4847. St Werburghs tunnel (323)

Acer One, St Werburghs, Bristol, November 2022
Acer One, St Werburghs, Bristol, November 2022

On the day that sees England play Wales in the football world cup, I find myself a little distracted. Before the tournament started, I was indifferent about England, and was rather more concerned that all the Arsenal players involved in the tournament come home unscathed and safe, but now I find myself caring. I’d like England to do well, despite their poor performance against the USA. As I say – distracted.

This is a fine piece from Acer at the entrance to the tunnel, painted in collaboration with Benjimagnetic (post to follow). Acer One has had an exceptional year on the streets, modifying and developing his style with outstanding results.

Acer One, St Werburghs, Bristol, November 2022
Acer One, St Werburghs, Bristol, November 2022

This piece, spelling out ACER 1, has all the components that he has been working on, such as the rainbow fill in his letters, the minimalist design of his letters, and the double drop shadows that serve to give depth and perspective. A real beauty, and a lovely touch to the right with a rainbow scale bar. A classy piece.

4846. St Werburghs tunnel (322)

Vozie, St Werburghs, Bristol, November 2022
Vozie, St Werburghs, Bristol, November 2022

I was rather late to the party regarding Vozie, which is embarrassing at best, but better late than never. I might have to trawl through some archives to see if I have overlooked any of her pieces from before my ‘awakening’ at Upfest this year. What is clear is that Vozie is a massively talented and accomplished writer whose work is both beautiful and compelling.

Vozie, St Werburghs, Bristol, November 2022
Vozie, St Werburghs, Bristol, November 2022

This one in the tunnel, painted as part of Bnie’s birthday paint jam, is an absolute banger. Painted in the paint jam colours, the letters VOZIE are sensationally filled with fabulous transitions between the colours and delicious accent lines and patterns on the edges of the letters. Fast becoming a fave.

4843. M32 cycle path (191)

Desi, M32 Cycle path, Bristol, November 2022
Desi, M32 Cycle path, Bristol, November 2022

At risk of repeating myself, I love seeing new Desi pieces, because with each one there is a subtle but definite improvement. Confidence brings with it the opportunity to push boundaries and have new ideas, and this is something that Desi has done very well.

Desi, M32 Cycle path, Bristol, November 2022
Desi, M32 Cycle path, Bristol, November 2022

Although this looks like a quick one, the fills look a bit rushed, the borders and neat and the 3D drop shadow nicely done. Judging by the patchy fills, I wonder whether this was a bit of a ‘dregs’ piece, using up remnants of paint in used cans. Always great to see Desi’s work.

4840. Brunel Way (182)

Face 1st, Zake and Soap, Brunel Way, Bristol, November 2022
Face 1st, Zake and Soap, Brunel Way, Bristol, November 2022

One of the great pleasures in life is coming across a PWA collaboration, and this little beauty painted under Brunel Way recently was a real treat. It is a well-balanced triptych, with Face 1st on the left, Zake in the middle and Soap on the right. It is an interesting observation that most of the time when Face 1st and Soap get together, they nearly always paint this way round – it must simply feel comfortable that way.

Face 1st, Brunel Way, Bristol, November 2022
Face 1st, Brunel Way, Bristol, November 2022

Face 1st’s piece in chrome is a nice simple girl’s face with the letters FACE neatly spaced around the edge, with a deep black 3D drop shadow and neatly bounded with a thin green line. Basic stuff done really well.

Zake, Brunel Way, Bristol, November 2022
Zake, Brunel Way, Bristol, November 2022

The middle section, or ‘filling of the sandwich’, is this unusual portrait piece by Zake. I am not too sure what is going on here, but it looks like the brain of the blue character is being expelled through his mouth, and that the brain appears to have a character all of its own. Quite bizarre, but beautifully painted with all the fine shading attributes associated with Zake’s work.

Soap, Brunel Way, Bristol, November 2022
Soap, Brunel Way, Bristol, November 2022

The symmetry is completed with another chrome piece, this one by Soap, to the right, reflecting the basic design of Face 1st’s on the other side. The central element is Soap’s characteristic mouth/skull ‘super tag’ with the letters SOAP encircling it. All in all, a wonderful piece from the PWA boys to brighten up our dull existence.

4838. Dean Lane skate park (542)

Frog and Nugmoose, Dean Lane, Bristol, November 2022
Frog and Nugmoose, Dean Lane, Bristol, November 2022

This is not the first time I have seen this pairing on a collaborative wall, and I am sure it won’t be the last. I met them both while painting underneath Brunel Way. I already knew Nugmoose, but it was the first time I met the lady who paints frogs. I asked her what her ‘street art name’ was, but she said she was still working on it, so until I know more, I will call her Frog (see what I did there?).

