Writer – Page 4 – Natural adventures

7844. Sparke Evans Park (159)

Peking, Sparke Evans Park, Bristol, July 2026

This piece is a little different, and just by looking at it I knew that it wasn’t by a Bristol writer. There was a clue to the artist’s identity in the phrase at the bottom “from Bremen to Bristol”. It was signed Peking, which left me with enough to do some Interweb searching and identify the graffiti writer as German artist, Peking, @beijing_zdf.

I guess the most notable feature of this piece of graffiti writing is the thick yellow border following the edge of the letters, and the contrasting lime green drop shadow. The organic browns of the letter fills round off the piece nicely which has an overall earthy feel of soil, vegetation and sun, consciously or unconsciously created by Peking. Welcome to Bristol, come back any time.

7842. M32 Cycle path (319)

Soap, Zake and Face 1st, M32 Cycle path, Bristol, July 2026

It feels like a real treat when the Pirate Wall Art (PWA) crew get together as it doesn’t happen all that often since Face 1st left for Herefordshire and Chill also left the city, but every once in a while there is a gathering, and in this collaboration, Soap, Zake and Face 1st have joined forces alongside the M32.

Soap, M32 Cycle path, Bristol, July 2026

Soap has painted a combination piece incorporating an Adventure Time character who appears to be crafting a mini character from his own flesh. The letters, spelling SOAP, have a rather flat presentation and are filled with a highly decorated turquoise colour. This is a highly attractive piece with plenty of detailing to admire.

Zake, M32 Cycle path, Bristol, July 2026

In the middle section of the collaboration, Zake has painted a wild and wonderful beast, modelled on a spider, but not like anything I have seen before. The fearsome arachnid is nibbling away at Face 1st’s letters. This is something quite different and unusual from Zake, but great to see.

Face 1st, M32 Cycle path, Bristol, July 2026

To the right, Face 1st has painted his blocky letters with a considerable depth provided by the extensive deep blue drop shadow. I notice that one or two vertical lines might be missing under the C and E, but I am just being picky. A giggling girl makes an appearance inside the arch of the A, and some spider web rounds off the piece nicely. A fabulous PWA collaboration.

7841. M32 roundabout J3 (786)

Tizer, M32 roundabout, Bristol, July 2026

This is the second recent visit to Bristol by Tizer, and I have to say a very welcome one. The London-based writer, for me at least, encapsulates the London scene really well. I cannot put into words, but his style is different from the Bristol styles that we are more used to seeing on this blog.

This piece is probably most notable for the colourful and busy letter fills, which are contained within a green border/drop shadow. Although parts of the writing look a little sketchy, that is the style and in fact the whole thing is tight as a nut, and the balance of the piece exceptional. One of the very best London writers.

7838. River Avon (126)

Dirtygypo, River Avon, Bristol, July 2026

I have walked past this piece several times, but had to wait for the absence of disruptive shadows cast by the sun. Photographing street art has been more than challenging this summer in Bristol as we have had about six weeks of continuous sunshine, with only the odd moment of cloud. It did rain for about an hour a week ago, but that is it. The country is parched and wildfire risk extreme.

This is quite a bright and fiery piece by Dirtygypo and neatly fits the scorching theme of the summer. As always, I struggle with the letters, but it might spell PILGR. The little white skull character with a cap leads off the yellow remainder of the writing. The contrast is created with the whole thing set on a deep blue background – the sun and sky? A nice tidy piece from the artist.

7837. Dean Lane skate park (936)

Fade and Dibz, Dean Lane, Bristol, July 2026

This is a fine combination collaboration from Fade and Dibz, featuring the cartoon character Marvin the Martian. The character is sandwiched between two fabulous pieces of wildstyle graffiti writing from the pair. It is surprising how many times I have seen this character used in a graffiti piece… note to self, do a Marvin the Martian special when I have time.

Unusually, Fade is to the left, and Dibz to the right. Looking at the two writing styles together, you can see that Fade’s work is much ‘flatter’ and 2 dimensional, whereas Dibz has gone for more depth with great use of a drop shadow around his letters. I suspect that the character was a joint effort, which is often the case with these two. Great work.

