7929. River Avon (129)

Stivs, River Avon, Bristol, September 2026
Stivs, River Avon, Bristol, September 2026

Such has been the consistency of sunny days this summer, the shadows cast on this piece have forced me to photograph it on at least three occasions, but my patience paid off at last with these ‘clean’ pictures of the combination of letters and characters by Stivs.

Stivs, River Avon, Bristol, September 2026
Stivs, River Avon, Bristol, September 2026

Judging from the buffed background in two slightly different shades of blue, it looks as if these two cartoon portraits might have been painted on different days. The first portrait is accompanied with a D and C in calligraffiti style, part of his DSC tag. The portrait in gold and brown tones and with slightly exaggerated cartoon features is fantastic.

Stivs, River Avon, Bristol, September 2026
Stivs, River Avon, Bristol, September 2026

To the right, is a floating S written in a slightly different style, and a three-quarter portrait view, much more angular than the first, of a man with a tight haircut and goatee beard and large hoop earring. Once again the features are somewhat exaggerated. All beautifully finished as you might expect from Stivs. I’ll need to find out more about the characters next time I see him.

7928. Dean Lane skate park (924)

Subtle, Dean Lane, Bristol, August 2026
Subtle, Dean Lane, Bristol, August 2026

This is something a little different and unexpected from Subtle in Dean Lane. I have noticed that he has become more active lately in the common spots of Bristol, and wonder if he has moved more centrally, or perhaps he has found himself with a little more time on his hands.

Subtle, Dean Lane, Bristol, August 2026
Subtle, Dean Lane, Bristol, August 2026

Subtle’s usual letter style has been jettisoned in favour of this rather more conventional letter design, and unusually he hasn’t buffed the wall either, pointing towards a bit of a quick throw up. The red fill is decorated with some white spots and a bit of white dusting, and the depth is provided by a tidy black drop shadow and fine white border. Welcome back to Dean Lane.

7927. M32 Cycle path (324)

Mesk, M32 Cycle path, Bristol, August 2026
Mesk, M32 Cycle path, Bristol, August 2026

There is not too much to say about this piece by Mesk. Big bold chrome letters pretty much says it all. The style of the lettering, spelling MESK, is chunky, with little space between the letters.

Mesk, M32 Cycle path, Bristol, August 2026
Mesk, M32 Cycle path, Bristol, August 2026

This is an impact piece, which chrome pieces tend to be. No fuss, no precious fill patterns and nothing else to distract the eye. Solid.

7925. River Avon (128)

Mr Draws, River Avon, Bristol, September 2026
Mr Draws, River Avon, Bristol, September 2026

What an interesting abstract piece from Mr Draws. It is possible the black splashes spell out DRAW, but that is wish fulfilment more than anything else really. The piece is beautifully presented and uplifting, perfect for a stroll alongside the river.

Mr Draws, River Avon, Bristol, September 2026
Mr Draws, River Avon, Bristol, September 2026

The colourful background, made up of random shapes is very typical of Mr Draws’ work… no need for a signature. Going full on abstract works incredibly for his style, and I have to say that I really like this piece. Something different to say. The white spots round it all off nicely.

7924. River Avon (127)

Avem808, River Avon, Bristol, August 2026
Avem808, River Avon, Bristol, August 2026

With each new piece from Avem808 there is a greater level of complexity and ever expanding stories. This is an elaborate combination piece, with a whole lot of action going on.

Avem808, River Avon, Bristol, August 2026
Avem808, River Avon, Bristol, August 2026

To the left, there is a car and a mash up dog, or so it looks to me, with lots of action and merging of ideas. To the right, a very fancy piece of writing with a deep drop shadow, which I am assuming spells out AVEM, but could be anything really. This is a piece that demonstrates what can happen when the imagination runs wild.

7918. Peel Street Green (69)

Butch, Peel Street Green, Bristol, August 2026
Butch, Peel Street Green, Bristol, August 2026

Here is Butch again, this time turning up in Peel Street Green and treating us to one of his combination pieces. The letters are accompanied by a green character with big facial features.

Butch, Peel Street Green, Bristol, August 2026
Butch, Peel Street Green, Bristol, August 2026

His trademark overlapping letters in brown and black are beautifully finished with a blue drop shadow, a colour combination I personally wouldn’t have chosen, but actually works really well. Butch just gets better and better.

7917. Cumberland Basin

Stivs, Cumberland Basin, Bristol, August 2026
Stivs, Cumberland Basin, Bristol, August 2026

Sometimes I just can’t see the wood for the trees, as my grandmother would say. Missing the obvious that is right in front of me. When I first saw this piece, I couldn’t work out the artist. It was familiar, but I couldn’t pin it down. It had something of Noise about it, but that didn’t seem right. If I had bothered to look at the signature I would have seen it was by Stivs.

Stivs, Cumberland Basin, Bristol, August 2026
Stivs, Cumberland Basin, Bristol, August 2026

It took Stivs to point this out to me when I met him at this spot a few days later painting another piece. Slightly awkward. He said it was a birthday tribute for a friend (Boezi?). Of course the calligraffiti letters should have been enough for me to realise. Anyhow it is nonetheless a lovely piece from Stivs.

7916. Montpelier Park

j9449j, Montpelier Park, Bristol, August 2026
j9449j, Montpelier Park, Bristol, August 2026

The colours in this piece by j9449j are magnificent and consistent with collaborator Lupa whose piece I featured here a couple of weeks ago. I somehow feel that the letters are readable, it is just that I can’t read them.

j9449j, Montpelier Park, Bristol, August 2026
j9449j, Montpelier Park, Bristol, August 2026

The red and blue are such strong prime colours augmented with black, making a bold statement on this wall. No piece by j9449j8s complete without a passing reference to tufts of grass and other organic symbols. A very fine and attractive piece of writing.

7915. Dean Lane skate park (941)

Fade and Dibz, Dean Lane, Bristol, August 2026
Fade and Dibz, Dean Lane, Bristol, August 2026

This is another in a very long line of collaboration pieces from Fade and Dibz, and of the high quality expected from the pair. Fade has painted a pirate and the wildstyle writing is by Dibz.

Fade, Dean Lane, Bristol, August 2026
Fade, Dean Lane, Bristol, August 2026

Fade’s pirate character is full of deep perspective and armed to the hilt with a pistol, cutlass and a bomb in his right hand. There is a treasure map at his side and a chest floating in the water. A brilliant cliched scene.

Dibz, Dean Lane, Bristol, August 2026
Dibz, Dean Lane, Bristol, August 2026

In contrast to the character, although ‘on message’ with the theme, Dibz’ writing is explosive, and appears to spell out Hoa Fader, but I can’t be sure. As you might expect the piece is near perfect, with every element superbly designed and presented. Nice work from the pair.

7914. Cumberland Basin

Posh and Zeks, Cumberland Basin, Bristol, August 2026
Posh and Zeks, Cumberland Basin, Bristol, August 2026

Greetings from Greece. After a very long travelling day we have arrived, and I am stealing a few moments before my wife and daughter have woken up to write a couple of quick posts. This is a beautifully balanced combination collaboration by Posh and Zeks.

Posh and Zeks, Cumberland Basin, Bristol, August 2026
Posh and Zeks, Cumberland Basin, Bristol, August 2026

The writing in the centre is by Posh. I might assume that is spells POSH, but I am more likely mistaken. His writing is so beautifully complex, with outstanding fills and connectivity, taking on a sketch-like quality. He has even included a little character face to the right. The decorative ‘towers’ around the writing are by Zeks, whose newly found zest for painting them, I imagine, might have only just begun. A lovely collaboration in modest tones. Great fun.