Tag: Writer

1699. Dean Lane skate park (159)

A fabulous piece by one of Bristol’s finest graffiti writers, with a little addition by 3Dom, who seems to be rather busy on the streets just now. I got rather lucky with this piece, because I saw Soker just as he was sketching the piece out, over the top of a Mr Draws piece I had come to look at. I then had to go, and took a break for a week away on holiday. Luckily the piece was fully intact and untouched when I got back – respect to those taggers who decided to leave this one alone.

Soker and 3Dom, Dean Lane, Bristol, August 2018
Soker and 3Dom, Dean Lane, Bristol, August 2018

Soker is on something of a roll this summer, and his work appears to be as popular as ever. I posted his Simpsons Upfest piece on my Instagram account and it received more likes than any other piece I have ever posted by a factor of about 3.

Soker and 3Dom, Dean Lane, Bristol, August 2018
Soker and 3Dom, Dean Lane, Bristol, August 2018

I love the colour selections he has made for this piece, the blue and purple contrasting brilliantly with the chrome writing. There is so much to like here, and even if you are not a fan of burners and writing, surely this must generate some excitement – the quality shines through.

Soker and 3Dom, Dean Lane, Bristol, August 2018
Soker and 3Dom, Dean Lane, Bristol, August 2018

The whole thing is capped off briliantly by the addition of a face to the letter ‘O’ by 3Dom, bringing the whole thing alive and giving it incredible personality. The face almost looks like a transfer that has been rubbed onto the writing. A quality collaboration. Bravo.

1698. St Werburghs tunnel (39)

Well, who might this gothic wildstyle writing be by? There is a clue in the writing, but it is so cryptic that you probably need to know what you are looking for to be able to see it. The writing says HIRE, and it is indeed the work of this naturalised Bristolian of Polish origin.

Hire, St Werburghs, Bristol, August 2018
Hire, St Werburghs, Bristol, August 2018

His work is so distinctive, with its long, sharp and jagged lines – his pieces always remind me of medieval battle scenes, with swords, axes and lances crashing in all directions – maybe that is just me, but I say what I see. I am really pleased with the picture above, because the light in the tunnel plays havoc with my camera and the poor lighting in the tunnel meets with bright light outside where this piece is situated. Nice work from Hire.

1695. Albert Park (4)

Without doubt, this is one of the most difficult walls in Bristol to photograph. I think I have only ever passed by once when there hasn’t been a car parked in front of it, so rather than wait for hell to freeze over I decided to give it my best shot…I think I might have got away with it (just).

3Dom, Albert Park, Bristol, July 2018
3Dom, Albert Park, Bristol, July 2018

The fabulous wildstyle writing is by 3Dom – you can make out the letters – and is a complex and colourful piece. I think it might have been painted at the same time as Feek’s most recent camel which adjoins this wall. 3Dom is one of only a handful of writers in Bristol who produces separate writing and street art works, both equally high quality. A great wall, but seriously in need of a couple of extra yellow lines.

1680. Dean Lane skate park (155)

Just as Upfest was waking up to the Saturday morning influx of visitors, I took a look in Dean Lane to see what was happening, because it is usually pretty busy down there during the festival. I took shelter from a downpour with a couple of artists who worked on this lose collaboration.

Unity, Dean Lane, Bristol, July 2018
Unity, Dean Lane, Bristol, July 2018

On the left was a half finished piece by Unity, an artist from Cardiff. I very much liked what I saw, but regrettably it had been painted over by the time I came back to see it at the end of the day. I had a great chat with her while we waited for the rain to abate and discovered that I probably have one or two of her older pieces in my archive…time to dig them out.

Rusk, Dean Lane, Bristol, July 2018
Rusk, Dean Lane, Bristol, July 2018

The middle section was by Rusk who had already finished and left the scene – maybe to work on his ‘official’ piece in South Street park. This quick one was of the high quality you expect from Rusk – he never disappoints.

