A gallery of wonderful graffiti writing from Bristol artist Sait Bare, sometimes writing SAIT and sometimes BARE.
Instagram: sait_bare_sb7
All photographs by Scooj
Sait Bare
Tag: Writer
7617. M32 roundabout J3 (765)
I think it is fair to say that Werm has been on fire this year, and this piece on the roundabout is further proof of that. First off, his colour combinations leap off the wall and make this a rather mesmerising piece.
The symmetrical letters spelling WERM are filled with tidy vertical stripes in warm browns, reds and oranges. These are contained within a double white and turquoise border and supported with an upwards drop shadow offering perspective. A very nice tidy piece from Werm.
7614. Cumberland Basin
I don’t tend to find as many new Taboo pieces as I used to, and that might be down to two factors. He might be painting less frequently, and/or maybe he isn’t painting the regular spots so often, and so I don’t come across his work as much. The upshot is that finding any pieces by the artist these days is a happy moment.
I have a feeling that this piece was painted as part of a birthday paint jam, I forget who for though. The red letters in anti-style form spell out TABOO in a combination of lettering and designs, with the second ‘O’ being formed of a jail window with eyes glaring from the dark space behind the bars. A fine piece from Taboo… I need to find more.
7611. St Werburghs tunnel (579)
This wall is not the easiest to photograph when there is a piece that stretches the length of it on account of a lamppost slap bang in the middle of it. This is an awesome piece by Minto that draws the eye into several focal points running across the piece.
Although a little difficult to make out, the letters MINTO form the spine of the piece. In the middle we see a capped character that blends into an array of stars and lines, and on the right, what looks like a train on tracks bursting out of the dazzling spectacle. There is a lot going on here, and it would be good to understand a little bit more about what lies behind it.
7609. L Dub (89)
Sait Bare seems to have had a little bit more time on his hands to get out and paint recently. His flurry includes this interesting piece in the long foot tunnel underpass at L Dub. He is definitely in a ‘Bare’ phase at the moment, which is different from the ‘Sait’ period when I first encountered his work back in October 2023.
Sait Bare usually paints pieces with plenty of colours and form, but unusually, he has kept this one to a minimum, using black letters bordered with a vibrant lime green outline. There are minimal additional interventions pretty much restricted to some accent lines outside the letters and some stripey lines. All good stuff from Sait Bare – note to self… time for a gallery methinks.
7608. Cumberland Basin
It took me a little while to work out who this piece of graffiti writing was by. I got there in the end, but was slow to figure it out, because the artist, 2Face, doesn’t paint very often. The letters spell FACEY, and it is signed, but even so, difficult to pin down.
There is quite a lot going on in the orange fills in the lettering, ranging from white cracks at the top through ‘leopard spots’ to a fluid whitish stream of paint running horizontally through the letters. These are all the signs of an experienced artist. 2Face also decorates the piece with a blue plasma bolt, adding another layer to the textured piece. A nicely worked piece of graffiti writing.
7607. M32 roundabout J3 (764)
This is a curious piece by Tera painted at a recent paint jam on the roundabout. It doesn’t really matter how much I try to enhance the image, it is difficult to properly see what is going on without getting up really close. I think that Tera was so into creating the piece (perhaps with a tattooist’s mindset) that he has lost some of the clarity and story in the heavy detail. That is not to say it isn’t a fine piece, rather that it is difficult for the viewer to appreciate.
The combination piece has a dark and rather evil demonic character in the centre, with three eyes, large fangs and a long tongue. It is holding two swords that frame the middle section of the piece. The letters either side of the character spell out TERA, in a nicely crafted style. Overall, Tera shows his raw talent with this piece, but for me, it is a little busy and could do with toning down a bit. Lots more to share from him as he has been out and about a fair bit this spring.
7604. River Avon (115)
It has taken me a long time to figure out the letters in this writing, and I am not too sure I would have done so without Paul H’s recent posting of a piece by the artist. The letters spell VERMO, but you have to study them pretty hard to figure it out, as they are deliberately deceptive. Once you know them you can see them, but it is that first time of working it out that takes the time.
I have a lot of Vermo’s pieces to share from my archives, but I decided to start with this combination piece alongside the river. Unusually this piece of writing includes a character, where most of his pieces contain only the ‘floating’ letters that are made up of component shapes, for example, both the ‘E’ and the ‘M’ are composed of three ovals of increasing size in different orientations. I wouldn’t quite know how to classify Vermo’s writing, but it might fall into the category of abstract graffiti writing, a bit like Mr Klue, but quite different in appearance. Watch this space for more from Vermo.
7603. Dean Lane skate park (914)
Lately, Zinso has been completely smashing it with his clean and colourful pieces of graffiti writing, and this recent piece serves to confirm his place as a one of the tidiest writers in town.
Pretty much hidden from view on the swimming pool wall, this piece deserves to be seen by more passing eyes. The combination of turquoise, light blue, green and red is masterful, and the mauve and black drop shadow have a metallic appearance. I rate this particular piece of artwork very highly and look forward to more this spring/summer.
7601. Cumberland Basin
Sait Bare is an artist I have yet to have the pleasure to meet, although we have exchanged the odd message on Instagram. He is painting reasonably regularly these days and is definitely preferring writing BARE these days, as opposed to SAIT, which he used to write more often a year or so back.
This is a rather dreamy piece of graffiti writing in which the slightly unruly letters appear to drift into one another as if they were clouds. The colours are beautifully selected, and the whole piece has a sense of relaxed slow movement – it is amazing really how these artists can portray different moods and tempos through their designs and colours. This is a lovely piece from Sait Bare.
Natural adventures 