Writer – Page 117 – Natural adventures

5540. Brunel Way (235)

Klashwhensober, Brunel Way, Bristol, September 2023

I might have to do a round up of Klashwhensober’s work soon to mop up several unpublished pieces by the artist from the summer. He is so prolific, I would struggle to post each of his pieces separately. This one under Brunel Way is deserving of an individual post though.

The colour selection for each of the letters might indicate that this is a dregs piece, using up half-empty cans, something you see quite a lot of. Each letter from the word SOBER has an element of depth, created by shading either side of a ridge line. The ‘O’ in particular has an anamorphic quality to it. This is a nicely worked piece from Klashwhensober. He might have left the spot a little tidier after painting though.

5539. Cumberland Basin

The Last One, Cumberland Basin, Bristol, September 2023

This character/writing combination is by The Last One, and is the second piece by the artist to appear on Natural Adventures… it won’t be the last. The artist has a very strong style with writing that is quite unique. I can’t quite make out the letters. At first I thought it might be ZFG, but looking at it and other pieces on Instagram, it might be LAST.

The character, beautifully painted, is Speedy Gonzales from Warner Brothers’ Looney Tunes and Merry Melodies cartoons. The Last One has a fabulous touch for recreating these characters, remaining faithful to the original while adding a little extra depth. I’m not sure where The Last One is based, but trips to Bristol appear to be quite regular, which is great news.

5538. St Werburghs tunnel (387)

Cobo, St Werburghs, Bristol, September 2023

I have only seen a few pieces by Cobo, since I met him last year, and was probably expecting to see a little more from him, so it was good to find this piece in the tunnel recently. It is possible that I might have missed some pieces, and of course he might have painted in some unusual spots, as I know he likes to paint away from the crowded places.

I think that the cats are also by Cobo, and looking through his Instagram feed, I have seen them associated with other pieces. The letters spell out COBER, painted in a chunky style, not dissimilar to the work of Noise. Great to see.

by the time I publish this post I’ll be in Exeter, on my way home from a fabulous fishing trip in Cornwall. Everything goes back to normal tomorrow.

5535. St Werburghs tunnel (386)

Logoe, St Werburghs, Bristol, September 2023

A couple of weekends ago I bumped into Logoe just as he was finishing off his 9th piece in 24 hours or so. What! His productivity when he visits Bristol is simply off the scale. He saves up his time and paint and then blitzes the streets when he can. It all sounds a little obsessive to me, but who am I to comment?

What is notable is that even when he is rushing through the pieces, the quality of the final outcome is consistently. While we were chatting the subject of the dots arose, and I said to him that the row of little dots or ovals were fairly unique to him. It turns out that he started introducing them to his pieces to cover up little mistakes, and then they became a feature. He admitted that they are still used to cover up mistakes sometimes.

Both of these pieces, one at each end of the tunnel, are written in a cartoony script style, with thin letters, and both spelling out LOGOE, each beautifully themed with great colours. Of course the dots are there playing their part.

I am away in Cornwall at the moment, but I have a feeling that he might have paid another visit to Bristol this weekend, and if so, I’d better make sure I have enough memory on my camera.

5532. Brunel Way (233)

Mr Draws, Brunel Way, Bristol, August 2023

Mr Draws appears to have found a new energy this summer, which is great to see, and he has been painting both his writing pieces and some interesting studies, mostly linked to nature. This is a colourful piece, notable mainly for its wonderful patchwork of fills.

If I were to categorise Mr Draws’ work I would call it right out of the ‘Bristol School’ of street art. His style and that of others, like the PWA crew and RAW, is a stamp that, while not unique to Bristol, definitely belongs in Bristol. The colour fills appear to be random, not following any particular pattern, but have a freedom that lightens any intensity. A piece that is easy on the eye and full of positive vibes. Off to catch some more fish today.

5529. St Werburghs tunnel (385)

Inkie, St Werburghs, Bristol, September 2023

Today is the first day of a short break in Cornwall, and my focus is on dusting off my fishing gear and preparing myself for a day outdoors in the fresh air. Of course, my routine is likely to be a little disrupted, and my posts might get a little erratic as the week wears on, but that is fine. Today’s post features a fabulous piece by Inkie in the tunnel, from a paint jam at the end of August.

