6659. Sparke Evans Park (115)

Kool Hand and Werm, Sparke Evans Park, Bristol, January 2025
Kool Hand and Werm, Sparke Evans Park, Bristol, January 2025

I am tired, really tired. Returning to work from a week on leave is tough, and expectations on me are high. Over the Christmas period, I was informed that I would be ‘on loan’ to another team for 2 days a week. I was given no clear instruction, there was no discussion, and today I will be finding out what the tasks expected will be. I am unhappy about the situation, and it is causing me all sorts of unnecessary anxiety, but I will of course be professional and try to do the best job I can. My biggest concern is that I was already working at maximum capacity, and I am worried about the work I will have to drop, and the ‘clients’ I will have to let down. On a more cheery note (thank God I have street/graffiti art to lean on) here is a fine Christmas collaboration from Kool Hand and Werm.

Kool Hand, Sparke Evans Park, Bristol, January 2025
Kool Hand, Sparke Evans Park, Bristol, January 2025

A frosty, cold background is a fine setting for both pieces, and Kool Hand has gone for some big KOOL letters which are nicely filled and have some snowy white accents to give a little bit of a 3D perspective. Very festive.

Werm, Sparke Evans Park, Bristol, January 2025
Werm, Sparke Evans Park, Bristol, January 2025

Werm presents his letters in the symmetrical form he has been painting throughout 2024, but it is the festive colour selection that is the talking point of this piece. The two-red colour stripes are slightly reminiscent (consciously or otherwise) of Christmas candy sticks, and the green 3D drop shadow completes the holiday mood. Some nice star bursts complete the piece very nicely indeed. A good Christmas piece in a year when there were fewer than usual around the city.

6647. Peel Street Green (36)

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

Werm has had a very good year in 2024, and tried out several new variants of his letters, sticking with some and abandoning others. This was a particular theme that saw him through most of the year, crafting the letters WERM into a bilaterally symmetrical pattern.

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

This one looks like it might have suffered a little at the hands of the weather, or the background wasn’t fully applied, which is a pity, because it distracts a little from the writing itself, demonstrating why backgrounds can be so important. It’ll be interesting to see if Werm moves on from this style in 2025.

6613. River Avon (69)

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm has an amazing capacity to concentrate on a particular style of lettering, focussing on that style for a period of time, and then trying something new and moving on, it feels like restlessness settles in after a few months and new challenges await. This is a wonderful piece that is new to me, and differs from his bilateral symmetry work that has been his hallmark for the last four months or so.

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm paints on this stretch of wall a lot, and many of his older pieces are on display here, it is a bit of a Werm gallery. The colours in this piece work incredibly well together, and the shape and form of the letters with some interlocking between them is a new and exciting aspect. I look forward to seeing whether this is a new phase of design that Werm will be adopting, or whether it is a one-off.

6580. Sparke Evans Park (110)

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The Sparke Evans Park wall tends to look rather nice in the autumn and winter, with the browns and golds of the leaf litter beneath it. These colours provide a nice backdrop, and consciously or otherwise, this piece by Werm has picked up on those seasonal surroundings. The other good thing about this wall in the duller months is that it is possible to photograph it without shadows from trees being cast, resulting in horrible dappling.

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The writing, spelling out WERM, is one of the best examples of bilateral symmetry in writing you are likely to see. The symmetry becomes even easier to make out because of the colour regimes Werm has selected, breaking it down into sections, thus making it easier for the eye to make comparisons. The dark green background is just right too. Nice work.

6540. M32 roundabout J3 (640)

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

I find myself sitting on a Great Western train on my way to London to get to a football match between the mighty Arsenal and Nottingham Forest. The journey has provided me with the gift of time that I don’t get too much of these days, and I am enjoying every second. I am even pushing the boat out with the third street art post of the day, something I am finding increasingly difficult to do.

