 2018
Ments, Thomas Street, Bristol, October 2018

I have always liked the work of Ments because it is so different from pretty much all the rest of the writers in Bristol, usually adopting this mystical, swirly, other-worldly style. His colours often incorporate these purples and oranges. The note ‘Save Hamilton House’ refers to a campaign to protect a building just across the other side of the main road which is at risk of demolition and redevelopment. There are many local studios for artists and the like in Hamilton House and redevelopment would break up this very tight community in Stokes Croft.