1751. Tower Hill (1)

A colleague alerted me to this hoarding, which is within lunchtime walking distance from my work, so I felt obliged to go and take a look. Sometimes such tip-offs can be a bit of a disappointment, because not all ‘street art’ is worth the trip. This wonderful piece by Smak however was absolutely worth it.

Smak, Tower Hill, Bristol, August 2018
Smak, Tower Hill, Bristol, August 2018

I had kind of been aware of these hoardings but didn’t know that there was anything decent there. In fact there were three notable pieces of which this is the first. Smak is an interesting artist in that he has two personas. This is his ‘graff’ persona, but he also does high-end pieces and commissions under another name – he even painted a large wall at Upfest this year (to follow).

Smak, Tower Hill, Bristol, August 2018
Smak, Tower Hill, Bristol, August 2018

This wildstyle writing is really skilfully done and spells out SMAK. In the middle of the work he had woven in the head of a bird, and there are some feathers in there too. A classy piece.

1747. Dean Lane skate park (169)

Ok, so I have been doing a little bit of a trawl through my archives to let a few overlooked pieces see the light of day. This one by Hire I managed to photograph moments before it was buffed over, I forget who by (I think it was Dibz), but you can see the paint can at the ready in the bottom left of the picture.

Hire, Dean Lane, Bristol, April 2018
Hire, Dean Lane, Bristol, April 2018

Hire is one of several Polish artists in Bristol, adding an international feel to the work we see here. His writing tends to be very cryptic and his lettering angular and sharp, looking like shards of metal. Normally his writing spells out his name, but I’m not so sure that it does in this piece. It is quite a ‘dark’ piece, which is often the case with his work, even his bunnies are touched with menace or melancholy.

1744. M32 roundabout J3 (96)

This piece has been around for a little while on the M32 roundabout, tucked in between a couple of bushes. I don’t know the artist – presumably Skot, and my efforts to try and track him/her down have led me to several Skots, the most likely being Skot One who I think is from London.

Skot One, M32 Roundabout, Bristol, September 2018
Skot One, M32 Roundabout, Bristol, September 2018

I rather like this piece, both the writing which is beautifully executed and the character. It is a long time since I last saw Andy Capp, but it seems the cartoon strip is still running. A nice touch and nostalgic reference.

1742. M32 roundabout J3 (95)

From just a little while back, this is a wonderful example of wildstyle writing from the Bristol-based graffiti writer Soge. Like his Polish counterparts, his writing has a hint of the Gothic about it, although not quite as much as Hire. In my view there is certainly a difference in influence and derivation between the Polish and British writers – but you would expect that.

Soge, M32 roundabout, Bristol, September 2018
Soge, M32 roundabout, Bristol, September 2018

Soge’s colour palette in this piece is very easy on the eye and there is something about the overall shape and design that reminds me a little of Inkie’s work. The letters quite clearly spell out SOGE. Great work.

1728. M32 roundabout J3 (94)

There is one circumstance in which is is absolutely ok to buff over someone’s work, and that is when it is your own.Here is an example of just that where Soker has painted over one of his own pieces, and if you look closely, you can see the similar shape of the letter ‘R’ in both.

Soker, M32 roundabout, Bristol, August 2018
Soker, M32 roundabout, Bristol, August 2018

Wildstyle writing (graffiti writing) is an incredible artform in its own right, and I am a big fan of it. That has not always been the case. In the early days of photographing street art, I simply didn’t get it and considered it inferior and messy. Having studied it for close on four years now, I am able to enjoy it just as much as conventional street art. Soker of course is the master of this form.

1723. Raleigh Road vector (25)

Yet another fine collaboration between Cheo and Soker – these two seem to be on something of a roll at the moment, producing countless pieces all over the city of Bristol. This one perfectly fills the space on the hoardings in front of a new development.

