7239. Cumberland Basin

Minto, Cumberland Basin, Bristol, September 2025
Minto, Cumberland Basin, Bristol, September 2025

It has been rather good to see Minto maintaining a regular drumbeat of pieces going this year, continuing on from a strong 2024. This piece has quite a heavy feel to it, probably exacerbated by the dark blue buff background, which I fear slightly dominates the overall presentation.

Minto, Cumberland Basin, Bristol, September 2025
Minto, Cumberland Basin, Bristol, September 2025

In my mind, Minto’s work feels like it has been deconstructed and then reconstructed, like an apple crumble on Masterchef. There is a lot of busy work and colour throughout the writing, which spells a well disguised MINTO. There are lots of shapes and design elements which appear to have been carefully thought out, and which come together nicely to create the whole. I thought this would be a good time to share an updated gallery of his work.

7237. St Werburghs tunnel (530)

Bags and Biers, St Werburghs, Bristol, October 2025
Bags and Biers, St Werburghs, Bristol, October 2025

This is a great collaboration from time-honoured members of the No Frills crew, Bags and Biers (WD40). Bags has been out an about a fair bit this year, but Biers is rediscovering his mojo (I hope), having had a period of poor motivation with respect to painting walls.

Bags, St Werburghs, Bristol, October 2025
Bags, St Werburghs, Bristol, October 2025

To the left, the familiar BAGS letters are filled in the two-colour way that he appears to like doing, and he includes some colour coordinated spots for decoration. The tear drops surrounding the piece add movement, looking like cartoon perspiration, if that makes any sense at all. The white highlights add just that little bit of depth to lift the letters.

Biers, St Werburghs, Bristol, October 2025
Biers, St Werburghs, Bristol, October 2025

At last Biers has painted a combination piece, something that is a bit of a trademark of his, and he includes the iconic comic character Inspector Gadget, although in this piece he calls him ‘Inspect Her Gadgets’ whilst examining a sex toy. The letters spell out WD40 and are really nicely presented. If you are wondering why I call him Biers, it is because that is what he was writing when I first encountered him. Below is the first of his pieces I ever posted.

Biers, M32 roundabout, Bristol, February 2017
Biers, M32 roundabout, Bristol, February 2017

7236. Peel Street Green (51)

Klashwhensober, Peel Street Green, Bristol, September 2025
Klashwhensober, Peel Street Green, Bristol, September 2025

I think, that at times, life has been quite unkind to Klashwhensober, and I know he has had his demons to battle with, so it is great to see him back on the streets again. It also looks like he has a little more clarity and concentration in his work.

Klashwhensober, Peel Street Green, Bristol, September 2025
Klashwhensober, Peel Street Green, Bristol, September 2025

This combination piece has some nice 3D letters spelling SOBER, which are accompanied by a rather sinister little character in green to the right. There is a contrast between his well crafted letters and fills and his rather less precise characters that epitomise his overall style. His work has been worth waiting for, and I hope that he has a settled and stable period going forward.

7235. M32 roundabout J3 (722)

Hemper, M32 roundabout, Bristol, September 2025
Hemper, M32 roundabout, Bristol, September 2025

Hemper is one of the great experimenters and innovators of wildstyle graffiti writing in Bristol and no two pieces are the same, and the styles and letter fonts he uses vary considerably from piece to piece. This way he gets to express his creative ideas to the maximum, not constrained by familiar patterns or shapes. It takes extreme talent and confidence to do what he does.

Hemper, M32 roundabout, Bristol, September 2025
Hemper, M32 roundabout, Bristol, September 2025

This HEMS piece is really very unusual and has a kind of mirage effect created by the wobbly yellow interventions, working with the purple and blue letters, that manage to both clarify and at the same time disguise the word. This is very clever stuff. Writing like this is definitely not something you will see every day. Love it.

7232. Greenbank (173)

Nips, Greenbank, Bristol, September 2025
Nips, Greenbank, Bristol, September 2025

For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.

Nips, Greenbank, Bristol, September 2025
Nips, Greenbank, Bristol, September 2025

This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.