I am spoilt. There was a time when I used to get super-excited when I found work by Inkie, whose reputation precedes him, but these days I am fairly nonchalant about it, and even the presence of Goldie in this work in progress shot seem quite normal. Perhaps I have been doing this too long and am losing my edge.

The piece by Inkie is out of the top drawer, and I guess that in a paint jam of this calibre, everyone is under a little pressure to turn out their best work. Beautiful letters, outstanding fills and a sumptuous 3D drop shadow combine perfectly to render an archetypal Inkie piece. We are blessed.

5527. Brunel Way (232)

Dibz, Cheo and Fade, Brunel Way, Bristol, September 2023

I don’t often place work in progress (WIP) shots as the feature image, preferring to have the completed piece in all its glory, but in this instance I have gone for it, showing three masters at work, Dibz, Cheo and Fade.

Dibz, Brunel Way, Bristol, September 2023

The turnover on this wall this year has been quite staggering, and the bar has been raised a few notches on the quality of pieces that appear there. On the left Dibz has done his stuff with pin-point accuracy and a crispness that is synonymous with his work.

Cheo, Brunel Way, Bristol, September 2023

The beast of a piece in the middle is by Cheo, and is frankly utterly brilliant. The overweight character is holding a spray can (a popular theme I have commented on many times in this blog) and looking like he might have had a beer too many the night before. The genius of the piece is the ‘Hello Kitty’ underpants creeping out of the top of the character’s trousers. The hairy belly and five o’clock shadow are nice touches too.

Fade, Brunel Way, Bristol, September 2023

To the right, Fade reflects the colours, and to a certain extent the style, of Dibz’ writing on the other side of Cheo’s character. There is some mirroring of fills and drips too. The key difference between the two is the complexity of the design and thickness of the letters. Perhaps one day it will not be possible to distinguish between the two. A superb Triptych.

5526.M32 Spot (172)

Dopes, M32 Spot, Bristol, September 2023

Although rather small, this is a rather good piece by Dopes. The choice of hoarding is challenging, being at the top of a DIY skate ramp, and on short boards that have been slapped together. On the upside, anyone who paints this spot is likely to have their work on display for a considerable period.

Dopes has been out and about a fair bit recently and the quality of his work is always high. Out of necessity, the letters bleed off the top of the hoarding, but in spite of that are nicely proportioned. Great colours and white rather than dark borders and 3D drop shadow. Easy on the eye stuff from Dopes.

5525. St Werburghs tunnel (384)

Drax, St Werburghs, Bristol, September 2023

I had seen this piece at the entrance to St Werburghs tunnel for a while, and there was something about it that stood out, but I couldn’t pin it down. I didn’t post it because I didn’t know who it was by. A serendipitous catch up with Logoe recently at the other end of the tunnel provided me with some insight about the piece. Logoe was raving about it and said it was by Drax, a highly-regarded old-school writer, and one of the original graffiti writers, from London I think.

Armed with that background, I revisited the piece after our conversation, and the ‘something special’ about the piece is its class. It is fairly modest and unsigned, so definitely a piece for those in the know. The beautifully finished letters spell DRAX, and the more you look at the fills and borders, you can see that it is by a highly experienced and skilled artist. My only slight concern (and this is a me thing) is the colour scheme – regular readers will know that I am not a big fan of brown, and I am not too sure about the brown/blue combo. Great to have the mystery solved.

5523. Greenbank (97)

Dog Bless the Band, Greenbank, Bristol, September 2023

If the writing is curiously-shaped, monolithic and coloured in earthy muted hues, then it is highly likely to be by Dog Bless the Band. If it also spells MOTEL, then it is definitely by him. This modest piece fits all the criteria perfectly.

So earthy is this piece, that it appears to have emerged from the soil beneath it, perfectly matching the undergrowth that seamlessly rolls along the ground and up the hoarding. This is deliberate and skilfully done. I like the comment “I’m 37% nettle stings”, an occupational hazard, painting this stretch of hoarding. In my view, this is a really classy piece painted in a style, touching on anti-style while just about remaining within certain conventions. Love it.

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