Frog, Dean Lane, Bristol, November 2022
Frog, Dean Lane, Bristol, November 2022

To the left, Frog has painted a few frogs about the place, and they make a fine addition to the diversity of pieces in Bristol. I believe that she is quite early on in here street art presence and am really looking forward to watching her technique and compositions develop. This is a beauty, and the flowers and hat bring a narrative to the piece, which is a whole lot more than just a frog.

Nugmoose, Dean Lane, Bristol, November 2022
Nugmoose, Dean Lane, Bristol, November 2022

To the right is another weird and mysterious piece from Nugmoose. It must be fun writing alien letters and confusing anyone trying to read them. The alien is proper alien, with no recognisable anthropomorphic features to identify with. These two demonstrate just what a fabulously varied offering we get in Bristol, and how blessed we are to see it all for free.

4837. M32 Spot (151)

Klashwhensober, M32 Spot, Bristol, November 2022
Klashwhensober, M32 Spot, Bristol, November 2022

There was a time when I could barely step outside my house without bumping into Klashwhensober, but I have not seen him now for a few months. I guess our body clocks are out of sync. Sometimes not meeting artists regularly is a sign that they are going through a fallow period, but that is certainly not the case with Klashwhensober, who appears to be as prolific as ever.

Klashwhensober, M32 Spot, Bristol, November 2022
Klashwhensober, M32 Spot, Bristol, November 2022

This reasonably recent piece, on one of my favourite walls, is a scorcher. There is a lot to like about this one. The piece is an explosion of colour, with the SOBER letters in green and blue and the background in orange and yellow. The fabulous thing that Klashwhensober is adding to his pieces these days is a feature aspect emanating out of the letters, and in this example is is a green cloudy element spreading out from the centre. A classy Klash piece.

4836. Cumberland Basin

Whysayit, Cumberland Basin, Bristol, November 2022
Whysayit, Cumberland Basin, Bristol, November 2022

It is good to see that Whysayit (YSAE) has settled into a pattern of writing reasonably regularly, and in doing so has managed to creep his way back onto the pages of Natural Adventures, which is a good thing. I believe that this piece might have been painted during a paint jam for Solar, but that is simply guesswork.

Whysayit, Cumberland Basin, Bristol, November 2022
Whysayit, Cumberland Basin, Bristol, November 2022

Whysayit’s unruly letters are always nice and curvy, nothing sharp or angular about his work at all. There are three discrete horizontal fills and a delightful pink shadow to round things off. Nothing too showy, simply good graffiti writing. It is interesting to see where his heart lies with the phrase “I’d rather do a Tipex tag…”

4835. Dean Lane skate park (541)

Hire, Dean Lane, Bristol, November 2022
Hire, Dean Lane, Bristol, November 2022

I have long been an admirer of Hire’s (pronounced Heerae) work since I first came across his unique style of writing in a collaboration with Laic217 in 2017.Although his writing has morphed during that time, his style remains distinct and recognisable.

Hire, Dean Lane, Bristol, November 2022
Hire, Dean Lane, Bristol, November 2022

I do like it when graffiti/street artists buff the wall first or frame their pieces in some way, as it allows the viewer to pick out the beauty of their work without distraction. This writing, spelling out HIRE is outstanding and in your face… there is no escaping it, it must be looked at, it is shouting out from the wall. His distinctive angular lines with points or thorns, and lines running down the middle of the letters providing depth, creates an overall impressive statement skilfully painted. A fine piece of work.

4831. Cumberland Basin

Benjimagnetic, Cumberland Basin, Bristol, October 2022
Benjimagnetic, Cumberland Basin, Bristol, October 2022

I have a feeling that this piece by Benjimagnetic, alongside an Acer One piece hidden behind a bush, has been here for a while, but that I have only recently clocked it. I can’t be everywhere all the time, right.

Benjimagnetic, Cumberland Basin, Bristol, October 2022
Benjimagnetic, Cumberland Basin, Bristol, October 2022

Cryptically spelling out BEN, This is a lovely, colourful piece from the artist with beautifully defined components, crisply sprayed, making up the letters, and some very clever and subtle shadow work that lifts some of the letters and arrows away from the wall. Lovely work.

4829. Greenbank (60)

Haka, Greenbank, Bristol, November 2022
Haka, Greenbank, Bristol, November 2022

Unless he is reading The Bible to his kids, this Jesus piece by Haka is a bit of a departure from his recent passion for painting characters from children’s story books. Representations of Jesus in street art are relatively rare, but this South Park Jesus breaks the mould.

Haka, Greenbank, Bristol, November 2022
Haka, Greenbank, Bristol, November 2022

Haka’s writing in this piece is really neat and tidy, with a bright colour combination that dazzles.  Overall, a real pleasure to see this one, and to enjoy Hakas’ continuing purple patch.