Cheo, Raleigh Road, Bristol, September 2018
Cheo, Raleigh Road, Bristol, September 2018

The piece is bookended by a pair of mischievous spray can characters painted by Cheo, and in the middle of all of this is a dazzling piece of writing by Soker which spells out SUMOE. I guess I should know what sumoe is all about, but alas I have no idea. There is a whole bunch of #sumoe graffiti Instagram, most of it in the USA.

Cheo, Raleigh Road, Bristol, September 2018
Cheo, Raleigh Road, Bristol, September 2018

Cheo has pretty much nailed it with his bookends as he seems to with pretty much everything he does. With their dark furry eyebrows, there is something of the Muppets in his characters. Of course we are also graced with the presence of one of his signature bees.

Soker, Raleigh Road, Bristol, September 2018
Soker, Raleigh Road, Bristol, September 2018

Soker’s writing is composed primarily of four horizontal layers ranging from light blue at the top through to light purple at the bottom, each layer smattered with accents or decoration. He has also worked quite an unusual double 3D shadow cast by the letters. This is a great collaboration from this ASK duo, and well worth the trip to Raleigh Road.

1722. Ashton Road

As is so often the case with finding new work on the street, I was not looking for this piece. On the contrary I was trying to capture a few more Upfest pieces that I hadn’t yet seen in their completed state and drove past this hoarding. I had to act quickly to pull over into a free parking space and jump out of the car for a quick snap.

Smak, Ashton Road, Bristol, September 2018
Smak, Ashton Road, Bristol, September 2018

This sublime graffiti writing is by the superb Smak, and is outstanding in many ways. The colour palette is beautifully selected and the chrome/grey parts of the lettering in particular have a great 3D effect. The letters spell out SMAK but are quite nicely concealed in this piece. Really great work.

1721. Dean Lane skate park (164)

When I first saw this remarkable piece on Instagram I knew I had to get down to Dean Lane as soon as possible to see it before it got buffed or dogged. It is by the brilliant SkyHigh, who was obviously on a flying trip to Bristol.

SkyHigh, Dean Lane, Bristol, September 2018
SkyHigh, Dean Lane, Bristol, September 2018

SkyHigh’s works can probably best be described as writing out his name in a mash-up of different block letter styles and colours. To some it might look messy, but to others this is a considered and stunning way to put a piece together. I love his work, and this is one of those pieces that looks great in a photograph…and even better in the flesh. I was pleased to have been able to see it. Top work. Nice little tribute to CKone and nod to his painting pal Roo.

1719. Dean Lane skate park (163)

He keeps spraying them and I keep posting them. This is yet another ‘TES’ from Slim Pickings using a rather bright colour palette of purple and light blue, which seems to work rather well.

Slim Pickings, Dean Lane, Bristol, August 2018
Slim Pickings, Dean Lane, Bristol, August 2018

I like his work, the repetition and precision, striving for perfection. I like his colour selections looking for contrast or complememtary shades, always thinking. It is probably about time I saw another one of these.

1704. Dean Lane skate park (161)

Following on immediately from my last post is this collaboration in Dean Lane between Laic217 and Cort. You should be able to spot immediately the similarity of the Laic217 character here and the one he sprayed in Moon Street a few days earlier. This time the piece is complete with teeth and spray can.

Laic217, Dean Lane, Bristol, August 2018
Laic217, Dean Lane, Bristol, August 2018

I love this character and for me is reminiscent of the absurd ‘Far Side’ characters dreamed up by cartoonist Gary Larson. There is a lot to admire here, and the special detail of a Nirvana t-shirt with a spaced-out smiley just highlights how good this piece is.

Laic217, Dean Lane, Bristol, August 2018
Laic217, Dean Lane, Bristol, August 2018

I also am increasingly enjoying the work of Laic217’s painting partner, Cort, and although his style might take a little getting used to, it is good work. I am beginning to wonder if Cort and Corupt might be the same artist, as they share many characteristics, but I have nothing to confirm this idea. I’ll have to investigate. A fine collaboration.

Cort, Dean Lane, Bristol, August 2018
Cort, Dean Lane, Bristol, August 2018