7231. Frome Side (58)

Mr Riks, Frome Side, Bristol, September 2025
Mr Riks, Frome Side, Bristol, September 2025

I know that Mr Riks has painted in this spot before, but I was still rather surprised to stumble across this one. There are two notable things about the piece, the first is that there is no buffed wall or background, so the writing is at risk of being overcrowded by the surrounding graffiti, the second is the day glo colours that go some way to mitigating that risk.

Mr Riks, Frome Side, Bristol, September 2025
Mr Riks, Frome Side, Bristol, September 2025

The nicely rounded letters spell RIKS in his distinctive font, and he has given them a bit of a lift with a deep 3D drop shadow drifting to the right. If I am honest, I think a little bit of extra background would have given this piece a bit more prominence, however, he might have been short of paint or time. Vibrant work.

7228. Waterloo Place

Soker, Waterloo Place, Bristol, October 2025
Soker, Waterloo Place, Bristol, October 2025

If ever you want to see wildstyle graffiti writing at its absolute best, then look no further than this outstanding piece by Soker painted on the wall of the Sofa Project in Old Market.

Soker, Waterloo Place, Bristol, October 2025
Soker, Waterloo Place, Bristol, October 2025

Starting with the background, this piece is set on a colourful abstract wash, that has the look of a watercolour, with blended tones and drips. The letters, spelling out SOKER, are presented in a sumptuous palette of red, purple and green with magnificent fill patterns throughout. This enormous piece is a testament to an artist who sits at the pinnacle of his craft.

7226. Dean Lane skate park (873)

Taboo, Dean Lane, Bristol, October 2025
Taboo, Dean Lane, Bristol, October 2025

It would seem that Taboo doesn’t paint all that often these days, or at least, not in the places that I frequent. Dean Lane Hardcore (DLH) is an annual opportunity for street/graffiti artists to do their stuff in a one-day skate festival atmosphere, and I think that Taboo painted this and one other piece at this year’s DLH.

Taboo, Dean Lane, Bristol, October 2025
Taboo, Dean Lane, Bristol, October 2025

Wall space might have been a bit of a premium, who knows, but Taboo has instead painted the floor of the skate park – perhaps with a view to his work being more likely to appear in skate videos. Taboo’s letters are written back to front (nothing is straightforward with this artist) but rather more conventional than his typical anti-style pieces. Great to see his work after a while.

7225. Brunel Way (338)

Dirtygypo, Brunel Way, Bristol, October 2025
Dirtygypo, Brunel Way, Bristol, October 2025

This tidy little piece of graffiti writing is Dirtygypo’s contribution to a tribute wall painted in honour of Dorns recently. I betray my lack of knowledge at times like this when I say that I am not entirely sure that I ever met Dorns nor featured any of their work in Natural Adventures. What is clear from this wall is that Dorns was well-loved and respected by many in the graffiti community in Bristol.

Dirtygypo, Brunel Way, Bristol, October 2025
Dirtygypo, Brunel Way, Bristol, October 2025

What is deeply frustrating from my perspective is that I find it quite easy to read the letters DORNS in this piece, but I can’t decipher the letters used in Dirtygypo’s normal writing. There are some great colours in this piece, and a rather special 3D drop shadow in purple with pink dots. A thin white highlight enhances the feeling of depth. RIP Dorns.

7224. M32 Cycle path (298)

Benjimagnetic, M32 Cycle path, Bristol, August 2025
Benjimagnetic, M32 Cycle path, Bristol, August 2025

I rather like this piece by Benjimagnetic on the cycle path, with its orange and green stripes for a background, it has something of a psychedelic look to it. The GRO letters are beautifully ‘sculpted’, with layers of geometrical shapes stacked one upon another.

Benjimagnetic, M32 Cycle path, Bristol, August 2025
Benjimagnetic, M32 Cycle path, Bristol, August 2025

The piece was painted alongside Hemper, and looking at this with hindsight I really ought to have posted them as a pair, as they shared a colour scheme. The piece is really neat and tidy, and the sharp lines are softened, ever so slightly, with the floating bubbles, a clever device. Great work from Benjimagnetic.