Cyst, Dean Lane, Bristol, July 2018
Cyst, Dean Lane, Bristol, July 2018

Finally, on the right of the collaboration was a piece by Cyst, from Cheshire. I was pleased to have been able to meet him, because it can be difficult sometime to identify work from visiting graff writers. All three pieces were very short-lived, but that is what you expect in Dean Lane, especially so during Upfest. Nice collaboration

1678. The Bearpit (158)

Mr Draws is an artist I have always rather liked. His work always brings a smile to my face…it is bright and cheerful, simple and striking and it has a habit of cropping up anywhere in Bristol.

Mr Draws, The Bearpit, Bristol, July 2018
Mr Draws, The Bearpit, Bristol, July 2018

This is one of his faviurite spots in The Bearpit, and this quick one uses the space perfectly. Never too sophisticated, but always really easy on the eye. Mr Draws has plans to leave the UK for Germany soon, but I’m not sure if that is still going ahead. If so, I will surely miss his cheerful work – I still have loads in my archive that will keep me going for a while.

1677. New Stadium Road (7)

There seems to be no stopping Soker at the moment, it seems that everywhere I go in Bristol there is a new piece by him. What this means is that there will be several posts following this one in the near future featuring his work.

Soker, New Stadium Road, Bristol, August 2018
Soker, New Stadium Road, Bristol, August 2018

I rather like this one in the foot tunnel under the M32 spot, and for once my photographs aren’t too polluted with the awkward light conditions that seem to be omnipresent on this wall. I like the colours – blue and yellow/gold are always a strong combination, but what I really like about this piece is the kind of effortlessness it conveys, Soker just seems to be, like several of his ASK fellows, an artist at the top of his game.

1670. Dean Lane skate park (152)

It is always a pity when a nice piece gets dogged, especially when it has only been up for a day or two. This particular collaboration between NEVERGIVEUP and Soge was a perfect piece for the curved wall in Dean Lane skate park. It also marked a return of the monster by NGU, something I’ve not seen for a few months.

NEVERGIVEUP and Soge, Dean Lane, Bristol, August 2018
NEVERGIVEUP and Soge, Dean Lane, Bristol, August 2018

I had seen the Soge writing on Instagram, and it all really looked rather nice, but I guess some inferior talent had to go and goof it up. I’m all for the turnover of work, especially on ‘legal’ walls, but it is boring to see half-baked throw-ups going up over decent work. Still, we all know the (no) rules and just get on with it.

 

1655. Armada Place (12)

This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.

Sepr, Armada Place, Bristol, August 2018
Sepr, Armada Place, Bristol, August 2018

I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.

Daniel Leggs, Armada Place, Bristol, August 2018
Daniel Leggs, Armada Place, Bristol, August 2018

Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.

1653. New Stadium Road (6)

Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.

Deamze, New Stadium Road, Bristol, August 2018
Deamze, New Stadium Road, Bristol, August 2018

The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.

1640. Upfest 2018 (2)

Daa da da da da da da da daa daa dada dada. Getting right to the heart of the matter is this brilliant Simpsons piece from Soker. He really is quite one of the best writers around and this sofa scene totally proves it.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

His use of the Simpson characters on the sofa, a scene so familiar to anyone who watches the show, to create his name is inspired, and taking a closer look, there is almost a Picassoesque look to Lisa and Homer in particular.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

The whole scene is well observed, with the lampshade and the picture of a sailing boat on the wall, and is indeed a special homage to the genius of Matt Groenig.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

I managed to catch up with Soker, which I have never managed to do before, and had a quick chat on the Friday, again on the Saturday morning and later on in the Spotted Cow. I think he had slightly overdone his merrymaking on Friday night and had to abandon painting on the Saturday, nursing a bit of a sore head.

Soker, Upfest, Bristol, July 2018
Soker, Upfest, Bristol, July 2018

I asked him why sometimes he wrote Soker and at other times Sokem. His answer seemed sensible to me…he started off with Soker (pronounced Soccer), but found the R difficult to write, so changed it to Sokem, before reverting once he found the R easier.

This has to be one of my favourites from Upfest 2018, and is really an outstanding piece.