1282. The Bearpit (117)

I had to wait a little while to take this picture by Mr Draws because a street cleaner had decided to park his cart in front of it for what seemed like an inordinately long time. The work looks like a bit of a quick one that incorporates two common elements Mr Draws uses in his pieces – letters making up his name and his beloved mountains.

Mr Draws, The Bearpit, Bristol, January 2018
Mr Draws, The Bearpit, Bristol, January 2018

I think it has to be said that this is not his finest work, but I don’t think that it matters too much, as he is continuously learning and developing his style and techniques. Not everything he tries to do will necessarily be his best yet. I do like his work very much and enjoy seeing what he does next.

1281. Stokes Croft corner wall (5)

The space underneath the iconic stinkfish portrait of a girl has been occupied by a Deamze piece for a long while, up until a couple of weeks ago when this wonderful PWA collaboration appeared in this well known spot.

Face F1st and Unknown, Stokes Croft, Bristol, January 2018
Face F1st and Unknown, Stokes Croft, Bristol, January 2018

I like this piece a lot – there is just something about it. Face F1st has provided bookends to another artist, unknown to me, who produced the central part. This is a lovely clean piece and the colour pallette is very easy on the eye, and in stark contrast with the yellow and black above.

Unknown from PWA, Stokes Croft, Bristol, January 2018
Unknown from PWA, Stokes Croft, Bristol, January 2018

Sadly, this piece lasted less than two weeks, so I am really pleased that I captured it. I wonder if in creating this, the artists inadvertently opened up the wall for business, where before, when Deamze occupied the space, it was respectfully left alone. Rules and no rules…it is too confusing.

1280. Dean Lane skate park (106)

Well what a splendid piece this is by Ugar, who is appearing more and more in my posts these days. The letters, in white, spell out URAG, a little bit of fun. I am attracted to his style of writing, and particularly to his imaginative range of fills he uses for the letters.

Ugar, Dean Lane, Bristol, January 2018
Ugar, Dean Lane, Bristol, January 2018

As time goes on, this young artist seems to be gaining in confidence, bit with the pieces he is producing and with the locations he is choosing. I will be following his progress with interest.

1279. Stokes Croft

Where would we be without occasional political and philosophical outbursts from the passionate Object…? In this piece Object…reflects on a quotation attributed to Leonardo da Vinci and his commitment to vegetarianism.

Object..., Stokes Croft, Bristol, January 2018
Object…, Stokes Croft, Bristol, January 2018

On the right hand side of the piece he has drawn up a Vitruvian man and placed into his torso various animals and a fish. This is a provocative and principled piece, especially as it is daubed on the hoarding outside what used to be the Meat Liquor restaurant.

Object..., Stokes Croft, Bristol, January 2018
Object…, Stokes Croft, Bristol, January 2018

I like the piece, which is so typical of Object…’s work and so it is a pity to report that it has been ruined by somebody who obviously disagrees with his opition. Object… does retort with the point that you don’t have to destroy somebody’s work to disagree with them. I am with Object… on this one.

1278. Raleigh Road vector (21)

The covers are coming off the scaffolding at this site, which means that the hoardings will probably be coming down soon too, which is a pity, because this is a top spot for street artists. I suppose hoardings are by their very nature temoporary, so we should be thankful fot the opportunity.

Sled One, Raleigh Road, Bristol, January 2018
Sled One, Raleigh Road, Bristol, January 2018

This is another extraordinary piece by Sled One, who appears to be hitting the streets quite hard over the winter period. Sled One has offered us another masterclass in character wildstyle writing, where it is possible to make out the letters SLED, however I am less certain that I am able to unpick all the intricate stuff going on in the piece. There is so much detail to wade through. The main part of the story is in the letter D.

Sled One, Raleigh Road, Bristol, January 2018
Sled One, Raleigh Road, Bristol, January 2018

There is a skull-like character consuming something, but it is all a bit odd and surreal. Sled One has a fertile imagination, and supreme skill to be able to commit it to a wall with such fine craftsmanship. Another great work from the young artist.

1277. Dean Lane skate park (105)

I have held on and held on to this collaboration for such a long time, because I was determined not to post it until I found out who worked on it with Dibz. Then I met Ulow a few weeks back (see my post about his Boba Fett piece) and was able to complete the puzzle.

Dibz, Dean Lane skate park, Bristol, July 2016
Dibz, Dean Lane skate park, Bristol, July 2016

The Dibz half of the collaboration was fairly easy to identify because I am familiar with his work and he sprays Dean Lane often enough for me to know his stuff when I see it. His writing here is very nice indeed and has quite a deep yellow border which sets it up beautifully.

Ulow, Dean Lane skate park, Bristol, July 2016
Ulow, Dean Lane skate park, Bristol, July 2016

The character half of the collaboration is by Ulow, and is something quite different. Set on a moody sunset skyline, a breakdancer entertains us with his contortions. The orange glow reflecting off the folds of his clothes is masterful work.

Ulow, Dean Lane skate park, Bristol, July 2016
Ulow, Dean Lane skate park, Bristol, July 2016

Like so many pieces at Dean Lane, this one didn’t last long, but it was a real peach.

1276. Wilder Street (22)

This is an unusual pice of writing from Ryder. I don’t think it is the writing itself that is unusual, rather it is the bare wood hoarding behind it. Usually a backwash is applied to make the piece stand out on a single colour. Not only does this piece ignore such things, it also spans around a concrete pillar.

Ryder, Wilder Street, Bristol, May 2016
Ryder, Wilder Street, Bristol, May 2016

Ryder is a fine Bristol writer, who I was slow to pick up on and appreciate, but I am a fan of his work now. This one does look a bit like a jelly though, all sort of wibbly wobbly, and the shading has a kind of electric/cosmos feel to it. Unusual.

1275. M32 roundabout J3 (63)

This is a cracking January piece by Smak of Read and Weep (RAW). Alongside a nice piece from Elvs, this fabulous example of wildstyle writing really showcases the technical art involved to create great graff.

Smak, M32 roundabout, Bristol, January 2018
Smak, M32 roundabout, Bristol, January 2018

With a little bit of training you can read the work SMAK, but it is all tghat surroubnds the letters that makes this piece stand out. the two predominint colours alternating through the piece, freat shadows and shading and a pleasing symetry to the whole work. One of Bristol’s best writers.

In a flap

 

Disturbed from their ledge

pigeons scatter then settle;

a daily pattern.

 

by Scooj

1274. The Bearpit (117)

In the partial light of one of the tunnels leading out of The Bearpit a little while back, there was this rather lovely collaboration between Kid Crayon and Ugar. I had caught up with Ugar a few days later and he talked about his collaboration partner most fondly and touchingly called him Crayon Kid. Well it works for me.

Kid Crayon, The Bearpit, Bristol, November 2017
Kid Crayon, The Bearpit, Bristol, November 2017

It is not often that Kid Crayon takes to writing, but I guess this was one of those days. What is lovely about his piece here is that he has included his signature crayon, which has been missing (and much missed) of late.

Ugar, The Bearpit, Bristol, November 2017
Ugar, The Bearpit, Bristol, November 2017

I am really enjoying finding Ugar pieces around the place. As a relatively new entrant into the Bristol scene, his work adds to the incredible diversity of street art that the city has to offer. He mostly works with the letters of his name, although not always, and here gives us an UG, beautifully filled and decorated. Nice collaboration.