7836. Goodneston Road (6)

ARSA, Goodneston Road, Bristol, July 2026

Only yesterday, I posted a piece by ARSA in which I said:

“ARSA’s work tends to be quite angular and sharp, and I can’t recall seeing a soft, rounded piece with blended fills by him – now that would be a challenge…”

Well, I dug this piece out which, although I only recently located, has been around for a while and completely undermines my own assertion above.

The letters are smooth and rounded and rather more forgiving than his typical work, although he still likes to keep his fill colours separate, without any blending. A calm colour selection contrasts a little with the ‘barcode’ drop shadow. A nice piece from ARSA.

7834. Peel Street Green (66)

ARSA, Peel Street Green, Bristol, July 2026

This is a rather nicely presented piece from ARSA that perfectly fits the wall and the surroundings. One of the things that strikes me is the fact that the grass is still green in this picture, but blistering heat and dry weather for much of June and the whole of July have rendered this green a brown now.

The calculated symmetry of this piece, with a couple of deviations, is admirable. The fill colours have been thoughtfully applied in horizontal layers, but with hard edges between each colour. ARSA’s work tends to be quite angular and sharp, and I can’t recall seeing a soft, rounded piece with blended fills by him – now that would be a challenge…

7832. Greenbank (189)

Forever evolving and playing with ideas, Werm continues to entertain withy his outstanding graffiti writing. He has come a long way over the last few years, experimenting with all sorts of complex ideas, but appears to have settled into a more relaxed rhythm and his work is more considered and comfortable. He is rising up the ranks of Bristol graffiti writers with consistent improvement.

I wish I had better images of this piece; the sun was behind the hoarding, and the colours haven’t come across as well as in the flesh. It is possible to see that the overall design and colour matching in the fills is very classy indeed. That he has set the piece on a white buffed background improves the quality of the finished piece no end. Great work from Werm.

7831. M32 roundabout J3 (785)

Zinso, M32 roundabout, Bristol, July 2026

Although it is as inevitable as night following day, I am thoroughly bored by graffiti wars. It is such adolescent posturing that is one of the worst aspects of the graffiti and street art scene, especially for those who appreciate the work of artists, whoever they are. It would seem that some artists like to feel they are tough, or perhaps they have delicate egos, and tagging another artist’s work appears to be the only way they can assert themselves or express their anger. A pity.

Zinso has been hitting the walls of Bristol pretty hard for the last 18 months or so, and in my view getting better and better along the way. This green piece of cartoonish writing with a great drop shadow and yellow decorative bars is a fine example of Zinso’s tight work. What a shame that someone has felt the urge to write JENGA through the middle of it. The quality of Zinso’s work, however, shines through.

7830. River Avon (125)

Avem808 appears to have been having a lot of fun this summer, transitioning his work from writing dominated to character dominated. I think that he enjoys the creativity and charm of his characters as much as the technical aspect of his writing.

The writing is heavily disguised, and I have to assume that it spells out AVEM. It is the bookend characters that leap out, almost literally, especially the one on the left. These crazy imaginings are quite unlike anything I have seen in Bristol before and are becoming as a bit of a trademark of the artist.

When I look at the character on the right I see a sandglass, and the sand character slipping from top to bottom through the squeezed middle. I cannot help feeling that Avem808 seems rather liberated, from what I don’t know, but this marked change in his work is very welcome and I look forward to seeing it develop further.

	hitandrun1964 on 7897. Dean Lane skate park…
	Sheree on 7897. Dean Lane skate park…
	paulh121 on 7892. Purdown (105)
	scooj on 7771. Exeter Road – Upfe…
	scooj on 7892. Purdown (105)

	hitandrun1964 on 7897. Dean Lane skate park…
	Sheree on 7897. Dean Lane skate park…
	paulh121 on 7892. Purdown (105)
	scooj on 7771. Exeter Road – Upfe…
	scooj on 7892. Purdown (105)

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