7014. Sparke Evans Park (113)

Oust, Sparke Evans Park, Bristol, June 2025
Oust, Sparke Evans Park, Bristol, June 2025

I said in a post recently that Bristol graffiti writer, Oust, is a little underrepresented in Natural Adventures. I am attempting to redress the balance a little now and posting his pieces that I find.

Oust, Sparke Evans Park, Bristol, June 2025
Oust, Sparke Evans Park, Bristol, June 2025

This is a really beautiful piece of writing, set on a murky green and blue splash with the letters OUST seeming to drift in and out of the background. The contrasting red, orange and yellow fills and blended beautifully, and the whole piece is given depth by the drop shadow with a central vanishing point and picked out with a thin blue line. This is a classy piece of writing from Oust.

7010. Sparke Evans Park (132)

Endz, Sparke Evans Park, Bristol, April 2025
Endz, Sparke Evans Park, Bristol, April 2025

It took me a while to work out who this piece was by, and it wasn’t until I saw another that I could see that it was by Endz. There are no strong clues to go with – the letters may or may not spell ENDZ, the pieces are not signed, and the style is vague enough to be really difficult to place. However, all of these attributes come together, ironically, to make identification a little easier, as there care only a few artists who meet these criteria.

Endz, Sparke Evans Park, Bristol, April 2025
Endz, Sparke Evans Park, Bristol, April 2025

The sketchy style, once you register it, is a feature of some (but not all) of the artist’s work. The letters spell ENDZ with the ‘N and D’ conflated in the middle. The soft cream tones work well against the blue and white background and the writing is beautifully finished with a scattering of green leaves, without which the piece wouldn’t be complete. Lovely and unusual writing.

7007. Cumberland Basin

Andy Council and Acer One, Cumberland Basin, Bristol, June 2025
Andy Council and Acer One, Cumberland Basin, Bristol, June 2025

Andy Council and Acer One are a classic painting duo, with utterly different styles and subject, but their work, counterintuitively, seems to be wonderfully complementary. There is no jarring of styles, or competition for space or the limelight – the two artists seem to be comfortable with themselves and each other.

Andy Council, Cumberland Basin, Bristol, June 2025
Andy Council, Cumberland Basin, Bristol, June 2025

Andy Council has painted one of his gorgeous dinosaurs, selecting some beautiful colours and stitching the whole creature together with small components, like a Lego model. The little dots of green add so much to the piece. The collaboration was painted as a tribute to Tickz, who will be very much missed by the graffiti community in Bristol.

Acer One, Cumberland Basin, Bristol, June 2025
Acer One, Cumberland Basin, Bristol, June 2025

Acer One, who has been relatively quiet this year, has painted one of his iconic peace and love stamps in yellow and white or gold and silver, depending on your interpretation. This is a difficult wall to paint, especially with a designed graphic like this one, and the recesses in the walls present a challenge that Acer One has risen to. A fine collaboration and fitting tribute.

7006. St Werburghs tunnel (510)

The Last One, St Werburghs, Bristol, June 2025
The Last One, St Werburghs, Bristol, June 2025

Such is Wispa’s popularity that when she celebrated her birthday with a paint jam in St Werburghs tunnel, it drew several artists from out of town, who might not have otherwise painted here. One of those artists, who is, in my view, one of the best combination (writing/character) artists I have seen, is The Last One.

The Last One, St Werburghs, Bristol, June 2025
The Last One, St Werburghs, Bristol, June 2025

The Last One has painted a few times in Bristol, but it is a rarity, so to have this magnificent piece taking pride of place in the tunnel is a privilege. Usually The Last One’s letters spell ZFG, but in this instance I think they might spell WISP – although I might be imagining things. The character is exceptional, painted with exaggerated features and incredible detail. The whole thing is as sharp as you’ll ever see, demonstrating great skill and complete mastery of the can. Bravo! A brilliant piece.

7004. Sparke Evans Park (131)

Hire, Sparke Evans Park, Bristol, June 2025
Hire, Sparke Evans Park, Bristol, June 2025

2025 has been a dry year so far, and we have had an unusually sunny time of it, and although this is in part driven by a changing climate, it still feels good after the rather wet years we have had in the last decade or so. I mention this, because in these sunny conditions, photographing certain walls in Bristol has been a bit of a nightmare and this one was particularly challenging.