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

This wonderfully symmetrical piece by Werm is typical of his style at the moment, and one in which I think he is hitting his best form. The letters in a script-like pattern spell WERM and are filled with two shades of orange. The drop shadow is dark blue and the border green. I feel instinctively that these colours shouldn’t really work well together, but somehow they do. In true graffiti writing style, Werm has included plenty of shout outs around the perimeter of the piece.

6444. River Avon (66)

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.

6435. Dean Lane skate park (766)

Zake and Werm, Dean Lane, Bristol, September 2024
Zake and Werm, Dean Lane, Bristol, September 2024

I wrote in a post recently that Zake appears to be at his happiest when he is collaborating with others, and here he is teaming up with Werm to create this integrated collaborative piece in the Deaner. Worm’s symmetrical writing has been somewhat disrupted by a mouthwatering (literally) cartoon portrait piece by Zake.

Zake and Werm, Dean Lane, Bristol, September 2024
Zake and Werm, Dean Lane, Bristol, September 2024

The colours are all a bit muted because I took the photograph in the late afternoon, and the wall was in the shade. Sometimes collaborations like this don’t work too well, because the elements don’t integrate very well, but in this instance I think the pair have done really well here and the whole is greater than the sum of the parts. Nice work.

6426. Brunel Way (296)

Werm, Brunel Way, Bristol, September 2024
Werm, Brunel Way, Bristol, September 2024

Sometimes wildstyle graffiti writers can be guilty of overthinking their work, and I feel that Werm went through a phase where he did just that, and while his pieces were technically awesome, they were, for my taste, just a little too over-complex.

Werm, Brunel Way, Bristol, September 2024
Werm, Brunel Way, Bristol, September 2024

This one is a recent work in a series of bilaterally symmetrical graffiti writing pieces that Werm has been focussing on. He tends to work in themes and ideas which he runs with for six months or so, and then moves on to some new concept, constantly evolving and improving. The colours palette is very ‘Wermy’, and by that I mean contains reds and cream, which he uses a often as a combination. This is a nice piece, and well worth buffing the wall to provide a clean background.

6352. St Werburghs tunnel (442)

Kool Hand and Werm, St Werburghs, Bristol, August 2024
Kool Hand and Werm, St Werburghs, Bristol, August 2024

I have so much catching up to do, particularly in respect of Kool Hand, who has been trotting out pieces throughout the year, but doesn’t make it into Natural Adventures nearly as much as he should. This is a lovely collaboration between Kool Hand and Werm painted in the tunnel not so long ago.

Kool Hand, St Werburghs, Bristol, August 2024
Kool Hand, St Werburghs, Bristol, August 2024

The dog character painted by Kool Hand, I would guess is a female character on the account of the lipstick, long nails and hoop earring, although I guess it could be a cross-dressing or drag dog. He/she/they is spraying the adjacent piece by Werm, a common device in street art.

Werm, St Werburghs, Bristol, August 2024
Werm, St Werburghs, Bristol, August 2024

Werm is continuing with his newest design incarnation, which presents the letters WERM in long interlocked lettering that uses bilateral symmetry as a clever presentation of his letters, similar to the symmetry common in Hypo’s work. I think it works very well and disguises the letters perfectly. There is a deep stripy 3D drop shadow that helps the piece to pop a little. Nice work from the Bristol duo.

6298. Cumberland Basin

Werm, Cumberland Basin, Bristol, August 2024
Werm, Cumberland Basin, Bristol, August 2024

I like the way that Werm is constantly trying to find new ways to present his letters, and explores different looks, while retaining his essential style. This piece takes him into the realms of bilateral symmetry of his letters WERM, which works surprisingly well.

Werm, Cumberland Basin, Bristol, August 2024
Werm, Cumberland Basin, Bristol, August 2024

The letter colours contrast strongly with the green background, helping the piece to stand out… it will not be ignored. There is something quite mesmerising about the symmetry, and I like the direction this idea is taking. The left-hand side is stretched a little bit, knocking the symmetry out a fraction, but this is all something that Werm can work on and improve. Great new innovation from Werm.