Logoe has been back in town recently and produced a couple of outstanding pieces. Nobody does script graffiti writing quite as well as Logoe does and this piece on the roundabout is a beauty.
Logoe, M32 roundabout, Bristol, October 2026
The main fill of the lettering is a gorgeous metallic copper which sits alongside a deep red drop shadow, which sets the whole piece off in the right direction. There is a rhythm and flow to the piece which is so easy on the eye. The scattering of spots adds life and interest. A supreme example of logoe’s work.
Eight thousand street art and graffiti posts, and still going strong. This was never planned, I just kind of fell into it. I haven’t lost my appetite for documenting the amazing street art culture in Bristol, and only occasionally don’t feel like writing a blog post – most of the time it is and has been a great pleasure and privilege. It seems appropriate that Fade, one of the Natural Adventures regulars, should feature today.
Fade, Cumberland Basin, Bristol, October 2026
This is a super-tidy piece by Fade, his letters designed and filled to perfection, with a great pink drop shadow and yellow border. The purple and pink background has a bit of a lava lamp look to it – something quite retro. A fine piece painted alongside Peggy and Jody.
This is an outstanding collaboration from Dibz and visiting artist Jenks. I understand from reading Jenks’ Instagram post that this is their take on the Big Pun, Capital Punishment album cover (not something I would have known – being ignorant of such things). The writing is by Dibz and the portrait by Jenks.
Dibz and Jenks, Dean Lane, Bristol, October 2026
I have a feeling that this piece might have been painted on the same day as the large Street Fighters piece I posted yesterday. The portrait is a skilled piece of work and a faithful reprodiction of the album, and of course Dibz’ writing says tthe words ‘capital punishment’ in his own stunning style. You can see what the album cover actually looks like below.
I would suggest that over the last year or so, Minto has had the most productive and high-profile period since his return to Bristol. Barely a week goes by without one of his deconstructed, elemental pieces appearing on some wall somewhere.
Minto, Cumberland Basin, Bristol, September 2026
Minto has recently taken rather a liking to using a black backdrop for his pieces, perhaps because it helps to pick out each of the little components that make up his letters MINTO. This is a very busy piece with so much going on, and so many colours and shapes, all of which contribute brilliantly to the whole. Fine work from Minto.
Shade One, Fade, Jody, Jenks, Sikoh, Dibz and Rusk, Dean Lane, Bristol, September 2026
However hard I try, I am not going to be able to do this large production wall justice. So many artists and so much quality on show in one themed piece. The artists, some of the finest around, are Shade One, Fade, Jody, Jenks, Sikoh, Dibz and Rusk, who has recently celebrated his 50th birthday. The piece is a throwback reminiscence of the video game Street Fighter (humorously labelled Street Writerz above the piece).
Shade One, Dean Lane, Bristol, September 2026
Starting with the left-hand side, Shade One portrays the character E Honda in this outstanding portrait, painted in greyscale apart from the red striped on his face. A stunning piece augmented with a fine silhouetted scene.
Fade, Dean Lane, Bristol, September 2026
Next up, is the character Dhalsim, rising high above some fiery letters by Fade. I cannot be certain who from this collaboration painted the character – perhaps someone out there could fill me in. Few, if any, of the elements were individually signed, so it is difficult to put names to all of them.
Jody, Dean Lane, Bristol, September 2026
In the centre of the collaboration is another outstanding character piece, this time by Jody, who has faithfully recreated Chun Li striking a fighting pose. Brilliantly done.
Jenks, Sikoh, Dibz and Rusk, Dean Lane, Bristol, September 2026
Moving further along the wall several characters come in to view. At the top left is Zanghief, holding a spray can (why not), possibly by Jenks. Below that is some bone writing and the head of Blanka, which I think might be by Sikoh. Top right is writing from Dibz spelling out Guile, another character from the video game, and rounding off the piece Ryu by Rusk.
Rusk, Dean Lane, Bristol, September 2026
That last character fits nicely onto one frame so Rusk gets a second mention in this post. While this is one of the most dynamic themed production collaborations I have seen, it has been a bit of a tricky one to attribute elements to artists. My apologies if I have got any of this wrong. Superb piece, which I imaging will be around for quite some time.
Weas(el) continues to scatter his mega tags all over the city, but in the last year or two has been increasing the frequency of his longer-form graffiti writing. His letters tend to be written in a thin script format, and I am assuming that this tribute piece is one of his.
Weas, River Avon, Bristol, September 2026
I am a little confused by the messaging in this piece. My thought is that it is a tribute to Vulchar by Weas, but I might be way off the mark, and the more I look at this piece, the more I am doubting myself. So I am going to leave it as a tribute piece by someone, possibly Weas, for Vulchar down by the River Avon.
It would appear that Biers’ flirtation with writing the letters RABIES is over, at least temporarily, and he has for the last few pieces reverted to writing WD40. He seems to be much happier these days and is out and about painting more often.
Biers, Cumberland Basin, Bristol, October 2026
There is an awful lot going on in this piece. His irregular letters/numbers are beautifully filled and outlined. Interestingly, his black drop shadow appears to veer upwards, leftwards and downwards, an unusual effect. A yellow floating border picks out the letters and separates them from an attreactive red and orange backdrop. Lots of circles throughout. A fine piece from Biers.
In using contrasting colours to the orange painted wall, Mage has managed to make his letters stand out on this wall formerly occupied by 210. It has to be said that Mage is painting like a man possessed, and not only in the quantity of pieces he is turning out, but also in their quality and creativity.
Mage, Peel Street Green, Bristol, October 2026
Mage is a graffiti writer completely at ease with his letter shapes, which remain reasonably consistent from piece to piece. It is the fills where his creativity comes in to play, and here he has painted a dazzling fill design with blended colours and soft lines, looking like a pile of boulders. The orange patterns add to the appearance, although it would have probably looked just as good without them. A seriously great piece of writing.
Kool Hand, Werm, Zake and Hire, Dean Lane, Bristol, October 2026
I’m glad I caught this bright and cheerful collaboration, because it didn’t last very long, indeed nothing much lasts too long on this particular wall in Dean Lane. It is great to see Kool Hand, Werm and Zake teaming up, with a guest appearance from Hire as a bonus.
Kool Hand, Dean Lane, Bristol, October 2026
To the left of the collaborative wall, Kool Hand has painted a very crisp, neat and tidy leopard holding a spray can. This fellow has a great tail and even a well painted pair of wings. The cherub theme is central to this collaboration.
Werm, Dean Lane, Bristol, October 2026
Next up is a superb piece of symmetrical writing by werm, although the colours are not quite symmetrical, with two different shades of red used in the drop shadow. a green spotty background decorates the margins, and the white buffed wall helps all the components of the collaboration stand out.
Zake and Hire, Dean Lane, Bristol, October 2026
The cherubim theme comes into full force with a grotesque cherub on the left, and a rather more conventional one on the right. Both are floating in ther heavenly scene, and are joined by a signature rabbit, also with wings, by Hire. An uplifting and fun collaboration.