Hire, Sparke Evans Park, Bristol, June 2025
Hire, Sparke Evans Park, Bristol, June 2025

Despite the difficulties (you can just make out my arm in the top left trying to block out the glare), It was well worth the effort to capture this beauty from Hire. This piece is like some of his earlier spiky pieces, but with slightly softer edges. Some great autumnal colours and fabulous highlights surrounding the HIRE letters instead of a drop shadow give this piece a distinctive look that is a hallmark of the artist. A very nice piece of graffiti writing.

7001. M32 Cycle path (290)

Oust, M32 Cycle path, Bristol, June 2025
Oust, M32 Cycle path, Bristol, June 2025

Oust is a graffiti writer who is probably a little under-represented on Natural Adventures, which might reflect the fact that he doesn’t paint all that frequently, and it is possible that I miss the odd piece altogether. He seems to have been in a rich vein of form recently though, and this is one of at least three pieces I have found recently.

Oust, M32 Cycle path, Bristol, June 2025
Oust, M32 Cycle path, Bristol, June 2025

This birthday tribute piece for Sled One is absolutely outstanding in my view. Oust has used great colours, orange and green always work well together, and his classic style is full of great fills, depth and movement. Although the piece is busy, it isn’t cluttered. This is a classy piece of graffiti writing from Oust.

7000. M32 roundabout J3 (692)

Kid Crayon, M32 roundabout, Bristol, May 2025
Kid Crayon, M32 roundabout, Bristol, May 2025

A little bit of a landmark this morning, with my seven thousandth street art blog post, which is quite a few really. When I set out on this adventure in 2015, the blog was set up to share my diary and log from a life-changing experience I had, working with the fisheries department in the Falkland Islands.

In the early days, I simultaneously started to notice the street art and graffiti around me in my adopted home, Bristol. I started posting the odd piece, mainly because nobody else was at that time, and I wanted to share what I saw and found out with others, and to lay down an archive of this ephemeral art form. And here we are, still going strong and with a bigger street art scene than ever before.

Kid Crayon, M32 roundabout, Bristol, May 2025
Kid Crayon, M32 roundabout, Bristol, May 2025

It is fitting that this milestone piece is by Kid Crayon, because it was his unusual and surreal wheatpaste portraits that originally captured my imagination and motivated me to blog about this stuff. I was lucky enough to catch up with Kid Crayon and Tera while they were painting this wall, but alas, Tera’s piece was painted over by the time I returned to get clean photographs. Kid Crayon has produced a fabulous piece with some great colour fills discrete to each letter and a wonderful one-eyed character making up the ‘o’. The floating crayon in front of the character’s mouth is a signature motif used by Kid Crayon for at least a decade. Splendid stuff.

6998. Cumberland Basin

Endz, Cumberland Basin, Bristol, June 2025
Endz, Cumberland Basin, Bristol, June 2025

Unsigned pieces are always difficult to identify, but I have hit upon a bit of reverse engineering in my thinking; as well as looking for clues in the lettering or style of the piece, I also think about which artists I know that never sign their work, and this often leads me to a small pool of artists to investigate. Endz is one of those artists, and closer scrutiny of the style (which varies considerably) helps to draw conclusions.

Endz, Cumberland Basin, Bristol, June 2025
Endz, Cumberland Basin, Bristol, June 2025

Endz also paints under another name in Bristol, but likes to keep the two identities separate. The sketchy style, which some might interpret as untidy, is deliberate and feels like it might have dropped out of a scrap book or something. The grey tones of the letters are interspersed with small blocks of orange that jazz the whole piece up a bit along with an orange border. Interesting work from Endz, and certainly a little different from the mainstream.

Dark-saddled leucozona

Dark-saddled leucozona, Leucozona laternaria, Lawrence Weston, Bristol, June 2025
Dark-saddled leucozona, Leucozona laternaria, Lawrence Weston, Bristol, June 2025

.

Hoverfly heaven

every floret head a table

each flower, a glass

.

by Scooj

6997. St Werburghs tunnel (510)

Werm, St Werburghs, Bristol, June 2025
Werm, St Werburghs, Bristol, June 2025

I think I have probably laboured the point in blog posts passim about my aversion to brown tones in street art, but it seems to be the ‘flavour of the month’ at the moment, so I will just have to get used to it. Strictly speaking, this piece by Werm isn’t brown, but it has that brown complexion to it.

Werm, St Werburghs, Bristol, June 2025
Werm, St Werburghs, Bristol, June 2025

Colour selection aside, this is a marvellous technical piece of graffiti writing, spelling WERM, but cunningly designed to almost disappear as letters and reappear as shapes instead. The spheres around the outside soften the hard edges of the writing in this beautifully presented piece, painted as part of Wispa’s birthday celebration paint jam.