1680. Dean Lane skate park (155)

Just as Upfest was waking up to the Saturday morning influx of visitors, I took a look in Dean Lane to see what was happening, because it is usually pretty busy down there during the festival. I took shelter from a downpour with a couple of artists who worked on this lose collaboration.

Unity, Dean Lane, Bristol, July 2018
Unity, Dean Lane, Bristol, July 2018

On the left was a half finished piece by Unity, an artist from Cardiff. I very much liked what I saw, but regrettably it had been painted over by the time I came back to see it at the end of the day. I had a great chat with her while we waited for the rain to abate and discovered that I probably have one or two of her older pieces in my archive…time to dig them out.

Rusk, Dean Lane, Bristol, July 2018
Rusk, Dean Lane, Bristol, July 2018

The middle section was by Rusk who had already finished and left the scene – maybe to work on his ‘official’ piece in South Street park. This quick one was of the high quality you expect from Rusk – he never disappoints.

Cyst, Dean Lane, Bristol, July 2018
Cyst, Dean Lane, Bristol, July 2018

Finally, on the right of the collaboration was a piece by Cyst, from Cheshire. I was pleased to have been able to meet him, because it can be difficult sometime to identify work from visiting graff writers. All three pieces were very short-lived, but that is what you expect in Dean Lane, especially so during Upfest. Nice collaboration

1678. The Bearpit (158)

Mr Draws is an artist I have always rather liked. His work always brings a smile to my face…it is bright and cheerful, simple and striking and it has a habit of cropping up anywhere in Bristol.

Mr Draws, The Bearpit, Bristol, July 2018
Mr Draws, The Bearpit, Bristol, July 2018

This is one of his faviurite spots in The Bearpit, and this quick one uses the space perfectly. Never too sophisticated, but always really easy on the eye. Mr Draws has plans to leave the UK for Germany soon, but I’m not sure if that is still going ahead. If so, I will surely miss his cheerful work – I still have loads in my archive that will keep me going for a while.

1677. New Stadium Road (7)

There seems to be no stopping Soker at the moment, it seems that everywhere I go in Bristol there is a new piece by him. What this means is that there will be several posts following this one in the near future featuring his work.

Soker, New Stadium Road, Bristol, August 2018
Soker, New Stadium Road, Bristol, August 2018

I rather like this one in the foot tunnel under the M32 spot, and for once my photographs aren’t too polluted with the awkward light conditions that seem to be omnipresent on this wall. I like the colours – blue and yellow/gold are always a strong combination, but what I really like about this piece is the kind of effortlessness it conveys, Soker just seems to be, like several of his ASK fellows, an artist at the top of his game.

1670. Dean Lane skate park (152)

It is always a pity when a nice piece gets dogged, especially when it has only been up for a day or two. This particular collaboration between NEVERGIVEUP and Soge was a perfect piece for the curved wall in Dean Lane skate park. It also marked a return of the monster by NGU, something I’ve not seen for a few months.

NEVERGIVEUP and Soge, Dean Lane, Bristol, August 2018
NEVERGIVEUP and Soge, Dean Lane, Bristol, August 2018

I had seen the Soge writing on Instagram, and it all really looked rather nice, but I guess some inferior talent had to go and goof it up. I’m all for the turnover of work, especially on ‘legal’ walls, but it is boring to see half-baked throw-ups going up over decent work. Still, we all know the (no) rules and just get on with it.

 

1655. Armada Place (12)

This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.

Sepr, Armada Place, Bristol, August 2018
Sepr, Armada Place, Bristol, August 2018

I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.

Daniel Leggs, Armada Place, Bristol, August 2018
Daniel Leggs, Armada Place, Bristol, August 2018

Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.

1653. New Stadium Road (6)

Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.

Deamze, New Stadium Road, Bristol, August 2018
Deamze, New Stadium Road, Bristol, August 2018

The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.

1640. Upfest 2018 (2)

Daa da da da da da da da daa daa dada dada. Getting right to the heart of the matter is this brilliant Simpsons piece from Soker. He really is quite one of the best writers around and this sofa scene totally proves it.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

His use of the Simpson characters on the sofa, a scene so familiar to anyone who watches the show, to create his name is inspired, and taking a closer look, there is almost a Picassoesque look to Lisa and Homer in particular.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

The whole scene is well observed, with the lampshade and the picture of a sailing boat on the wall, and is indeed a special homage to the genius of Matt Groenig.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

I managed to catch up with Soker, which I have never managed to do before, and had a quick chat on the Friday, again on the Saturday morning and later on in the Spotted Cow. I think he had slightly overdone his merrymaking on Friday night and had to abandon painting on the Saturday, nursing a bit of a sore head.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

I asked him why sometimes he wrote Soker and at other times Sokem. His answer seemed sensible to me…he started off with Soker (pronounced Soccer), but found the R difficult to write, so changed it to Sokem, before reverting once he found the R easier.

This has to be one of my favourites from Upfest 2018, and is really an outstanding piece.

1637. St Werburghs tunnel (35)

It would appear that when Inuk came to visit Bristol recently he may have painted two or three pieces. This is the second that I am posting, and the first that I found. I didn’t write about it straight away because at the time of taking the picture I didn’t know the artist.

Inuk, St Werburghs, Bristol, July 2018
Inuk, St Werburghs, Bristol, July 2018

The writing is big and bold and spells out INUcK, which I guess is a variation on his name. I very much like the little character at the right hand end of the piece, who offers a little additional interest and decoration on the work.

1635. New Stadium Road (5)

This spot is always impossible to photograph – I think the only solution is to come down at dusk and use a flash, and if I am honest I’m not sure I am fanatical enough to do that. The piece is, of course, by Deamze and shows off his angular puzzle-like wildstyle writing really well.

Deamze, New Stadium Road, Bristol, July 2018
Deamze, New Stadium Road, Bristol, July 2018

As is often the case, I am not at all sure who the character is, and think it might possibly be a figment of his fertile imagination. It feels strange, but of all the most productive Bristol artists painting at the moment, I still have yet to meet Deamze – our paths just haven’t crossed. I have a feeling he likes to keep himself to himself. Yet another consistently good piece.

1634. St Werburghs tunnel (34)

It feels like a while since I saw anything by Soge, so this writing in St Werburghs tunnel recently was a nice surprise. I think it was created during the paint jam which included a lot of PWA artists.

Soge, St Werburghs, Bristol, July 2018
Soge, St Werburghs, Bristol, July 2018

Soge, like Hire, uses a rather gothic style in his writing, which may be something they have brought with them from Poland, as it is not a style I see much of from any of the local artists. The letters SOGE are easy to pick out, although the lighting in the tunnel doesn’t really do the piece justice. Strangely I haven’t yet met Soge and so can’t really tell you too much about him.